The Peking has been handed over to the Hamburg Historical Museums Foundation

Building design

The Hamburg Maritime Foundation has completed restoration of the historic Flying P-Liner In the days of the great sailing ships, passengers and crew were exposed to countless life-threatening dangers. Until well into the 20th century, the South American voyages were a particular challenge for sailors, as they had to sail around Cape Horn even in extreme weather conditions. This was always […]

The Hamburg Maritime Foundation has completed the restoration of the historic Flying P-Liner


Bis Anfang der 1930er-Jahre transportiert die Viermastbark Peking vor allem Salpeter aus Chile nach Hamburg. Die historische Postkarte zeigt sie in der Elbmündung. Foto: Stiftung Hamburg Maritim / Hans Hartz
Until the early 1930s, the four-masted barque Peking mainly transported saltpetre from Chile to Hamburg. The historical postcard shows her in the Elbe estuary. Photo: Hamburg Maritime Foundation / Hans Hartz

In the days of the great sailing ships, passengers and crew were exposed to countless life-threatening dangers. South American voyages were a particular challenge for sailors right into the 20th century, as they had to sail around Cape Horn even in extreme weather conditions. This was always a dangerous adventure. The Flying P-Liners, or P-Liners for short, of the Hamburg shipping company F. Laeisz specialized in this route. They achieved fantastically short travel times and were famous for their robustness and speed, regardless of the weather. Only four Flying P-Liners have survived to this day: The Pommern and the Passat serve as museum ships in Finland and Travemünde respectively and the Padua is now in service as the Russian sail training ship “Krusenstern” . The fourth surviving former P-Liner, the Peking, will now become the tourist highlight of Hamburg’s port museum.

The Hamburg Maritime Foundation has successfully completed the restoration of the ship at the Peters shipyard. Until 2016, the Peking was still attracting attention as a museum ship in New York. The four-masted barque was built by Blohm+Voss in Hamburg in 1911. All of the shipping company’s cargo ships, which all have a “P” as the first letter in their name, were used in the saltpetre trade. Outgoing goods were loaded for export to Chile, for example Steinway grand pianos for emigrant families living there, and the ships sailed back fully loaded with sacks of guano, an important raw material for fertilizer and explosives in Europe. The saltpetre trade also provided an economic boom in South America until the First World War.

Cape Horn was circumnavigated twice on each voyage, with the Peking making 34 circumnavigations of Cape Horn alone. She made her last voyage under sail in 1932, was decommissioned and converted into a stationary boarding ship. In 1974, the ship was acquired by New York’s South Street Seaport Museum. From then on, the Peking served as a museum ship and tourist attraction. When the South Street Seaport Museum ran into financial difficulties in the years from 2000, it was put up for sale for a lot of money. The newly established Hamburg Maritime Foundation had already shown interest in the famous four-master at that time, but abandoned the project due to the considerable restoration costs. For years, no one was interested in taking over the ship, so the South Street Seaport Museum even offered it as a gift in the end. After the German parliament provided the money for the transfer and restoration in 2015, the Peking was reclaimed in 2017. The ship is to be exhibited at the Hamburg Port Museum from 2020. Over the past three years, the hull and rigging of the historic cargo ship have been expertly restored at the Peters shipyard in Wewelsfleth. The ship, with its imposing yellow masts over 50 meters high, now shines again in the shipping company’s colors of black (hull above the waterline), white (waterline) and red (underwater hull). The Peking is scheduled to return to its home port of Hamburg in August 2020, where it will initially moor in the Hansa Port.

The retrieval and restoration was made possible by funding of around 38 million euros from the Federal Government Commissioner for Culture and the Media following a decision by the German Bundestag in November 2015. Members of the Bundestag from Hamburg in particular successfully campaigned for this. The Hamburg Maritime Foundation, which operates its own fleet of historic ships, has extensive experience in restoration and has also brought this major project to a successful conclusion. The Peking will be further refurbished as a testimony to transnational maritime trade and the reconstruction of the interior will be continued. The four-master will be looked after by a crew of four employees. With additional support from volunteers and the “Freunde der Viermastbark Peking e.V.” (Friends of the Four-Masted Barque Peking), she will be professionally maintained and cared for.

The ship will be given a permanent berth in Hamburg’s new district when the German Harbour Museum opens on Grasbrook. There, she will be used to tell the story of the diverse interrelationships between Germany and Chile during the saltpetre trade, with all its economic, social and cultural ramifications. It will thus become an important place for the topic of globalization at the port hub. “It is impressive what a radiantly beautiful ship the Hamburg Maritime Foundation and Peters Werft have turned the Peking into over the last three years,” enthuses Dr. Carsten Brosda, Hamburg’s Senator for Culture and Media. Joachim Kaiser, member of the foundation’s board, admits that he initially had reservations about the project, “because we were well aware of the ship’s desolate condition. I, in particular, repeatedly warned against a takeover because a multi-million risk was looming, even though the hull had long since been given away. The promise of funding and the trust placed in us then motivated us to take on this major task.”

Johannes Kahrs, the initiator of the recovery campaign, confesses: “I fell in love with the Peking when I was 18 years old in New York harbor. When I heard that she was to be scrapped, I was deeply saddened at first. But then I had the idea of combining the retrieval and restoration of the four-masted barque with the establishment of a German port museum. This was thankfully accepted by the budget committee. Now the Peking is getting closer and closer to completion and I am not only still in love, but also proud as punch that we were able to save the ship.” Mark Dethlefs, Managing Director of Peters Werft, adds: “Every refit or repair order at Peters Werft has special challenges that we have to solve in cooperation with our customer. When the four-masted barque Peking was brought from New York to Wewelsfleth in the summer of 2017, it was in a really dilapidated condition. The special requirements of this order became obvious. However, in the course of the extensive refurbishment of the PEKING, in which for once the task was not to make her seaworthy but to turn her into a pure museum ship, the beauty of this historic cargo ship gradually became clear.” Unlike many other museum ships that are also worth seeing and have to contribute to their upkeep with catering or hotel operations on board, the Peking has been restored to its original condition. This means that Hamburg now has one more attraction and visitors to the city will soon be able to get a very vivid impression of seafaring and port handling in the period after 1900.

Further information on the PEKING: www.stiftung-hamburg-maritim.de/schiffe/peking.html

Further information on the German Port Museum: www.shmh.de/de/deutsches-hafenmuseum#peking

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Discover Vienna: The Karl-Marx-Hof

Building design
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Six months in Vienna, six extraordinary residential buildings – that’s what Academy winner Franzisca Rainalter has set herself. Her series started with the Vienna housing project by the architecture firm einszueins. This month she visited a classic of social housing: the Karl-Marx Hof. My excursion this time goes to the “Grätzl” of the 19th district – Döbling. Right by the final stop […]

Six months in Vienna, six extraordinary residential buildings – that’s what Academy winner Franzisca Rainalter has set herself. Her series started with the Vienna housing project by the architecture firm einszueins. This month she visited a classic of social housing: the Karl-Marx Hof.

This time, my excursion takes me to the “Grätzl” of the 19th district – Döbling. Arriving directly at the final stop of the U4 underground line, you are already standing in front of the monumental central wing of the Karl-Marx-Hof. The “superblock” stretches for over a kilometer. I am standing right in the center of it – on what is now known as “12. February Platz” – which is formed by the recessed central wing and the six towers. The large square is lively: a few children are playing near a group of trees, older people are walking their dogs and a group of obvious tourists approach me with cameras. They are drawn here because the Karl-Marx-Hof is considered an icon of “Red Vienna”. The residential building was constructed between 1926 and 1933 according to plans by Karl Ehn as a prime example of a monumental “superblock”. As a counter-design to the garden city, the superblock is a “city within the city” with its own infrastructure.

Red Vienna emerged after the collapse of the Habsburg monarchy. After the first free municipal elections in 1919, Vienna became the first city in the world with over a million inhabitants to be governed by a social democratic administration. This gave rise to a socio-political experiment that encompassed and reformed all areas of life for its inhabitants. From social and health policy to education and housing. The financial basis for the new housing projects was created by the then city councillor Hugo Breitner with a new tax system and various luxury levies. Between 1923 and 1934, over 380 municipal buildings with more than 64,000 apartments were built with the help of the “Breitner taxes”.

“You have to understand municipal buildings as a response to what existed before. As an attempt to remove everything that was bad.” Eve Blau
Red Vienna: Architecture 1919-1934 – City-Space-Politics, lecturer at Harvard University. Research focus: History and theory of modern architecture and urban planning.

The buildings from the times of Red Vienna are scattered all over the city. Many of them are passed by carelessly, despite their red lettering. Some stand inconspicuously in small gaps between Wilhelminian-style buildings, others tower upwards and form the center of a “Gräzl”. Viennese municipal housing was part of the city from the very beginning: not outsourced in front of or next to the city, but integrated and right in the middle of it.

The “new Vienna”

Most municipal buildings in Vienna do not look very modern on the outside. They stand out from the German and international buildings that were built at the same time, which were white and had flat roofs. Instead, municipal buildings were seen rationally, on a large scale, with high-tech and modern infrastructure. New materials and industrial prefabrication had no place in Viennese municipal buildings. Instead, the focus was on the traditional – namely brick. This was based less on architectural principles and more on socialist policy, which was able to create and secure jobs with this construction method.

Karl-Marx-Hof

The Karl-Marx-Hof was intended to create affordable living space. Living space with running water, private toilets and social facilities within easy reach were to contribute to a better life.
This resulted in 1,382 apartments for 5,000 people and numerous facilities such as two laundries with washing stalls, two bathrooms with baths and showers, two kindergartens, a mother’s advice center, a library, a health insurance company with an outpatient clinic and 25 other stores. The Karl-Marx-Hof site covers 156,027 square meters. Not even a fifth of this has been built on. Under the motto “light, air, sun”, around 80 percent of the area was left green and used for the divided open space. At the time, rents in the Karl-Marx-Hof amounted to around ten percent of a worker’s salary.

Access to the individual houses is located inside the superblock. Residents therefore had to cross one of the many inner courtyards to get to their apartments. When I arrive in one of the courtyards, I notice how it becomes quieter. The noise of the city is shut out; the sounds of a residential area become audible: children can be heard laughing and shouting from the nearby meadow and balconies, and radio music can be heard from one apartment or another. It’s the weekend and I come across many families with baby carriages and dogs. Some elderly people are sitting on the benches, enjoying the last rays of sunshine this fall.
The balconies in the inner courtyard, individually designed by the residents, make the superblock more tangible as an inhabited object and give an idea that life is taking place in the monumental building. People have still been living here side by side in the “Grätzl” of Vienna’s 19th district for almost a hundred years.

All pictures: Franzisca Rainalter

The Baumeister Academy is an internship project of the architecture magazine Baumeister and is supported by GRAPHISOFT and BAU 2019.

Cultural heritage cemetery

Building design

After all, cemetery culture has been shortlisted for the Unesco list by the German commission. Birgit Ehlers-Ascherfeld, Chairwoman of the Association of German Cemetery Gardeners, justifies the submission of the application as follows: “Preserving and maintaining this cultural heritage is a social responsibility.” A decision on new admissions is expected to be made in a year’s time. Advertorial Article Parallax Article

After all, cemetery culture has been shortlisted for the Unesco list by the German commission. Birgit Ehlers-Ascherfeld, Chairwoman of the Association of German Cemetery Gardeners, justifies the submission of the application as follows: “Preserving and maintaining this cultural heritage is a social responsibility.” A decision on new admissions is expected to be made in a year’s time.