“This color immediately caught our attention”

Building design
The purple-colored fabric remnants discovered were more expensive than gold at the time. Photo: Israel Antiquities Authority (IAA)/Dafna Gazit

The purple-colored fabric remnants discovered were more expensive than gold at the time. Photo: Israel Antiquities Authority (IAA)/Dafna Gazit

During excavations in Israel’s Timna Valley, archaeologists discovered remnants of fabric with a purple dye from ancient times in 2021 Israeli researchers have discovered ancient textiles with a purple dye from the time of the biblical rulers David and Solomon during excavations in the Timna Valley. “The color immediately caught our attention,” reports Professor Erez Ben-Yosef from Tel Aviv University. “We […]

During excavations in Israel’s Timna Valley in 2021, archaeologists discovered fabric remnants with a purple dye from ancient times

During excavations in the Timna Valley in 2021, Israeli researchers discovered ancient textiles with a purple dye from the time of the biblical rulers David and Solomon. “The color immediately caught our attention,” reports Professor Erez Ben-Yosef from Tel Aviv University. “We could hardly believe that we had found the true purple from ancient times.”

A team has been conducting research in the copper mines of Timna – one of the oldest mining sites in the world – in the Negev Desert for almost a decade. The current research series was supervised by Naama Sukenik, Curator of Organic Finds at the Israel Antiquities Authority (IAA), together with Professor Erez Ben-Yosef from Tel Aviv University and Professor Zohar Amar, David Iluz and Alexander Varvak from Bar Ilan University.

The purple-colored fabric remains have been amazingly well preserved, which can be attributed to the dry climate of the Israeli desert. Professor Erez Ben-Yosef explains: “The extremely dry climate in this desert region preserves organic materials such as textiles, cord and leather from the Iron Age. This gives us an extraordinary glimpse into biblical times.” An examination using the radiocarbon method revealed that the fabric remains date back to around 1000 BC. The 3,000-year-old fabric remains are the first finds of their kind. “Before the recent discovery, we had only come across shell waste and potsherds with dye stains that provided evidence of purple production in the Iron Age,” the researchers say.

During excavations in the Timna Valley, Israeli researchers have discovered ancient textiles with a purple dye from the time of the biblical rulers David and Solomon. “The color immediately caught our attention,” reports Professor Erez Ben-Yosef from Tel Aviv University. “We could hardly believe that we had found the true purple from ancient times.”

A team has been conducting research in the copper mines of Timna – one of the oldest mining sites in the world – in the Negev Desert for eight years. The current research series was supervised by Naama Sukenik, curator of organic finds at the Israel Antiquities Authority (IAA), together with Professor Erez Ben-Yosef from Tel Aviv University and Professor Zohar Amar, David Iluz and Alexander Varvak from Bar Ilan University.

The purple-colored fabric remains are surprisingly well preserved, which can be attributed to the dry climate of the Israeli desert. Professor Erez Ben-Yosef explains: “The extremely dry climate in this desert region preserves organic materials such as textiles, cord and leather from the Iron Age. This gives us an extraordinary glimpse into biblical times.” An examination using the radiocarbon method revealed that the fabric remains date back to around 1000 BC. The 3,000-year-old fabric remains are the first finds of their kind. “Before the recent discovery, we had only come across shell waste and potsherds with dye stains that provided evidence of purple production in the Iron Age,” the researchers said.

In addition, the scientists reconstructed the dyeing process and found that the dyes came from three snail species: the red-mouthed rock snail (Stramonita haemastoma), the blunt spiny snail (Bolinus brandaris) and the Hercules club (Hexaplex trunculus). Depending on how much they were exposed to light after dyeing, the fabrics took on a purple or light blue hue, according to the IAA. In ancient times, a purple robe was associated with kings, nobility and the priesthood. The purple color “often cost more than gold” and was very popular because it did not fade, reports Naama Sukenik.

In 1964, archaeologists made a startling discovery in Israel’s Timna Valley: a collection of ancient mines covering an area of almost 30 square miles. Find out more in the video with Professor Erez Ben-Yosef from Tel Aviv University:

POTREBBE INTERESSARTI ANCHE

Sustainability, design and art for fashion: the COS concept stores

Building design
Concept store in Mexico City with the iconic Day Bed by Mexican designer Jorge Arturo Hocker Ibarra. Photo: Fernando Marroquin, © & Courtesy COS.

Concept store in Mexico City with the iconic Day Bed by Mexican designer Jorge Arturo Hocker Ibarra. Photo: Fernando Marroquin, © & Courtesy COS.

The first concept stores from fashion brand COS have opened in Mexico City and Stockholm. Sustainability, art and design characterize the interior design of the stores.

The first concept stores of the fashion brand COS have been opened in Stockholm and Mexico City. In addition to fashion, interior architecture, design and art play important roles there. Concept stores stand for cross-selling. They complement the brand range with other products that also represent the spirit and idea of a brand. Concept stores are geared towards inspiration and experiential shopping, their product range towards the lifestyle of the visitors. Flying visits to COS in Stockholm and Mexico City show this: Even before aesthetics and lifestyle, there are very important sustainability strategies.

The fashion brand COS is part of the Swedish H&M Group and opened its first store in London in 2007. The fashion goods fall into the mid-range price segment and quickly became so popular that by 2022 there were already 259 stores in 47 countries. In its fashion design, COS follows a modern minimalist aesthetic in menswear and womenswear. COS offers ready-to-wear. The focus is not on seasonal trends, but on durability, quality and a high-quality color palette. An in-house sustainability team works every day to find the right solutions. The COS concept stores also stand for this idea, the idea of a more sustainable world. The architecture team at COS works with recycled, local materials and artisan products with a regional tradition. This creates identity, an ideal sustainability factor.

How do COS and its team of architects approach the subject? In principle, COS works like a restorer and preserves as much of the substance and character of an existing building as possible when renovating. The result is an exciting mix of historical architecture and the modern COS style. Even building in existing buildings saves CO2 emissions and is more sustainable than demolition. The principle is retained in the interior fit-out: Local materials or those from the circular economy, products from the region, work by designers and artists from the geographical area determine the interior. The long-term goal of the COS Concept Store is to achieve 100% circular purchasing. Solutions for this include the use of energy-efficient LED lighting and the use of bricks made from denim production waste. There is also the “COS Loop”, a kind of exchange platform on which the store teams can swap items for the store fittings with each other. Art always plays a major role at COS as a source of ideas and identity. Its importance has grown once again in the concept stores. The cooperation projects between COS and artists began a long time ago: in 2012, for example, there was an art project during the Gallery Weekend in Berlin that created a much-noticed scenographic window design. Carsten Nicolai installed his light installation “Schatten Loop” in the window of the COS store in Berlin-Mitte and attracted a large audience during the art weekend.

COS’s first concept store in Europe is a newly renovated old COS store in the lively pedestrian zone of Bibliotheksgatan in Stockholm. New retail concepts and sustainability have been combined here on 566 square meters over two floors. The interior design is largely made from recycled materials: display tables are made from recycled paper, the mannequins are made from used polystyrene and the aluminum rails for hanging are made from 30% recycled aluminum. The furnishings are designed to have a maximum life cycle and therefore low follow-up costs. And in the Stockholm concept store, art is a permanent feature, just like in a gallery. The first exhibition showed paintings by Swedish painter Liselotte Watkins, who also designed an edition for COS – this is not very price-intensive and the editions are affordable for many customers.

In a metropolis with a population of 23 million like Mexico City, a sustainably planned concept store is a real asset. “Air pollution is serious (…) Although modern environmental laws are in place, they are not consistently implemented because there is a lack of awareness of the problem among large sections of the population and the administration,” says the German Federal Ministry for Economic Cooperation and Development (BMZ) on the case of Mexico and environmental policy. Following the Stockholm launch balloon, COS has opened another concept store based on sustainability strategies in the Polanco district in the middle of Mexico City. Here, too, a lot of unusual materials, old and used items have been given a new lease of life in the design of the 486 square meters of retail space: The hardwood normally used for interior furnishings has been replaced by bamboo, which has a better growth rate and can store more carbon than hardwood. It is also much more durable in comparison. The floor in the sales area is made of terrazzo tiles, 90 percent of which are made from quarry waste. Yarn waste from the supply chain was used to make the carpets, and panels for various fixtures consist of 60 percent recycled plastic bottles spun into felt.

The COS concept store in Mexico City also focuses on cross-selling and there is plenty of design and art from local studios. There are two auratic stools from the Totem Collection by furniture maker Daniel Orozco, who works in southern Mexico, and the iconic Day Bed by Jorge Arturo Ibarra. The most striking decorations on the wall are not paintings but a kind of modern tapestry. They come from the Caralarga Studio near Mexico City, a company run by women – which is also sustainable, because without female empowerment there can be no sustainable social design. Caralarga specializes in sustainable fashion and wall decorations and has contributed wall decorations using thread weaving techniques to the interior concept of the concept store in Polanco. With their simplicity and reduced design language, they emphasize the beauty of raw materials and also contribute to waste avoidance, as the material they are made of would otherwise have ended up in landfills.

Read also how the Veja brand opened a new store in Madrid and what was important for the interior design.

The future of rural mobility

Building design

The research project “Building for the new mobility in rural areas” at the University of Kassel.