Tombs and Religious Buildings – THE STEIN, November 2024

Building design
An unusual residential construction project has been created in the Martinsthal district of Eltville: The church of St. Martin has been extensively renovated and converted into apartments. The charm of the building has been retained thanks to the preservation of the characteristic natural stone façade. In total, there are seven 2- and 4-room apartments on four floors in the existing building. In addition to the apartments, the former St. Martin's Church will continue to house rooms for the parish, including a community hall with a kitchen and a library with a contact point. Photo: BGF + Architects

What role does the cemetery play for Generations Z and Y? We explore this question, among others, in STEIN 11/24. Here’s a preview: It needs to be reimagined. Churches are also undergoing change; in the face of rising numbers of people leaving the church, some have been converted into residential buildings. Architecturally appealing and a real asset in places like Eltville and Trier. What helps during times of upheaval are good ideas. To that end, we feature a cemetery in Berlin that offers grave sponsorships so that old graves can still be maintained and restored.

Generations Y and Z see it as a place of renewed hope and social well-being. We’re talking about the cemetery. Its future role was the subject of a fascinating panel discussion during this year’s Stone+tec. Futurist Matthias Horx summarizes the outcome: “It’s time to rethink cemeteries as a whole: as spaces that serve people, offering a place for saying goodbye and for community.” This is a task for everyone who deals with death, grief, and the process of coming to terms with them.

Cemeteries for the New Generation

This also involves keeping an eye on costs. In Berlin, for example, the Alte St. Matthäus Kirchhof is a protected historic site. The cemetery is now seeking sponsors to take care of the old gravesites, maintain and restore them, and eventually find their final resting place there themselves. This can be quite expensive in some cases. Our author, Inge Pett, visited the site, touring the cemetery and meeting some of its famous “residents.” She spoke with the association that came up with the idea for this extraordinary project. Read more about it starting on page 6.

Working for Your Own Grave

Churches in Germany also need to be viewed from different perspectives. In light of the steadily rising number of people leaving the church, both the Catholic and Protestant churches must find new ways to deal with their abandoned places of worship. One option is to convert them into living spaces. You can find out how this is being done from a structural standpoint starting on page 22.

Nature, too, has a repertoire of ongoing transformation processes that span long periods of time. Our natural stone expert, Detlev Hill, explains how fissure quartzite becomes block quartzite starting on page 52.

A New Look for Churches

Clean air and clean water are desirable in every stonemason’s workshop. However, this isn’t always easy to guarantee in the workshop. Air purification systems and water treatment plants provide a solution. Our machinery expert Michael Spohr explains what you should look for when making a purchase starting on page 32.

We hope you enjoy reading STEIN.

The STEIN Editorial Team Redaktion@stein-magazin.de

The magazine is availablehere!

In our latest issue, 10/24, we cover the Marmomac trade show. Read more about it here.

Keeping Air and Water Clean

What role do cemeteries play for Generations Z and Y? We explore this question, among others, in STEIN 11/24. Here’s a preview: They need to be reimagined. Churches are also undergoing change; in the face of rising numbers of people leaving the church, some have been converted into residential buildings. Architecturally appealing and a real asset in places like Eltville and Trier. What helps during times of upheaval are good ideas. To that end, we’re featuring a cemetery in Berlin that offers grave sponsorships so that old graves can still be maintained and restored. […]

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Light and shadow in Cologne

Building design

L.-Fritz-Gruber-Platz is only about 400 meters away from Cologne Cathedral as the crow flies. For its design, the Düsseldorf-based firm scape Landschaftsarchitekten took up the theme of photography. The result is a play of light and shadow.

L. Fritz Gruber Square is located just 400 meters from Cologne Cathedral as the crow flies, right next to the Kolumba Art Museum of the Archdiocese of Cologne, which was built in 2007 according to plans by Peter Zumthor. The square is named after the photographic historian and journalist Leo Fritz Gruber. From 1945, he worked as a photographer for the British Army of the Rhine. This passion never left him. The Düsseldorf-based firm scape Landschaftsarchitekten therefore took up the theme of photography for the design of the square. A play of light and shadow creates a two-dimensional image of the large maple trees on the square. The square is bordered by listed facades from the 1920s and 1960s. Typical local basalt cobblestones surround a rectangular area of light-colored concrete slabs with an aspect ratio of 6:9 (small picture format), which is framed by three white cuboid benches.

Shadow plays are created on this projection surface, which is illuminated at night by a luminaire hanging above the square in the shape of a hollow sphere. Objects that cross its beam of light create sharply defined shadows on the paving. The functional principle is similar to that of a projector: a hollow body with a matt black inner surface and a point-shaped light source, the opening of which is dimensioned at the bottom so that the focal point beams precisely trace the surface of the square.

L.-Fritz-Gruber-Platz, Cologne

Client: City of Cologne – Civil Engineering Department
Open space: scape Landschaftsarchitekten, Düsseldorf
Project management: Hiltrud M. Lintel, Rainer Sachse
Collaboration: Jan Heimann, Judith Pfahler, Markus Hilgers, Bernd Nengel
Competition: 2007, 1st prize
Completion: September 2012
Area: 2,200 square meters
Costs: 570,000 euros

A stroke of art-historical luck

Building design

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The Gothic sacristies of the parish church of St. Quirinus in Tegernsee are to be restored. Many eras have left their mark on St. Quirinus, which was the monastery church of the most important Benedictine abbey in Upper Bavaria until 1803.

The sacristy used today dates from the Baroque period, but the two Gothic sacristies with their vaults and rare gray-on-gray painting are a stroke of art-historical luck. These are now used as storerooms, albeit for valuable items from the monastery or handicraft objects such as candlesticks or figurines.

The approval of the preliminary investigation for the restoration means that the sacristies will now be cleared out so that they can be made accessible to the public at some point in the future. Church historian Roland Götz has taken a closer look at the sacristies and knows that their preservation is a stroke of luck. However, fire protection still needs to be clarified, as there are no escape routes. As the church is under the same roof as the Bräustüberl, the castle distillery, the grammar school and the brewery, all those responsible and the owners must first come to an agreement. How much all the measures would cost is now to be found out in advance.