Tokyo, Andaz Hotel

Building design

TYOAZ_MoriBuildingCo_100314

In the “Andaz Hotel” on the top floors of the second highest tower in Tokyo, the view is the main attraction. Despite the owners, an American hotel chain, the decor focuses on local color.

The view over Tokyo’s sea of buildings is familiar from the movie “Lost in Translation”. The view is also the main attraction at the Andaz Hotel on the top floors of the city’s second-highest tower. Despite the owners, an American hotel chain, the décor focuses on local color.

The topographically highest point in Tokyo, Atago Mountain, measures exactly 26 meters. In the past, this height was enough to see as far as Tokyo Bay – today, however, high-rise buildings obscure the view from the elevation on which the Atago Shrine has been attracting worshippers since 1603.

One of the newest towers in the city is the “Toranomon Hills Tower” by Nihon Sekkei Architects: 52 storeys high, it stretches into the sky, its floor plan reminiscent of a rhombus with partly rounded and partly chamfered corners. At 235 meters, Tokyo’s highest wedding chapel nestles triangularly under the sloping, triangular roof.

However, the tower cannot lay claim to the superlative “tallest building”, as the “Tokyo Midtown Tower”, which was completed in 2007, towers 13 meters above the Toranomon Hills Tower. However, static or structural problems were not the reason for the unbroken height record: the high-rise is so close to the Imperial Palace that additional storeys would have disturbed the privacy of the imperial family and were not approved.

But even without looking into the royals’ gardens and chambers, the view from the top six floors of the “Andaz Tokyo Toranomon Hills” hotel is hard to beat. New York designer Toni Chi and Tokyo-born interior designer Shinichiro Ogata have therefore focused the hotel rooms, which are at least 50 square meters in size by Japanese standards, entirely on the view: From the bed, from the sofa and from the desk, the view falls down to the city through the completely glazed front.

But it would be a shame not to take a look at the rooms too; the walls are clad in off-white panels covered with traditional shoji paper and set off with dark Hokkaido walnut wood, while sliding wooden walls transform the hallway into a dressing room in an ingenious and space-saving way.

Local materials and quotes from Japanese architecture and art history were also used in the elevators, lobby, spa and restaurant and interpreted in a contemporary way. The boutique hotel brand Andaz, which has opened its 12th hotel worldwide and its first in Japan with the Andaz Tokyo, places great value on authenticity: while Marcel Wanders designed the Andaz Amsterdam, for example, the Andaz Tokyo promises “Japanese experiences” for guests and locals.

The ambitious concept tolerates the inevitable breaks inherent in the term authenticity per se: the so-called Kumiko mural, puzzled together from thousands of wooden pieces, fits just as well into the almost six-metre-high hotel lobby on the 51st floor as electric light into the historic Atago shrine.

Address

Andaz Tokyo
Toranomon Hills 3-20-16-2F Nishi-Azabu Minato-ku
Tokyo 106-0031 Japan
Tel.+81 3 6830 1234, Fax.+81 3 6830 1211
www.andaztokyo.com

POTREBBE INTERESSARTI ANCHE

A modern interpretation of slate

Building design

Very close to the original: slate façade in the DomRömer Quarter in Frankfurt. Photo Rathscheck slate

The narrow building “Am Markt 10” in Frankfurt’s new DomRömer quarter immediately catches the eye with its modern slate façade. The staggered façade with its deliberately raised gable was designed by Berlin architects von Ey.

The narrow building “Am Markt 10” in Frankfurt’s new DomRömer quarter immediately catches the eye with its modern slate façade. The staggered façade with its deliberately raised gable was designed by Berlin architects von Ey.

With just a few technical details, they have stretched the classic slate façade over the façade front like a sequin dress. The central tripartite windows are designed as bay windows and project into the street space. The classic slate cladding makes this plasticity possible without any problems. The roofing on the gable front of the top floor is also worth mentioning: it runs from the central window to the left and right, creating a mirror image of the gable front. This gives the high gable an aesthetic and elegant appearance.

More information about the slate façade from Rathscheck

Vertical space miracle: a look behind the scenes

Building design

Planning for the gap between buildings: Ana Rocha, architect, of the “Slim Fit” mini-house prototype, explains her approach.

The report on Ana Rocha’s “Slim Fit” micro-house was met with great interest by our readers. We took this as an opportunity to ask the architect herself to explain the details of this unusual project.

Ms. Rocha, what was particularly important to you when designing your Micro House?
For me, the decisive factor was the need and also the responsibility as an architect to contribute to a kind of “change of mentality”: why constantly occupy nature to build more and larger apartments, while many city centers offer empty plots – for example near main train stations – or plots that are only used for parking? My message with this project is: use, utilize or supplement the existing infrastructure!

Which residents did you have in mind?
I wanted to design a small but complete house for the growing group of singles who work in the city: with a normal kitchen, bathroom and enough storage space for books, shoes and so on. My aim was to create an extremely compact footprint that would allow the house to be placed in any inner-city context. The footprint of SLIM FIT is 16 square meters, less than the area of two parking spaces.

The Micro House is made of wood. What do you like about this material?
It is a living, light and sustainable material that can be shaped. That’s how I get these slender structural walls, for example.

Do you think that the future of architecture will have to look like this due to the densification of cities: tall and narrow?
I don’t have a specific vision, but as I said before: why build more instead of using the space and infrastructure that already exists? We need to reuse, adapt and fill every available space. This is the only way to leave the remaining nature alone.

What are your next projects?
I’m working on renovations. And on a new prototype for another small – “tiny” – apartment, but this time without stairs and therefore more accessible for everyone …

Plans and model photo: Ana Rocha. Object photography: Christiane Wirth.