Drones have already proven their worth time and again in the renovation and preservation of existing buildings. Photo: Geospector
Drones have already proven their worth time and again in the renovation and preservation of existing buildings. Photo: Geospector

In our new STEIN series, “Seizing Opportunities,” we share our knowledge about strategies companies can use to achieve long-term success. The first episode focuses on the bird’s-eye view. Drones enable inspections, measurements, and documentation of quarries or facades.

Unmanned aerial vehicles—known as Unmanned Aircraft Systems (UAS) or Unmanned Aerial Vehicles (UAV), and commonly referred to as “drones” or “multicopters”—are now used in numerous areas of construction, renovation, and building preservation. Equipped with a digital or thermal imaging camera or a 3-D laser scanner, remote-controlled drones can inspect or geometrically map quarries, facades, or roof surfaces; locate and document damage; detect energy losses; and much more.

For construction, renovation, or remodeling projects to be successful, they must be carefully prepared and planned. Up-to-date and reliable as-built data is the most important foundation for prudent planning. Terrestrial surveying methods such as tachymetry, laser scanning, or photogrammetry capture only those areas that are accessible and visible from the ground or from surrounding buildings. Roof surfaces and other inaccessible areas of a building’s facade cannot be captured geometrically or photographically, or can only be captured inadequately.

Drones can use aerial photogrammetry or 3-D laser scanners to perform seamless geometric surveys of buildings and other objects, which is why they are sometimes used in parallel: Perspective-corrected aerial images can be used to create roof plans or facade views that are accurate to the centimeter and to scale. When the aerial images are analyzed using photogrammetry, they can be used to create 2-D plans or three-dimensional models of the building envelope. These can serve as a basis for planning, cost estimates, bids, or visualizations.

Drones equipped with special 3-D laser scanners can scan the surrounding area in a grid pattern in a matter of seconds, generating millions of 3-D measurement points—so-called “point clouds.” In the process, they store the geometric data of all surrounding objects as spatial coordinate values. An integrated digital camera also captures 360-degree photo panoramas and maps building envelopes with virtually no gaps. Survey drones are also capable of first capturing orthogonal photos or 3-D laser scans of stockpiles, gravel and crushed stone pits, landfills, or quarries, and then using these to generate 2-D site plans, 3-D terrain models, masses, and volumes—all without disrupting ongoing operations or endangering people.

Read more inSTEIN 8/2020.

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Light and shadow in Cologne

Building design

L.-Fritz-Gruber-Platz is only about 400 meters away from Cologne Cathedral as the crow flies. For its design, the Düsseldorf-based firm scape Landschaftsarchitekten took up the theme of photography. The result is a play of light and shadow.

L. Fritz Gruber Square is located just 400 meters from Cologne Cathedral as the crow flies, right next to the Kolumba Art Museum of the Archdiocese of Cologne, which was built in 2007 according to plans by Peter Zumthor. The square is named after the photographic historian and journalist Leo Fritz Gruber. From 1945, he worked as a photographer for the British Army of the Rhine. This passion never left him. The Düsseldorf-based firm scape Landschaftsarchitekten therefore took up the theme of photography for the design of the square. A play of light and shadow creates a two-dimensional image of the large maple trees on the square. The square is bordered by listed facades from the 1920s and 1960s. Typical local basalt cobblestones surround a rectangular area of light-colored concrete slabs with an aspect ratio of 6:9 (small picture format), which is framed by three white cuboid benches.

Shadow plays are created on this projection surface, which is illuminated at night by a luminaire hanging above the square in the shape of a hollow sphere. Objects that cross its beam of light create sharply defined shadows on the paving. The functional principle is similar to that of a projector: a hollow body with a matt black inner surface and a point-shaped light source, the opening of which is dimensioned at the bottom so that the focal point beams precisely trace the surface of the square.

L.-Fritz-Gruber-Platz, Cologne

Client: City of Cologne – Civil Engineering Department
Open space: scape Landschaftsarchitekten, Düsseldorf
Project management: Hiltrud M. Lintel, Rainer Sachse
Collaboration: Jan Heimann, Judith Pfahler, Markus Hilgers, Bernd Nengel
Competition: 2007, 1st prize
Completion: September 2012
Area: 2,200 square meters
Costs: 570,000 euros

A stroke of art-historical luck

Building design

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The sacristy used today dates from the Baroque period, but the two Gothic sacristies with their vaults and rare gray-on-gray painting are a stroke of art-historical luck. These are now used as storerooms, albeit for valuable items from the monastery or handicraft objects such as candlesticks or figurines.

The approval of the preliminary investigation for the restoration means that the sacristies will now be cleared out so that they can be made accessible to the public at some point in the future. Church historian Roland Götz has taken a closer look at the sacristies and knows that their preservation is a stroke of luck. However, fire protection still needs to be clarified, as there are no escape routes. As the church is under the same roof as the Bräustüberl, the castle distillery, the grammar school and the brewery, all those responsible and the owners must first come to an agreement. How much all the measures would cost is now to be found out in advance.