The Wieskirche is a unique masterpiece of Bavarian rococo architecture, which impresses with its light-flooded architecture, richly decorated stucco work and deep spiritual atmosphere. Built in 1745 as the result of a miraculous event, it embodies not only architectural excellence, but also a living pilgrimage tradition. Since its inclusion in the UNESCO World Heritage List in 1983, the pilgrimage church “Die Wies” has been representative of the harmonious interplay between art, faith and landscape.

The recognition of the Wieskirche as a UNESCO World Heritage Site is based on its exceptional universal value. This lies above all in the authenticity of the site: The surroundings have remained completely untouched to this day, and the form and design, material and substance as well as the use and function of the church have been preserved unchanged. Equally important is its integrity, because in this sparsely populated, almost deserted area, a religious and architectural project could be realized without external restrictions. As a result, all the elements that give the church its universal value have been preserved and there are no direct negative effects from structural development or neglect.
At the same time, the Wieskirche fulfills two essential UNESCO criteria: according to criterion (i), it is a perfect masterpiece of Rococo art, built in the open air and impressively embodying the artistic flowering of the 18th century. According to criterion (iv), it is an exceptional testimony to cultural and religious traditions that uniquely documents the combination of art, faith and landscape. This makes it clear why this place is of universal importance beyond its regional significance.

The Wieskirche, officially the Pilgrimage Church of the Scourged Savior on the Wies, was recognized as a UNESCO World Heritage Site in 1983 and has since been considered an outstanding example of the beauty and significance of Rococo in Bavaria. This building was constructed between 1745 and 1754 under the direction of the architect and stucco artist Dominikus Zimmermann and stands out not only for its exterior design, but above all for its interior: stucco, ceiling paintings, ornamentation and lighting combine to create a total work of art that is inextricably linked to religious experience. Even the source of the will to build – the so-called miracle of tears at the figure of Christ the Scourged Savior in 1738 – bears witness to the deep spiritual roots that characterize this place to this day.
The Wieskirche was built in a landscape that was barely populated and relatively untouched, which means that the church does not subjugate its surroundings, but corresponds with them. Dominikus Zimmermann not only had walls erected, but also created spaces that create an almost heavenly effect through light and transparency. The architecture is airy and bright, and in combination with the lavish stucco decoration, carvings, gold ornaments and the trompe-l’œil fresco in the dome, an inner world is created that invites the viewer to linger and contemplate. The harmony between art and landscape is an essential feature of the Wieskirche; it was deliberately built in the open countryside so that form and design, material and substance, use and function could unfold undisturbed. The openness of the space and the illumination of the interior through numerous windows allow the artistic elements to achieve their maximum effect, not merely as decorative accessories, but as an integral part of religious space.

The value of the Wieskirche lies not only in what is visible, but also in what it preserves: in the authenticity of its overall appearance, in the integrity of its architectural forms, in its function as a pilgrimage church that continues to be visited. Different artistic disciplines – architecture, stucco, painting, sculpture and carving – enter into dialog here in a rarely seen perfection. The ceiling frescoes by Johann Baptist Zimmermann are particularly noteworthy, as are the stucco garlands created by Dominikus Zimmermann. The opulent interior decoration remains unrivalled in its richness and refinement, as is also emphasized on the UNESCO website. It is equally important that the Wieskirche preserves living religious traditions in its function as a sanctuary: pilgrims, church services, pilgrimages and the awareness of a place that wants to be more than an architectural monument characterize its profile.
The location of the Wieskirche at the foot of the Alps, in the middle of a rather sparsely populated region, enhances the experience: those who visit it not only experience art history, but also nature, silence, spatial expanse and the interplay of light and shadow. This means that a visit at different times of day provides different impressions. In the morning, the sun illuminates the frescoes and stucco work particularly impressively; in the afternoon, the shadows and light change the perception, so that you almost have the feeling that the church changes its face as the day progresses. This effect is part of what makes the Wieskirche so special – not as a fixed point, but as a place of living experience.

From a scientific point of view, the Wieskirche is an object of study on several levels: On the level of architectural history, it shows how rococo and religious function merged, how artists such as Dominikus and Johann Baptist Zimmermann worked, what techniques and materials they used and how these have been preserved over time. At the level of the World Heritage documents, attributes such as integrity and authenticity can be precisely defined: the intact surroundings, the original substance, the historical use and the complete furnishings. The Wieskirche is also a role model in terms of cultural management and monument protection – how to protect a place without taking away its function, how to transform a church into a mere tourist attraction without its religious users. The Wieskirche thus not only stands for baroque religiosity and artistic enjoyment, it remains a living place of pilgrimage that attracts people who want to experience art, faith and history. It symbolizes the flowering of rococo in Bavaria and at the same time the task of preserving cultural heritage so that future generations can understand the depth and beauty of this place.

– Guided tours: In-depth insights into the architecture, art and history of the Wieskirche.

– Church services and pilgrimages: Spiritual events and a lively pilgrimage tradition.

– Music and concerts: Organ concerts and other musical events in a historic atmosphere.

– Further information on opening times, guided tours and current events: www.wieskirche.de.

Tip: Visit the church in the morning sunlight, when the frescoes and stucco work are particularly radiant.

From July 23 to October 2, the space and sound sculpture SICHTUNG II will be on display in Munich’s Kreativquartier. It has the shape of a tower and is accessible.

From July 23 to October 2, 2019, the space and sound sculpture SICHTUNG II will be on display in Munich’s Kreativquartier. The artwork was created by Hildegard Rasthofer and Christian Neumaier. It is a temporary artistic installation that can be walked through inside.

The artists Hildegard Rasthofer and Christian Neumaier used over 70 tons of steel for their sculpture SICHTUNG II. The dimensions of the artwork, which consists of 13 cubes, are variable: in Munich, it towers over 32 meters high with a base area of 2.4 x 2.4 meters – but as soon as the sculpture changes location, its dimensions also change.

It is created anew each time it is erected, depending on the location and situation. Under the name SICHTUNG II, the sculpture takes the form of a tower. Viewers reach the top level, an open platform, via a three-flight staircase.

As SICHTUNG I, the artwork already stood in Reithofen in Upper Bavaria in 2018. Following the exhibition in Munich, SICHTUNG II will be dismantled and reassembled in the mSE Kunsthalle in Unterammergau as SICHTUNG III.

Hildegard Rasthofer is an architect. She designed the modular sculpture together with the metal sculptor and master blacksmith. In their work, the two artists deal with experimental architecture and plastic-sculptural design.

The sculpture can be viewed in Munich’s Kreativquartier. Access is only possible during the opening hours of the site, via Heßstrasse (at number 134).

Further information can be found here.