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Otto Vermehren worked both as an artist and a restorer and eventually headed the restoration workshop at the Uffizi. Photo: Stadtmuseum Güstrow, public domain, via: Wikimedia Commons

Otto Vermehren – restorer and artist

Otto Vermehren worked both as an artist and a restorer and eventually headed the restoration workshop at the Uffizi. Photo: Stadtmuseum Güstrow, public domain, via: Wikimedia Commons

Otto Vermehren – restorer and artist

The new issue is here! Photo: Porcelain Collection, Dresden State Art Collections, Photo: Esther Hoyer, Alexander Schmidt/punctum

Fragile luxury

HTW Berlin, a central training facility for conservators, is at the center of the discussion about course cuts. Photo: HTW Berlin/Alexander Rentsch

Closure of the restoration course at HTW Berlin

The Goggomobil from the Cologne City Museum is the official poster motif for the 8th European Restoration Day 2025 - it exemplifies this year's motto "We preserve what moves us". Photo: Philip Mandrys, design: serviervorschlag.de, Fritjof Wild

8th European Restoration Day

An 18th century court dress - beautiful, precious and particularly challenging to conserve. Photo: Unknown author - API dataCatalogue recordPhoto, CC BY 2.0, via: Wikimedia Commons

Textiles – delicate, fascinating, fragile

Design objects were often made of plastic. They are difficult to preserve. Photo: © Die Neue Sammlung - The Design Museum, A. Laurenzo

Plastics – young cultural heritage with a fragile future

Historical objects made of leather - from book bindings to suitcases - require a special climate and gentle care to preserve their beauty. Photo: Abel Marquez, via: Unsplash

Leather – beautiful, but sensitive

Conservator carefully working on a historical painting. Photo: Paterm, CC BY-SA 3.0, via: Wikimedia Commons

Painting restoration: preserving works of art

Paper poses a challenge in restoration. Photo: National Archives and Records Administration, Public domain, via: Wikimedia Commons

Paper – a silent witness to history

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