The tallest wooden house for students in Munich

Building design

With the new hall of residence on Schwere-Reiter-Straße, the Munich Student Union has realized what is currently the tallest wooden building in the Bavarian capital. Photo: Sebastian Schels

With the new hall of residence on Schwere-Reiter-Straße, the Munich Student Union has realized what is currently the tallest timber building in the Bavarian capital. A project that shows how timber construction can also be implemented technically and economically in building class 5.

The architectural firm hirner & riehl architekten stadtplaner bda, which has been working in timber construction for over 20 years, won the competition organized by the Studentenwerk in 2017. Construction began in 2021 and the project was completed in 2024. The office led by Martin Hirner and Dr. Martin Riehl built two structures of different heights, with eight and five storeys respectively, which are connected by a single-storey low-rise building. There is a green roof terrace on the low-rise building. Together with an existing student residence, the new buildings form a student residential quarter in Schwabing, close to the emerging creative quarter on Dachauer Strasse.

The hall of residence offers a total of 241 places for students and space for five children. It comprises 153 single apartments with their own kitchen and bathroom, 14 three-person shared flats (36 places) and 16 two-person shared flats (32 places). Four apartments are designed to be barrier-free and ten residential units are intended for parents with children. The offer is complemented by communal rooms for leisure activities such as music, artistic activities and cooking together.

With the exception of the base floor and the two emergency staircases, all load-bearing walls and ceilings in the interior as well as the façade were made from local spruce wood. The use of 1,840 cubic meters of spruce wood made it possible to store more than 1,600 tons of CO₂ in the building. Martin Hirner points out the importance of the choice of materials: “Cement production generates 8% of global CO₂ emissions; we architects need to act as a driving force for a rapid rethink among all those involved in the construction industry and, above all, in the choice of materials.”

In addition to the CO₂ savings, the short transport routes, the simple processing options, the low and recyclable waste and the almost unlimited life cycle through reuse also speak in favor of wood as a material.

Fire protection for a class 5 timber building posed a particular challenge. The solution comprises two independent, mirror-inverted stairwells in solid reinforced concrete construction, which serve as separate escape routes. Statically, the building was erected as an R90 construction in continuous solid timber construction. The timber façade meets the corresponding fire protection requirements for external walls.

The building is designed for long-term usability and potential conversions. The cross-laminated timber ceilings span from the central corridor to the outer wall and not from apartment partition wall to apartment partition wall. If necessary, this design allows almost all apartment partition walls to be removed without interfering with the load-bearing structure. The slightly higher material costs are thus offset by a high degree of flexibility in terms of floor plan.

The suspended timber façade can be completely removed in a few simple steps and can be exchanged or replaced with a different material if required. Almost all components are screwed together or can be separated with little effort to allow the materials to be reused at a later date.

In contrast to many modern timber buildings with pre-greyed timber cladding throughout, the façade of the student residence sets colorful accents. Martin Hirner describes this as an adaptation of the subtly pronounced colors of the Schwabing Gründerzeit buildings with their contrasting cornices and pronounced window reveals. Differently colored wall panels, widely projecting red fire bars in the form of cornices and colored window reveals refer to these historical models.

The construction method using prefabricated elements enabled an efficient building process. Every day, prefabricated wall and ceiling elements were delivered “just in time” to the timber construction company’s assembly hall and fitted precisely. A complete floor was built every two weeks, allowing the interior work to begin during construction.

An ingenious mobility concept made it possible to dispense with an underground parking garage, saving costs of 2.5 million euros. The concept includes 49 car parking spaces and 496 bicycle parking spaces.

The building was constructed in accordance with ENEV 2016 – KFW 55 standard. Heat is supplied via district heating/CHP, hot water is provided via a fresh water station. The gross floor area is 10,000 square meters with a gross volume of 30,000 cubic meters.

The taller of the two structures (east tower) has eight storeys with the top floor of the uppermost common room at a height of 22 meters. The building is considered an unregulated special building.

hirner & riehl architekten und stadtplaner was responsible for the architecture and fire protection. The structural design was carried out by Sailer Stepan und Partner (Munich) and Pirmin Jung (Sinzig). The landscape concept was developed by lab Landschaftsarchitektur brenner (Landshut). IB Bauphysik & Akustik (Göppingen) was responsible for the building physics and acoustics, while Konrad Huber (Munich) was responsible for the heating, ventilation and sanitary engineering. VE plan (Pfaffenhofen) was responsible for the electrical planning.

The project was publicly funded by the Bavarian State Ministry of Housing, Building and Transport.

Read also: Housing and daycare center in Olching by hirner & riehl architekten

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La Caserne Quebec

Building design
La Caserne Quebec: A converted fire station in the historic center of Quebec City that serves as a theater for young audiences, bringing together architecture, history, and sustainable transformation.
La Caserne Quebec: A converted fire station in the historic center of Quebec City that serves as a theater for young audiences, bringing together architecture, history, and sustainable transformation.

La Caserne Québec is a cultural project taking shape in the heart of Québec City’s UNESCO-protected Old Town, blending history, contemporary architecture, and sustainable transformation. Designed by SBTA inc. and Delort et Brochu architectes, a former fire station dating from 1912 has been transformed into a vibrant theater for young audiences.

The project brings together several architectural layers: the historic fire station, an extension from the 1990s, and a new contemporary addition. Together, they form a cultural ensemble deeply rooted in the identity of Old Quebec.

Architecture in Dialogue with History and the City

La Caserne Quebec is not conceived as an isolated new building, but rather as an architectural dialogue between the past and the present. The clean, geometric extension respects the historic structure of the former fire station and, in particular, highlights its striking tower as an urban landmark.

In the immediate vicinity of the Musée de la Civilisation, a complex is taking shape that sensitively combines materials and urban space, thereby strengthening the cultural axis along the St. Lawrence River.

A theater as a public gathering space

The new use by the youth theater “Les Gros Becs” requires a flexible spatial layout. At the heart of the expansion is a 350-seat theater auditorium and a multifunctional event hall.

Central to this is an open spatial concept that unfolds across multiple levels:

  • The foyer as the connecting heart
  • an open staircase as the spatial axis
  • Reading room in the former fire station
  • multifunctional spaces for education and performances

The result is a building that is deliberately geared toward a young audience while also promoting cultural participation.

Urban Planning and Public Spaces

At the intersection of Dalhousie Street and Barricade Street, a small piazzetta is being created that connects the building to the public space. It opens up a view of the Parc des Canotiers and the St. Lawrence River, transforming the theater into an urban hub.

A strategic opening through the building connects the two entrances and creates a clear, intuitive visitor flow between the city, the school, and the theater.

Materiality as Narrative Architecture

The interiors of La Caserne Quebec feature a precisely coordinated interplay of materials and colors:

  • Stone and combines these components with high-performance glass facades and energy-efficient details.

    The result is a sustainable architectural concept that conserves resources and preserves historic structures.

    La Caserne Quebec by SBTA Inc. and Delort et Brochu Architectes demonstrates how historic buildings can be transformed into contemporary cultural venues.

    By combining historic preservation, sustainable architecture, and social inclusivity, the result is a theater that not only provides a space for performances but also becomes an integral part of Québec City’s cultural landscape.

Bayreuth instead of Verona

Building design

Corona restrictions: Burkhardt-Löffler Managing Director Steffen

On October 2, Burkhardt-Löffler held its first joint in-house exhibition with Weha. According to Weha Managing Director Stefan Deschler, 85 participants had registered for the event. At the in-house exhibition, which was scheduled at short notice, they were able to see new machine developments in the flesh – as well as other innovations. With large machines from Burkhardt-Löffler from all application segments of stone processing […]

On October 2, Burkhardt-Löffler held its first joint in-house exhibition with Weha. According to Weha Managing Director Stefan Deschler, 85 participants had registered for the event. At the in-house exhibition, which was scheduled at short notice, they were able to see new machine developments in the flesh – as well as other innovations.

With large machines from Burkhardt-Löffler from all application segments of stone processing – all equipped with Weha tools – the open day perfectly demonstrated the synergies of the new partnership. In addition, Weha presented several small machines and transport equipment as well as transport vehicles from its product range. And finally, Akemi was the third partner to contribute to the success of the event with a demonstration of its product range.

In the October issue of STEIN 10/20, we reported that Burkhardt-Löffler had already explicitly invited smaller groups to machine demonstrations and factory tours at the company’s sites in Bayreuth and Langenaltheim. With the major event at the beginning of October, the machine manufacturer, together with its new partner Weha, has now provided an important additional impetus for boosting the capital goods business.

The Powerjet 3D waterjet system with the new head developed in-house was of particular interest – mainly because the machine could be experienced in action throughout the day. Software developer Benedikt Maiser also presented the company’s own calibration unit, which can be used to determine the perfect tool center point (TCP). The measuring device compensates for the wobble error of the C-axis and determines the exact distance to the focusing tube.

“We then know exactly how many millimetres we need to compensate in each direction – i.e. for the X, Y and Z axes,” explains Maiser. He uses this to set up the Powerjet 3D in the factory before delivery; the calibration unit is only needed again later if the machine is moved or the customer has had a crash.

In any case, customers appreciate the fact that they can come by with their materials before buying a machine and be shown exactly how to cut them. Maiser and his colleagues can then use the customer information and the material to make recommendations regarding the various machine parameters: from focusing tube and nozzle size and type to sand quantity and type to pump pressure.

Purchasing Manager Michael Hannweber adds with regard to the waterjet machine that the cutting head development is particularly impressive due to the hollow shaft gearbox. This means that the electrical system and high pressure can be fed directly into the 3D head, and there is no longer any need for a pipe spiral or slip ring rotary feed for the electrical signals.

Other visitor magnets were the BAZ 2000 machining center, which, according to Burkhardt-Löffler, has revolutionized the concept of the machining center with automatic suction cup positioning and loading, and the KSL 80 automatic table edging machine, where Weha presented its magnet mounting system, which has been tried and tested for more than 30 years and now has three magnets and is distinguished from competitor products by the fact that the VA buttons of the very quick-clicking triple lock are attached to the base plate instead of the tool.

Burkhardt-Löffler also exhibited the LDZ 2000 K, the compact rotary head saw in monoblock design developed jointly with partner Weha, which we had already presented in STEIN 10/2020. This compact machine can also be set up in companies with limited space. At the in-house exhibition, the machine was shown with the 400/60 UNIV-2 natural stone diamond cutting blade.

Weha also recommended its two new 400 mm Pro-Q and Weramic-yellow blades, which are especially suitable for quartzite and all types of ceramic. Visitors were not yet able to see the planned new KDL-B automatic band edger in action, but according to Stefan Deschler, there have already been many inquiries for it. Thanks to its many years of representing Comandulli machines, Weha has good contacts in the industry, especially with stone processors interested in a belt-driven edging machine.

Many visitors were also interested in the Pantograph 1215 engraving machine presented by GTech company owner Boris Malacko, and the Fuso Canter equipped with a Ferrari loader crane and the compact Roboman Junior crawler vehicle – also with a Ferrari crane – in the outdoor area were surrounded by interested parties throughout the day.

Exhibitor Akemi provided the icing on the cake of an exciting event. Application engineer Otello Piroddi and his colleagues showed, among other things, the new Akepur 250 High Tack for the safe and temperature-resistant bonding of a variety of substructure materials under ceramic, natural and artificial stone.

Another highlight from the construction chemicals manufacturer: the new color paste system, which is particularly suitable for smaller companies and very complex finishing work and, together with the Platinum adhesive, enables an almost inexhaustible variety of colors. The Spectrum Pastes case for up to 60 coloring pastes in 45 gram tubes can be purchased empty and loaded individually. Dry dedusting systems from Weha as well as the BSS 600 wire saw and the CSA 598 industrial band saw system from Burkhardt-Löffler rounded off the extensive in-house exhibition presentation.