The BIM Congress Germany

Building design

BIM will permanently change planning and construction in Germany. Architects play a central role in this process. The BIM Congress Germany – organized by GRAPHISOFT – answers key questions on the topic.

Display

On November 10, the BIM Congress Germany will take place at the Gesellschaftshaus Palmengarten in Frankfurt am Main.

BIM will prevail and change planning and construction in Germany in the long term. This is undisputed and politically desirable. It is also undisputed that architects can play a central role in this process. This makes it all the more important to be fully informed about the new planning method in good time. The BIM Congress Germany – organized by GRAPHISOFT – answers key questions such as:

– How does BIM differ in concrete terms from conventional planning practice?
– Does BIM also pay off in small and medium-sized offices?
– What does BIM mean for office organization?
– What impact does BIM have on fees, liability and copyright?
– What investments in hardware, software and training will an office have to make when implementing BIM?
– What does Open BIM mean and how does it work?

No theoretical treatises, but practice-oriented information: The BIM Congress is an event by architects for architects. Based on specific projects, the speakers will report on their experiences with the introduction of the new planning method. The method, implementation and added value of BIM will be discussed – both in different project phases and with regard to different office and project sizes. In addition, legal issues relating to BIM and HOAI will be addressed – and client representatives will explain their view of the new planning method. Plenary and breakout sessions will cover the entire range and complexity of the topic. A panel discussion, in which representatives from politics and the construction industry, BIM proponents and skeptics will have their say, will conclude the all-day event.

An interesting addition to the congress program is the accompanying trade exhibition, in which GRAPHISOFT, together with various cooperation partners, will demonstrate the Open BIM workflow: from the architectural model to quantity and cost calculation, scheduling, structural design, building services and energy assessment.

An excerpt from the congress program

BIM in a conceptual context
MAA Jakob Andreassen, BIM Manager, BIG Architects, Copenhagen

Switching from 2D CAD to BIM – case study in practice
Dipl.-Ing. Christoph Kelber, Lengfeld & Wilisch Architekten BDA, Darmstadt

BIM in execution planning
Dipl.-Ing. Florian Kraft, Managing Partner, Stefan Forster Architekten GmbH, Frankfurt a.M.

Dynamic processes – the interplay of concept and planning
Dipl.-Ing. Christoph Eichler, Managing Director, Digital Architecture GmbH, Vienna

BIM from the architect’s point of view – expensive and inhibiting creativity?
Dipl.-Ing. Holger Kreienbrink, Product Manager, GRAPHISOFT Deutschland GmbH, Munich

“BIM versus construction contract law and HOAI – status analysis”
Attorney Thomas Schmitt, specialist lawyer for construction and architectural law, JuS Rechtsanwälte Schloms und Partner, Augsburg

From the drawing-oriented way of working to the model-oriented way of thinking with BIM
Dipl.-Ing. Ruben Lang, O5 Architekten BDA, Frankfurt a.M.

Advantages for smaller projects with BIM
Dipl.-Ing. Torben Waldiger, Graf + Partner Architects, Frankenthal

The Open BIM story

Lecture and live demonstrations in the accompanying trade exhibition

More information and registration: www.bim-information.com

YOU MAY ALSO LIKE

New Online Store for Grave Sites

Building design
The online store “Grabkauf Online,” which offers themed gravesites at the Ohlsdorf Park Cemetery, is the first of its kind in Germany. Photo: Hamburg Cemeteries
The online store “Grabkauf Online,” which offers themed gravesites at the Ohlsdorf Park Cemetery, is the first of its kind in Germany. Photo: Hamburg Cemeteries

Hamburg’s cemeteries have jointly developed an online store for purchasing gravesites. This allows interested individuals to conveniently browse the wide variety of options from the comfort of their own homes on their computers.

The “Grabkauf Online” online store for themed gravesites at the Ohlsdorf Park Cemetery is the first of its kind in Germany. Photo: Hamburg Cemeteries

Especially in these times, when direct contact must be avoided, the importance of online services is increasing significantly—particularly those that eliminate the need for in-person visits. Hamburger Friedhöfe has now developed a shop for purchasing graves online. The shop offers 13 different themed burial plots at Ohlsdorf Cemetery—ranging from the wildflower garden to the Ohlsdorf Forest of Peace to the crypt.

This allows interested individuals to conveniently browse the variety of options from the comfort of their own home on a computer. Photo galleries and videos showcase the beauty of the sites. People can also view the sites and seek advice with family members or friends, even from a distance. This can provide inspiration to many who have previously been reluctant to address the topic.

Of course, it is still possible to visit the facilities at Ohlsdorf Cemetery in person. A digital map is provided for each burial plot, making it easier to locate them within the cemetery. Prices are also listed. The burial plots are offered as part of pre-need planning. This means that anyone who purchases a burial plot pays the price in effect today, regardless of when they use it. Upon purchase, the plot is reserved for an unlimited period. From the time of death, it may then be used for 25 years. However, all options can also be purchased in the event of a specific death.

You can find more information here.

Tokyo, Andaz Hotel

Building design

TYOAZ_MoriBuildingCo_100314

In the “Andaz Hotel” on the top floors of the second highest tower in Tokyo, the view is the main attraction. Despite the owners, an American hotel chain, the decor focuses on local color.

The view over Tokyo’s sea of buildings is familiar from the movie “Lost in Translation”. The view is also the main attraction at the Andaz Hotel on the top floors of the city’s second-highest tower. Despite the owners, an American hotel chain, the décor focuses on local color.

The topographically highest point in Tokyo, Atago Mountain, measures exactly 26 meters. In the past, this height was enough to see as far as Tokyo Bay – today, however, high-rise buildings obscure the view from the elevation on which the Atago Shrine has been attracting worshippers since 1603.

One of the newest towers in the city is the “Toranomon Hills Tower” by Nihon Sekkei Architects: 52 storeys high, it stretches into the sky, its floor plan reminiscent of a rhombus with partly rounded and partly chamfered corners. At 235 meters, Tokyo’s highest wedding chapel nestles triangularly under the sloping, triangular roof.

However, the tower cannot lay claim to the superlative “tallest building”, as the “Tokyo Midtown Tower”, which was completed in 2007, towers 13 meters above the Toranomon Hills Tower. However, static or structural problems were not the reason for the unbroken height record: the high-rise is so close to the Imperial Palace that additional storeys would have disturbed the privacy of the imperial family and were not approved.

But even without looking into the royals’ gardens and chambers, the view from the top six floors of the “Andaz Tokyo Toranomon Hills” hotel is hard to beat. New York designer Toni Chi and Tokyo-born interior designer Shinichiro Ogata have therefore focused the hotel rooms, which are at least 50 square meters in size by Japanese standards, entirely on the view: From the bed, from the sofa and from the desk, the view falls down to the city through the completely glazed front.

But it would be a shame not to take a look at the rooms too; the walls are clad in off-white panels covered with traditional shoji paper and set off with dark Hokkaido walnut wood, while sliding wooden walls transform the hallway into a dressing room in an ingenious and space-saving way.

Local materials and quotes from Japanese architecture and art history were also used in the elevators, lobby, spa and restaurant and interpreted in a contemporary way. The boutique hotel brand Andaz, which has opened its 12th hotel worldwide and its first in Japan with the Andaz Tokyo, places great value on authenticity: while Marcel Wanders designed the Andaz Amsterdam, for example, the Andaz Tokyo promises “Japanese experiences” for guests and locals.

The ambitious concept tolerates the inevitable breaks inherent in the term authenticity per se: the so-called Kumiko mural, puzzled together from thousands of wooden pieces, fits just as well into the almost six-metre-high hotel lobby on the 51st floor as electric light into the historic Atago shrine.

Address

Andaz Tokyo
Toranomon Hills 3-20-16-2F Nishi-Azabu Minato-ku
Tokyo 106-0031 Japan
Tel.+81 3 6830 1234, Fax.+81 3 6830 1211
www.andaztokyo.com