Armin Herrmann

Dating: around 1900.

The Berlin “Werkbundarchiv – Museum der Dinge” turns its visitors into “thing caretakers” and uses the care contributions to finance acid-free boxes and cleaning of its objects Advertorial Article Parallax Article Purzel, the little Aral man, was still available until recently. So was the potato masher, as well as a wooden hand and a light blue drip catcher. They are all waiting for their “thing keeper”, […]

The Berlin “Werkbundarchiv – Museum der Dinge” turns its visitors into “object caretakers” and uses the care contributions to finance acid-free boxes and cleaning of its objects

Purzel, the little Aral man, was still available until recently. So was the potato masher, as well as a wooden hand and a light blue drip catcher. They are all waiting for their “thing keeper”, a sponsor who takes care of a museum piece for a year and for a minimum of 40 euros and a maximum of 500 euros.

The so-called “Dingpflegschaften” are an idea of the Berlin “Werkbundarchiv – Museum der Dinge”, a very special institution in the Berlin museum landscape. The focus here is on everyday objects, design without big names – although there are also many well-known designer pieces. Presented in large cabinet showcases, sometimes arranged by color, sometimes by shape or purpose, visitors are presented with new contexts and original views of their mundane everyday world.

The museum thus offers nothing less than an homage to the frequently used objects of everyday life that are usually only appreciated for their functionality: coffee pots, ashtrays, keys, light switches, tools, toys.

For the past eight years, the museum has always held a “thing care day” at the beginning of December, giving visitors the opportunity to choose exhibits on site, negotiate a care fee and then have their “own” exhibit in the museum for a year. The “hope cow” has been given a keeper in this way, as has the Melitta quick filter number 102, and a reservation has already been made for a baby rattle.

Many other pieces are still waiting. The museum concludes a total of 120-140 care contracts with its visitors from all over Germany every year. Some have been looking after “their” object for years, others change. The caretakers include companies, families and many enthusiasts.

“Of course, an object care association like this is a communication tool,” says museum director Renate Flagmeier. “Other museums have patrons’ associations, but we have our thing keepers.” However, it’s not just about visitor loyalty. The money that comes into the museum with the sponsorships is used specifically for restoration, maintenance and acquisition. With the approximately 6,000 euros that are raised annually through the “Dingpflegschaften”, the sponsors enable the museum’s “things” to live in acid-free boxes and folders. The money also helps with minor repairs and cleaning. This is enough for most objects. For larger restoration projects, the museum does have to apply for funding.

Anyone who missed this year’s Thing Care Day can sign up for a sponsorship on the museum’s website. At this address, there is a colorful range of small and large, forgotten, cherished, no longer used everyday “things” that would like to be cared for.

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Building design

The mountain is Formula 1 for the construction industry. What works at an altitude of 3,000 meters usually also works in the valley.

October 13 – 16, 2016
Architecture Camp

The mountain is Formula 1 for the construction industry. What works at an altitude of 3,000 meters usually also works in the valley. Wind, snow, sun, rain – you have to be able to rely on your materials in extreme conditions. This is just as true for (high-altitude) mountaineers as it is for hut keepers in the mountains of this world.

A very special training and further education program awaits 50 architects at the International Mountain Summit 2016. At the Mountain Festival of Encounters, these architects from Germany, Austria, Switzerland and South Tyrol will not only encounter extraordinary speakers, but above all the mountain itself, as well as their own inner mountain.

“Everything is difficult high up”

Topics from the world of architecture are intermingled with insights from the craft, garnished with experience reports from hut owners and builders. Specialist lectures are followed by adventure hikes, a world premiere of a mountain film and a tour of Europe’s largest construction site in the mountains. This mix of further education has never been seen before in the world of architecture.

“Architect meets craftsman meets mountain hut owner – a summit meeting of a special kind”

Download pdf program

Registration at ims@prefa.com or +43 2762 502 849

Intercultural stonemasonry project

Building design

Munich)

The opening of the Intercultural Stonemasonry Project will take place on Saturday, September 10 at 1 p.m. in the Orangery in Kirchheimbolanden. After a welcome by Mr. Peter Stumpfhäuser, First Alderman of the City of Kirchheimbolanden, and a small snack on the terrace garden, a guided tour of the baroque terrace garden will follow, led by building researcher Achim Wendt. The intercultural dialog project […]

The opening of the Intercultural Stonemasonry Project will take place on Saturday, September 10 at 1 p.m. in the Orangery in Kirchheimbolanden. After a welcome by Mr. Peter Stumpfhäuser, First Alderman of the town of Kirchheimbolanden, and a small snack in the terrace garden, a guided tour of the baroque terrace garden will be given by building researcher Achim Wendt.

The intercultural dialog project brings together German and Ukrainian stonemasonry students. The three-week program, which runs from 09.09.2016 to 30.09.2016, aims to teach the professional techniques of the stonemasonry trade and also offers the opportunity to get to know a foreign culture and its people better.

The project is largely funded by the Eberhard Schöck Foundation in Baden-Baden and the master school for craftsmen in Kaiserslautern. Here, under the guidance of master stonemasons and based on the results of the building research from the baroque terrace garden, the covering slabs for retaining walls and pedestals will be produced.

The stonemasonry work will be complemented by a cultural program. This includes expert guided tours of museums in the region, various excursions, a visit to the Otterberg Abbey Church and the Bad Münster am Stein Stone Sculpture Museum as well as participation in the concerts of the Kirchheimbolanden International Organ Masterclass. On Thursday, September 29, at 4 p.m., the graduation ceremony will take place in the suggestive barn of the Theodor Zink Museum in Kaiserslautern.

Find out more about the project here.