“The media library is a meeting place for people in the region.”

Building design

The new media library in the French municipality of Sierentz by drlw architectes: old and new symbolically united. Interview with architect Denis Dietschy.

Originally, the municipality of Sierentz only wanted to convert an old barn into a tri-national media library with the “Domaine Haas” IBA project. But that was just the beginning. In the meantime, the municipality of Sierentz has linked the Domaine Haas with two other IBA projects, making it the starting point for an urban planning study. Initially, however, the focus was on the Haas family’s property – a farm including a mill and botanical garden – and the new media library. We find out from lead architect Denis Dietschy how drlw architectes managed the balancing act between old and new and what symbolism the new structures have.

Denis Dietschy, the media library at Domaine Haas in Sierentz was built in 2014. What role did drlw architectes play in the project?

The media library didn’t exist before our architectural intervention. But to understand our role as architects, we have to look at the Domaine Haas as a whole: It is located in the center of the village, along the river. It is an old farm, consisting of an old mill and a botanical garden, which was owned by the Haas family for several generations until they decided to give the property to the municipality. In return, they demanded that the municipality would not convert the site into housing, but instead integrate the estate into an existing school project. The municipality therefore undertook to respect the existing site and to develop public facilities on it.

Several generations? The Domaine Haas seems to have a long history …

The area does indeed have a long history, and this is very important for the project. The Domaine Haas is a former manor house. At the time, the manor houses belonged to wealthy families who established themselves along the streams to build mills. When we were working on the project, it was important to us to record its history. We wanted to show that history doesn’t always have to end. Building this modern building in the heart of the village was an extraordinary adventure.

So you built a new media library for the community with drlw architectes?

Exactly, we reused the barn and stables that were already there. We opened up the existing building and built a very modern glass extension right next to it. A pedestrian bridge connects the two buildings and embodies the link between past and present. A school was also recently built on the site.

Meeting place in the heart of the village

What do you mean by the link between past and present?

We have completely restructured the old building. You could say that we have accommodated children and young people in the new part, while the older part is intended for adults. The two buildings are connected by the pedestrian bridge, which acts as a mediator of history – very symbolic architecture in other words.

How has this been received by the community?

The media library is doing very well. The location is used by many people and the media library has become an integral part of the village. This is also due to the fact that we designed it as an open place that is at the heart of the village. Many people come here to spend time or just to have a coffee. The media library not only serves as a meeting place for the municipality of Sierentz, but also for the surrounding villages.

“It’s not just French or Alsatian people.”

How does the media library fit into the tri-national region?

Sierentz should contribute to the attractiveness of the Basel region. The region is home to many inhabitants, most of whom work in the Basel area. This creates a cultural mix. I find it exciting that the media library can be a place of written and oral exchange between these different cultures.

Has the tri-national aspect of the project influenced your architecture?

Yes, in terms of symbolism. We have created an open space that respects the past while being open to the future. It’s a meeting place for all the people who live in the region. It’s not just French or Alsatian. All these villages in the border region are now home to people from all over.

Why have we started an IBA Basel series? You can read about it here.

You can find more interviews on IBA Basel projects here.

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New edge for Bad Segeberg

Building design

Landscape architects Brien Wessels Werning have redesigned the lakeside promenade in Bad Segeberg. The result is a string of pearls made of walkway elements. The aim of the design: to interlink the town and the lake.

Landscape architects Brien Wessels Werning have redesigned the lakeside promenade in Bad Segeberg. The result is a string of pearls made of walkway elements. The aim of the design: to interlink the town and the lake.

Bad Segeberg, a small town in the middle of the Hamburg – Lübeck – Kiel city triangle, is normal. Plain and simple, just like northern Germany. The climatic health resort became famous throughout Germany with the Karl May plays, which have been held in the summer months since 1952. The Großer Segeberger See lake, which is only a few minutes’ walk from the town center, offers a high recreational value. The aim was to strengthen this.

The south-western lakeside promenade was redesigned by landscape architects Brien Wessels Werning and inaugurated at the end of 2014 after just one year of construction. The aim of the planning was to dovetail water and land, strengthen the connection between the city center and the lake and bring urbanity to the lake. The landscape architects’ design has a clear and uncluttered structure: The promenade, which is around 100 meters long, nestles into the natural, linear course of the shore, reacts to the local conditions and therefore does not form a foreign body in the landscape. The planners play with platforms and levels, with elements such as the Kneipp facility, sun deck and lakeside terrace alternating rhythmically. This sequence is brought to life through the different heights and materials of the individual sections – like pearls strung on a string.

The edge of the slope is provided with a light-colored plinth wall that gives the outdoor area support and guidance. Space-creating trees are lined up along the wall. They provide additional vertical support and separate the open space from the dominant surrounding buildings. A grandstand facing the forest marks the end of the complex and forms a rounded conclusion to the outdoor space planning. Events can also be held here in the open air under the protection of the trees. Bad Segeberg is also known as a healthcare location in the Hamburg metropolitan region, so there are many clinical facilities in the immediate vicinity of the promenade. To get a breath of fresh air, spa guests and visitors previously had to go to the outdoor facilities adjacent to the water’s edge. “Before the redesign, people walked straight past the lake on a plain, asphalted path,” says landscape architect Andreas Werning. Today, visitors can step out onto a viewing platform and so-called water gardens, sit in original seating by the water or take a dip in the Kneipp pool. Werning explains: “The Kneipp pools are designed as a floating element and are a special attraction, as you virtually walk on the surface of the water.”

Lecture by Anne Holtrop

Building design

Academy Series 2017 Anne Holtrop, Amsterdam/Muharraq 14 November, 7 pm Akademie der Bildenden Künste München, Historische Aula The Academy Series, organized by the Master’s course in Architecture and Art at the Akademie der Bildenden Künste, aims to enrich the city’s architectural discourse with lectures by international and renowned architects. Next Speaker: Anne Holtrop “In my work I start with forms or […]

Academy series 2017
Anne Holtrop, Amsterdam/Muharraq
November 14, 7 pm
Academy of Fine Arts Munich, Historic Auditorium

The academy series, organized by the Master’s course in Architecture and Art at the Academy of Fine Arts, aims to enrich the city’s architectural discourse with lectures by international and renowned architects.

“In my work I start with forms or material gestures that often come from outside the realm of architecture, in the conviction that things can always be re-examined and reinterpreted, and could in turn also be seen as architecture. The way someone can see a butterfly or a lake in the ink blots of a Rorschach test. I try to look freely at material gestures and forms and let them perform as architecture. In this way, architecture emerges by imagining a next step to the precious steps that have been taken, in an attempt to let the work remain interpretable, in much the same way it originated.” – Anne Holtrop

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