The meandering ribbon that the Japanese office Sanaa has erected on a former farm site is reminiscent of Johnson’s “Glass House”.
“The River” is the fitting name of the meandering ribbon that the Japanese firm Sanaa has built on a former farm site on behalf of a foundation. It evokes memories of Philip Johnson’s “Glass House” from 1949 at the same location – New Canaan, Connecticut.
New Canaan has only around 20,000 inhabitants and is one of the wealthiest communities in the United States. Almost one hundred and fifty years ago, when the small town was connected to New York by a railroad line, the first entrepreneurs settled there and had stately Tudor-style residences built in the “Big Apple”. From the 1940s onwards, the so-called Harvard Five – Marcel Breuer, Landis Gores, John M. Johansen, Philip Johnson and Eliot Noyes – provided a breath of fresh air, at least in terms of architecture: with the residential and weekend homes they designed, the architectural avant-garde arrived in Connecticut. Well into the 1960s, they and other architects built around one hundred modern residential buildings, eighty of which can still be admired today. Some of these houses are immortalized in Ang Lee’s film “The Ice Storm” (1997) – one of half a dozen feature films in which New Canaan and its inhabitants, often portrayed as snobs, play important roles.
Role model on location
Philip Johnson’s “Glass House”, which he himself lived in for 29 years, is without doubt the most important work of the Harvard Five in New Canaan. This manifesto for a radically different way of living with open floor plans and exterior walls completely dissolved in glass has been open to the public since 2007 – two years after Johnson’s death. Now Kazuyo Sejima and Ryue Nishizawa from the Japanese firm Sanaa are paying homage to the “Glass House” and indirectly to Mies’ architectural concept: in the same location on the scenic grounds of Grace Farms.
Find out more in Baumeister 4/2016












