The colorful city – the G+L in June 2021

Building design
The rainbow flag stands for new beginnings, change and peace. Since the 1970s, the rainbow banner with six colors has been a symbol for the LGBTIQ community and can often be seen at Christopher Street Day parades. Photo: Teddy Österblom/UNSPLASH

The rainbow flag stands for new beginnings, change and peace. Since the 1970s, the rainbow banner with six colors has been a symbol for the LGBTIQ community and can often be seen at Christopher Street Day parades. Photo: Teddy Österblom/UNSPLASH

In the editorial of G+L 06/21, editor-in-chief Theresa Ramisch asks what needs to be considered in colorful and diverse urban planning.

Since 2019, around 100 Polish local governments have declared their regions to be “LGBT-free zones”, according to the Gay Travel Index, homosexuals face the death penalty in 15 countries worldwide and homophobic or trans-hostile attacks regularly take place in public and private spaces in Germany too. In the June 2021 issue of G+L, we set an example for a colorful city with positive examples. We present the Queer Inclusive Planning approach and discuss with experts from urban society how planning can support and promote diversity and tolerance in our cities. In the editorial of G+L 06/21, editor-in-chief Theresa Ramisch poses the question of how we can take into account the special needs of public space in terms of colorful and diverse urban planning.

LGBTIQ community remains a minority despite increasing rights

June is Pride Month. This month, the LGBTIQ community around the world commemorates the uprising at the Stonewall Inn gay bar in New York in 1969, where homosexual and transgender people resisted arrest by the New York police one night in June following several raids. Massive protests followed, which lasted around a week and were accompanied by street battles.

Today, for many, the Stonewall Uprising marks the beginning of the gay and lesbian movement and a key turning point in their fight for equal treatment and social recognition. Just one month after the riots, the first “Gay March” from Washington Square to the Stonewall Inn took place in 1969. The first gay pride parades followed a year later.

In Germany, the right to sexual self-determination is enshrined in the Basic Law. In addition, “marriage for all” came into force in October 2017. Despite increasing rights, the LGBTIQ community remains a minority that continues to be persecuted or socially excluded in many places. In Poland, for example, around 100 voivodeships have introduced “LGBT-free zones” since 2019.

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Changing living concepts

In the first two issues of this year’s City Special, we at G+L discussed the increasing pressure on space in our major cities and the future of rural areas. This third and final issue is about the fact that we are not only having more people in our cities and fewer in the countryside, but are also becoming more diverse as a society. Demographic change cannot just be reduced to age and migration; the diversity of lifestyles is also increasing.

In this issue, we use the LGBTIQ community to discuss how we as planners deal with this change in lifestyle concepts. Queer lifestyles are representative of the increasing colorful diversity in our cities – even if the LGBTIQ community as a minority only makes up part of this diversity. At the same time, relatively little is known about them in terms of planning.

What needs to be considered in colorful and diverse urban planning?

LGBTIQ – the term alone causes a certain amount of uncertainty among many planners. What is the best way to describe people who define themselves as lesbian, gay, bisexual, transgender or intersex? Do queer people have specific needs in terms of public space that we need to take into account for the purposes of colorful and diverse urban planning? And should we do this at all, when it is actually our job to design spaces for everyone? We ask all these questions in the June 2021 issue and take a look at Freiburg, Mainz and Vienna, among others. With this in mind: Happy Pride!

PS: This issue is the last in this year’s City Special series. Under the motto “Cities for tomorrow”, we will be discussing three topics in three consecutive issues that no planning department can currently ignore.

POTREBBE INTERESSARTI ANCHE

“Tsuyoshi Tane: The Garden House” at the Vitra Design Museum

Building design
The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

The Garden House by Japanese architect Tsuyoshi Tane is the latest building on the Vitra Campus and the first to be designed with the climate crisis in mind. The impetus for its construction came from Rolf Fehlbaum, Chairman Emeritus of Vitra, in 2020. In a letter to Tane, he explained that the Tane Garden House, together with the surrounding Oudolf Garden, should be the “first manifestation of a greater awareness of sustainability” on the Vitra Campus. It is important that the materials, working methods and usage methods used meet high ecological standards.

The Tane Garden House has a relatively small footprint of just 15 square meters and serves both as a lounge for the gardeners on the site and as a viewing platform for visitors to the campus. The platform offers an elevated view of the surrounding Oudolf Garden. The facility was developed in a trial-and-error process in which many different options were explored in search of the essence of the site.

The garden house is a typical example of Tsuyoshi Tane’s way of working. His projects are always preceded by intensive research into the local conditions. The exhibition in the Vitra Design Museum Gallery shows how the new building emerged from such research.

Like an archaeologist, Tane embarks on a kind of journey of discovery and searches for the essence of each place – he even describes this process as archaeology, the “archaeology of the future”. In doing so, he primarily explores the use of traditional materials and the regional craftsmanship in dealing with them. Tane also uses the term “above ground” to describe renewable products such as reeds or wood. This contrasts with “underground materials”, which are heavily overused raw materials. Although Tane was inspired by the historical buildings in the Swiss open-air museum Ballenberg to use the materials that make up the garden house, his own structure was built using regional production techniques and in collaboration with local craftsmen. The aim was to generate the smallest possible CO2 footprint overall.

The exhibition in the Vitra Design Museum Gallery presents, among other things, precisely these materials as components of the building: from the traditional thatched roof and the well trough made of logs to the binding and knotting techniques of ropes used for the staircase balustrade. Visitors will also find architectural models as well as models of individual building elements, drawings of the building and evidence of collaboration with local craftsmen. The entire development of the building can be traced on the basis of over a hundred models and mock-ups that have gone through several experimental stages. The exhibits show Tane’s intensive engagement with the typology of the building and his playful approach. The Tane Garden House is a building that represents an experimental study in contemporary and ecological construction. The exhibition consists exclusively of the materials used in the development process.

The exhibition is accompanied by the publication “Tane Garden House”. It conveys Tane’s unique architectural approach, his discussions and exchanges with craftsmen, builders and others involved in the process using statements and drawings, prototypes and sketches, models and materials.

The exhibition will open on November 18, 2023 and will run until April 21, 2024, inviting anyone interested to come and see for themselves.

Until recently, another interesting exhibition was on show at the Vitra Design Museum: Everything about “Garden Futures” here.

Art in shape – The stone in January 2025

Building design
Jo Kley's "Bull" is one of more than 100 sculptures that the freelance artist has created in Germany and 20 other countries around the world. Kley has been carving sculptures out of natural stone for around 25 years, using them to bring irrepressible energy into solid forms. Jo Kley regularly takes part in symposia and has created numerous works for public spaces. The artist lives and works in Kiel. © Bernd Perlbach

In the first issue of the new year, we invite you to rediscover the ancient excavation sites of Pompeii through the eyes of renowned architectural photographer HG Esch. He shows the city in unprecedented clarity. We will also be presenting impressive sculptures made of natural stone that artist Jo Kley has created in recent years and taking a closer look at the mandatory e-invoicing that will apply to companies from 2025.

Trade fair in Munich

Right at the beginning of the year, another trade fair is on the agenda: BAU 2025. It could be worth coming to Munich, because the program reads promisingly. The building of the future is right at the top of the trade fair organizers’ agenda. Companies from the natural stone, ceramics and tile sectors await you in Hall A4.

Pompeii from above

From page 6 onwards, we invite you to take a completely new look at the ancient excavation sites of Pompeii with us. Renowned architectural photographer HG Esch and his team have embarked on a literally “historic” journey, during which spectacular drone photos were taken. They show the structures of the ancient city with unprecedented clarity.

Award-winning sculptures

After breathtaking photographic art, from page 14 we show impressive sculptures made of natural stone that artist Jo Kley has created in recent years. He remains true to his original profession as a stonemason and stone sculptor. Kley has already given advice and support to the winners of the “DMH” and “Gute Form” competitions twice during a workshop. In this way, he is preparing the ground for the artists of tomorrow.

Maoi in Berlin

Our author Dr. Inge Pett found out for you how a moai from Easter Island ended up in Berlin’s Gardens of the World. The replica of such a huge sculpture made of tufa stone had literally been growing grass for 25 years. Find out what the Moai are all about from page 30 onwards.

Electronic invoices

From page 48, we turn our attention to a topic that may be on the minds of many of you: e-invoices. They will be mandatory from 2025. Our author Marian Behaneck explains what this means for companies and what details you should pay attention to when creating, receiving, processing and archiving electronic invoices.

We hope you enjoy reading STEIN!

Your STEIN editorial team Redaktion@stein-magazin.de

The magazine is available here!

In our last issue 12/24, we looked at bathroom construction. Read more about it here.