The new face of our city centers

Building design

Are the online boom and the coronavirus pandemic making our high streets deserted? Business journalist and economist Daniel Schönwitz comments that gloom across the board is by no means a foregone conclusion. What changes are in the offing – and what architects can hope for. They were impressive symbols of the German economic miracle: in department stores such as Karstadt or Kaufhof, people in the fifties and sixties indulged […]

Are the online boom and the coronavirus pandemic making our high streets deserted? Business journalist and economist Daniel Schönwitz comments that gloom across the board is by no means a foregone conclusion. What changes are in the offing – and what architects can hope for.

They were impressive symbols of the German economic miracle: in department stores such as Karstadt or Kaufhof, people indulged in consumption with great fervor in the fifties and sixties. But those golden days are long gone: online retail has taken a heavy toll on the top dogs in city centers. And now comes the coronavirus crisis.

The department store group Galeria Karstadt Kaufhof has therefore already applied for “protective shield proceedings” and up to 80 of its 172 stores are to close. Department store operators are also struggling elsewhere in the face of falling customer footfall. In the USA, the share prices of shopping mall managers such as the Simon Property Group have collapsed.

This development will profoundly change the face of pedestrian zones and shopping streets. In all industrialized countries, vacancies of unprecedented proportions are looming – after all, property owners are likely to find it difficult to find new tenants in many cases. We will “no longer recognize our city centres next year”, warns a representative of the real estate industry.

In my opinion, however, it is too early to say farewell to our city centers; gloom across the board is by no means a foregone conclusion. After all, every end is also a new beginning that holds the promise of something new and better.

And let’s be honest: more variety would be good for many shopping streets. Surprises have become rare, especially in the top locations. Visitors usually encounter the usual suspects there – department stores, fashion chains or perfumery chains.

This is hardly surprising given the rapid rise in rents, which only a few companies can afford. In addition, customer footfall is falling and with it the chance of commercially successful store concepts. The coronavirus pandemic will therefore drive more retailers away – but at the same time attract new entrepreneurs who are less dependent on high customer numbers.

As a result, new flagship stores are likely to be created by brand owners from various sectors, who are not primarily concerned with sales, but above all with the brand: a presence in prime locations is not intended to generate short-term income, but to strengthen long-term profitability. Investments are therefore financed from the marketing budget.

I could therefore imagine that in future, car manufacturers, IT companies or garden tool manufacturers will be increasingly attracted to city centers to present themselves there. To put it bluntly: Shopping streets will become 3D advertising spaces, especially in prime locations.

“More vibrant urban culture”

US sociologist Saskia Sassen even believes it is possible that “a much livelier urban culture” will emerge as a result of retail chain bankruptcies – “with lots of tiny stores” that are more crisis-resistant thanks to low costs. Many small ones could therefore replace one large tenant.

Let’s wait and see. But there is another trend that speaks for more variety: frequency-oriented retailers who want to stay despite the online boom and coronavirus pandemic need to improve. Despite everything, the aim is to attract as many customers as possible and increase sales per visitor.

Many store operators are already working hard on concepts to turn shopping into an experience – including a feel-good atmosphere and surprises. In future, customers will therefore be able to try out products or take advantage of additional offers more and more often. Many stores will become more diverse and colorful.

Even the traditional department stores of Galeria Karstadt Kaufhof? Yes, at least if Arndt Geiwitz has his way: the reorganizer has set the goal of making a profit again within two years after closing unprofitable locations. The money will then be used to modernize the remaining locations “for several hundred million euros”.

Architects can therefore look forward to lucrative contracts. However, it remains to be seen whether the buildings will be able to return to the glory days of the economic miracle.

Read Daniel Schönwitz’s latest column here: The new longing for proximity

Daniel Schönwitz is a business journalist, columnist and media trainer. The economist lives with his family in Düsseldorf. Follow him on Twitter.

This column is part of the Homeoffice Special, in which we report on the most important news about the coronavirus pandemic from an architectural perspective.

YOU MAY ALSO LIKE

Done: The future graduates of the state-recognized academy for the training of restorers of furniture and wooden objects in Munich will present their theses on 21 March. It is the crowning finale to the many months of projects and tinkering: the exhibition of the theses. Every year, students from the state-recognized academy for the training of restorers of […]

Done: The future graduates of the state-recognized academy for the training of restorers of furniture and wooden objects in Munich will present their theses on 21 March.

It is the crowning finale to the many months of projects and tinkering: the exhibition of the theses. Every year, students at the state-recognized academy for the training of restorers of furniture and wooden objects present their extensive work in their third year of study. In 2018, the future graduates, lecturers of the academy, former students and friends of the Goering Institute will meet on March 21. The venue is traditionally the Seidlvilla on Nikolaiplatz in Munich.

Naturally, the lectures are all about wood. Fabian Bodenmüller, for example, will report on “Alternatives to chemical wood protection”, Roland Depner will deal with “Research into asbestos-containing materials on furniture” and Sascha Troppmann will talk about the creation and use of bush-hammered wood. In addition, Magdalena Hartshauser will provide new information on wood painting in terms of history, material and technique. She carried out studies on a historicist cabinet. Ann Marie Löfflad presents her “Research on the upholstery fabric of an ensemble of seating furniture from around 1800”. A broad spectrum that invites professional exchange. You can find the complete program here.

For over 30 years, it has been possible to train as a conservator at the Fachakademie in Munich. The continuous development of the practical and theoretical training framework led from training workshops to a state-approved technical school for restorers to today’s “State-approved technical academy for the training of restorers of furniture and wooden objects”. The non-profit Goering Institut e.V. is the sponsor of the academy. Particular emphasis is placed on applied restoration practice. It takes up around 50 percent of the restorer course.

Pleaseregister by e-mail with Mr. Küglerto take part in the presentation of the specialist work :

kuegler@restaurierung-goering.de

The future of the churches

Building design

which is known as the "Room of Silence"

At the beginning of 2016, the Wüstenrot Foundation awarded prizes in its nationwide competition “Church buildings and their future” for special projects that renovated, converted or repurposed churches.

At the beginning of 2016, the Wüstenrot Foundation awarded prizes in its nationwide competition “Church buildings and their future” for special projects that renovated, converted or repurposed churches. The 291 entries included many examples of how church buildings and community centers can be preserved as a visible part of cultural identity. We spoke to Dr. Stefan Krämer, Head of the “Science and Research” department at the Wüstenrot Foundation.

Churches in Germany are facing major challenges. Declining parishioner numbers, changing usage requirements and high costs for the maintenance and operation of church buildings require a sustainable strategy to preserve church buildings. However, we believe that it is not only the churches that are responsible for these tasks, but society as a whole, as churches are the bearers of our cultural identity. There has not yet been a general overview of the architectural transformation of churches. Although the Christian churches or the EKD Institute in Marburg, for example, present individual projects for the conversion of churches, a broader overview has been lacking to date. We therefore decided to launch the competition “Church buildings and their future” to contribute to the development of successful strategies for church conversion.

What developments do you see in this area?

The peak of this trend has not yet been reached. Viable strategies still need to be developed in order to save church buildings from decay and convert them in an economically, culturally and urbanistically sensible way. The city of Stuttgart, for example, is planning to set up a working group to develop a plan for the next 20 years. In my experience, Bavaria is only at the beginning of the process of finding a strategy for the future use of church buildings in the context of social change. A lot will definitely happen here.

Which projects in your competition did you personally particularly like?

I think many of the entries were very successful. This time, we awarded prizes to two particularly outstanding designs, otherwise there is only ever one “1st place” in our competitions. It was very important to us to highlight two different usage strategies, on the one hand the realization of a functional church and on the other a project that demonstrates the possibility of collaboration with a cooperative sponsorship. The newly created spatial structure of the Catholic Heilig-Geist-Kirche of the St. Martinus parish in Olpe enhances the quality of the building, also in terms of urban planning. A reduction in size with a new space utilization concept is the more common variant of a redesign. To preserve the Protestant church in the Bochum-Stahlhausen district, those responsible chose to work with a multicultural educational association. The church is now used both in a sacred setting and as a district center for social educational work. This project certainly serves as a role model.

Were there also projects in which stonemasons were involved?

We see ourselves more as an interface between architects and clients. In this respect, the focus was on the interaction between these parties. However, as far as I know, stonemasons were involved in some projects. For example, in the conversion of St. Joseph’s Church in Aachen into the Church of the Holy Sepulchre. The conversion of church buildings into columbaria is particularly interesting both for the churches, as the sacred use can often be retained and a refinancing strategy is already integrated, and for stonemasons, who can carry out the work on the stone. As experts in the field of funerals, many opportunities open up for them. With burial churches, it is very important that an overall picture is created that captures the aura of the place, but also arranges the urn spaces efficiently. The aim was not to create walls of shelves like in a library, but a place that also creates islands for silence and mourning. Architects are not the only ones in demand for this design implementation.

What special insights were you able to gain?

In a comparison within Germany, the new federal states are probably the most advanced with their building projects in this field. As church buildings were no longer used in the GDR era and later – often for financial reasons – did not find their way back to their intended purpose, the question of their future has perhaps been around for a little longer. It is also interesting to note that, in my experience, it is often easier to convert Catholic churches than Protestant ones. Profanation is easier because Protestant church buildings often already have an integrated community center. Many memories of life in the parish are attached to it. The space takes on a different meaning.

In STEIN in June 2016, we take a closer look at the potential of redesigning sacred spaces for stonemasons. You can find out more about the “Church buildings and their future” competition and other Wüstenrot Foundation projects here.