Transmission: discovering new impulses for architecture and urban planning

Building design
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Time lapse of a modern building at night, photographed by CHUTTERSNAP.

Urban planning as we knew it is crumbling between the fingers of the present. Transmission is the new magic word: impulses move through urban systems in real time, data devours space and time, architecture becomes a process instead of a product. Anyone who still believes they have the future under control with linear master plans may as well type BIM models on a typewriter. Welcome to the era of transmission – where architecture and urban planning are no longer based on stone, but on code and contingency.

  • The term transmission stands for the dynamic exchange of information, resources and ideas in urban planning.
  • Architecture and urban planning are increasingly moving away from static concepts towards adaptive, networked processes.
  • Digital technologies, in particular artificial intelligence and urban digital twins, are revolutionizing decision-making and participation.
  • Germany, Austria and Switzerland are experimenting – but cultural, legal and technical hurdles are slowing down change.
  • Smart infrastructures open up opportunities for sustainability, climate adaptation and efficient use of resources.
  • The architecture profession is facing a paradigm shift: from designer to urban systems engineer.
  • Open data and governance are becoming the key to transparency and democratic legitimization.
  • Dynamic processes are challenging the classic planning culture and harbor risks of algorithmic distortion.
  • Global metropolitan areas are setting standards – and making German-speaking cities look old.
  • Visions for sustainable urban planning require courage, technical expertise and a good dose of self-irony.

Transmission: The end of the rigid city plan

The days of monolithic city plans are over – at least in theory. Transmission means that cities are no longer thought of as static entities, but as networks that constantly absorb, pass on and transform impulses. These impulses can be data streams, traffic flows, social movements or climatic changes. Anyone who plans architecture or cities today and does not rely on transmission is simply failing to meet demand. In Germany, Austria and Switzerland, this is slowly dawning on even the last traditionalists. Although most local authorities still cling to their land use plans like hipsters to their Polaroid photos, the reality out on the street has long since changed: Mobility data, real-time feedback, digital twins and open interfaces are spreading here too – albeit with the handbrake on.

Innovations such as urban digital twins and city information modeling (CIM) are no longer exotic playgrounds, but tangible tools that take transmission to a new level. They turn cities into adaptive systems in which every new piece of information has an immediate impact on planning, operation and use. Switzerland is leading the way with Zurich’s data-driven neighborhood developments, Vienna is testing participatory digital platforms, and even Munich and Hamburg are experimenting with networked data streams that merge planning and operation. The direction is clear: where planning files used to gather dust, scenarios are now being played out in seconds.

Smart sensor technology, AI-supported evaluations and open data platforms are the driving forces behind this development. Transmission is becoming a principle: the city is no longer an object, but a process. Decisions are no longer made on the basis of forecasts for eternity, but are constantly adapted – depending on how the environment, uses or needs change. Those who lose touch run the risk of being overtaken by their own urban development. The profession of architecture can no longer rest on the nimbus of the creative lone fighter – what is needed is systems thinking, interdisciplinary work and a certain joy in chaos.

But transmission is not yet a sure-fire success. In Germany, Austria and Switzerland, new methods are clashing with old structures. Legal uncertainties, data protection, a lack of interoperability and a certain planning conservatism are slowing down change. It is not enough to screw sensors onto lanterns or create pretty dashboards – transmission needs a new planning culture that sees uncertainty not as a flaw but as a resource. If you want to successfully design cities today, you have to learn to live with dynamism and unpredictability.

At the end of the day, the realization is that transmission is not a technical trend, but a paradigm shift. Architecture and urban planning are becoming fluid, adaptive and networked – throwing many of the certainties of recent decades overboard. Those who see this not as a threat, but as an opportunity, can help shape the future of the built environment. The others are welcome to continue laminating master plans.

Digital technologies and AI: the new players in urban ping-pong

When talking about transmission, there is no getting around digital technologies. Urban systems are already being orchestrated by algorithms, monitored by sensors and monitored by digital twins. It is no longer a question of whether digitalization will come, but how quickly it will turn architectural and planning practice on its head. Germany, Austria and Switzerland are still in the early stages – but the direction is clear. Those who don’t think in terms of data today will be flying blind tomorrow.

Artificial intelligence is the elephant in the room. It analyzes traffic flows, predicts energy requirements, simulates climate scenarios and even suggests development options that no human can keep track of. The possibilities are enormous: in Zurich, for example, AI is used to automatically analyze urban scenarios and prepare them for participatory decision-making. In Vienna, AI evaluations of heat islands flow directly into the further development of new development areas. Switzerland relies on AI-based mobility simulations to dynamically control road spaces and optimally distribute resources.

But with the power of data comes responsibility. Algorithmic distortion, bias and black boxes are not science fiction, but already a bitter reality today. Anyone relying on AI-supported transmission needs to know how the models work, what assumptions they make – and where they could systematically discriminate. Transparency, traceability and control are the new quality features of digital planning. Anyone who ignores them risks not only making the wrong decisions, but also a massive loss of trust. The debate about data sovereignty and algorithmic governance is in full swing – and it will challenge the architecture profession more than any new rendering style.

Technical knowledge is therefore becoming key: planners today must be able to deal with data models, interfaces and AI algorithms. This is uncomfortable, no question – but there is no alternative. The days when you could get away with a bit of CAD and building regulations are definitely over. If you want to design transmission, you have to have digital skills and keep developing them. Training at universities is still lagging well behind the trend – but new courses of study and further education are at least beginning to emerge.

Global cities such as Singapore, Seoul and Helsinki have long since set standards by which the German-speaking world must be measured. There, transmission is not just a buzzword, but a lived practice. Open data, open interfaces, open participation – that is the claim. If you want to survive internationally as a planner, you have to orient yourself to these benchmarks. The good news is that there is still time to catch up – if you have the courage to question your own routines.

Sustainability as a touchstone: Transmission between greenwashing and genuine transformation

No topic is currently shaping architecture and urban planning in Europe as much as sustainability. Transmission is a double challenge: on the one hand, digital systems can dramatically improve urban sustainability – on the other hand, they are in danger of being misused as a greenwashing tool. The key question: how can real transformation succeed instead of smart cosmetics?

Ideally, transmission enables precise control of resources, reduces emissions and makes cities more resilient to climate risks. Urban digital twins show in real time where energy is consumed, how heat islands develop and which areas suffer from heavy rainfall. In Vienna, simulations are used to run through alternative designs that improve the microclimate as early as the planning stage. In Zurich, mobility flows are optimized to minimize CO₂ emissions and land consumption. Switzerland is driving forward innovative model districts that measure and adjust energy consumption in real time.

However, transmission is not a sure-fire success when it comes to sustainability. Without clear governance, open data standards and critical monitoring, there is a risk of new dependencies and technocratic distortions. Anyone digitizing sustainability must also be prepared to identify conflicting goals and make compromises transparent. This requires not only technical know-how, but also ethical judgment. Sustainable transmission relies on participation, data sovereignty and fairness – otherwise it will remain a mere façade.

The technical challenge is enormous. Planners need to know how to interpret simulation data correctly, how to define target values for sustainability and how to weigh up different scenarios. Anyone who takes transmission seriously needs a deep understanding of data, models and their limitations. This applies in particular to integration into existing planning processes, which are often still based on paper and gut feeling.

The debate about sustainable transmission is open. Critics warn of commercialization and the danger of large platform providers monopolizing the urban transformation. Visionaries, on the other hand, focus on open source models, citizen participation and data governance for the common good. The international discourse moves between these poles – and also demands clear positions in German-speaking countries. Anyone who misunderstands transmission as a mere efficiency machine is missing out on the potential for real sustainability.

The outlook remains ambivalent: transmission can become a game changer for urban sustainability – or the biggest greenwashing tool of all time. The decisive factor is who retains control over the data, the algorithms and the decision-making processes. Architects and planners who want to help shape the transformation must face up to this responsibility. Otherwise, the great revolution will remain a digital soap bubble.

Planners between loss of control and new creative power

The transmission of urban processes is radically questioning the role of planners. Anyone who wants to pull the strings today must be prepared to relinquish some control and embrace uncertainty. This is a real imposition for a professional group that for decades saw itself as the guardian of the built order. But those who refuse to do so will simply be overwhelmed by the force of real-time data and simulation scenarios. The new power lies in the process – no longer in the finished product.

Architects and urban planners are becoming intermediaries between technology, politics and the population. They have to translate data, moderate scenarios and mediate complexity. Anyone who wants to design transmission needs not only technical knowledge but also communicative and social skills. Participation is becoming a duty, not a fig leaf. New role profiles are emerging in Zurich and Vienna: Urban Data Managers, Digital Participation Facilitators, AI Architects. The classic designer role has had its day – the urban systems engineer is in demand.

However, with this new creative power comes the risk of losing control. Who is responsible when algorithms decide on land use? Who owns the data, who is allowed to use it, who protects it from misuse? The governance issues are unresolved – and they will continue to occupy the profession for a long time to come. It is not enough to hope for open platforms and transparency. Clear rules, codes of ethics and control mechanisms are needed to prevent transmission from becoming an end in itself.

Criticism of the algorithmic city is growing. Citizens’ initiatives are calling for more co-determination, data protectionists are warning of surveillance, planners fear for their professionalism. At the same time, new possibilities are opening up: Transmission can make complex processes comprehensible, facilitate participation and detect errors at an early stage. The profession is at a crossroads: either it proactively shapes change – or it becomes a vicarious agent of technology. The decision is now.

In an international comparison, Germany, Austria and Switzerland are still lagging behind. The fear of losing control is paralyzing innovation. But the time for excuses is over. Transmission is not hype, it’s reality. If you want to help shape the future, you need to educate yourself, network and question your own routines. The profession of architecture has the chance to shape the future – or miss it. The choice is yours.

Conclusion: Transmission as both an opportunity and an imposition

Transmission is the major disruptive factor in the comfort zone of architecture and urban planning – and that is precisely why it is so urgently needed. It forces us to say goodbye to the illusion of control, rigid plans and eternal certainties. A new planning culture is taking its place: open, dynamic, data-driven – but also error-prone, contradictory and imperfect. The profession is facing a turning point. Those who see transmission as an opportunity for more sustainability, participation and innovation can play an active role in shaping the future of cities. Those who refuse to do so will be overtaken by reality. It is time to leave the comfort zone and see transmission not as a threat, but as an invitation to help shape the future. The city of tomorrow will no longer be planned – it will be programmed, tested and adapted. Everything else is nostalgia.

POTREBBE INTERESSARTI ANCHE

Building bridges

Building design

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Sichtachsen author Maria Auböck reminisces about the exhibition “How will we live tomorrow?”, which presented the interim status of the IBA Vienna.

An ode to the IBA: Sichtachsen author Maria Auböck reminisces about the exhibition “How will we live tomorrow?”, which presented the interim status of the IBA Vienna. Her conclusion? The exhibition paints a picture of Vienna without nostalgia – and appealed to many young planners in particular.

In recent years, the teenage scene in Vienna has discovered curious garden art locations as meeting places. For example, ZWIDEMU – Between the Museums – the park at the Maria Theresa monument. An oversized topiary was set up here in 1888, which is now considered an unconventional, consumer-free zone. A sign of the paradigm shift that we are currently experiencing in the evaluation of open space and building construction.

This development will also affect other areas of the city through and after COVID-19: The public space in Vienna is – beyond the nostalgic marketing as a tourist destination – a space for design and use. This urban landscape must now be understood as a whole.

The exhibition entitled “How will we live tomorrow?”, which was on show in Vienna in fall 2020, was a good start. Without nostalgia, it showed fresh and modern ideas for the contemporary use of open spaces in social and subsidized housing and linked these with project presentations and general questions of urban development in an exemplary manner.

The occasion for the exhibition was the IBA Vienna, which presented its interim status ahead of the 2022 exhibition year. It was located on the site of the former Sophienspital hospital, which itself is due to be developed as a conversion area with residential buildings and will also provide space for start-ups and social facilities.

For six weeks, the exhibition was the meeting point for Vienna’s planning debate – shortly before the second lockdown. Workshops and discussions were held within the framework of the exhibition, including by the Austrian Professional Association of Landscape Architects ÖGLA, which used the stage of the IBA exhibition to address current issues relevant to the profession.

Although the IBA 2022 will not be completed for another two years, this interim status was a good opportunity to exchange ideas. While the selected construction projects were taking shape, interim uses were discussed, visits were organized and interested parties wandered around the city. Urban initiatives were presented, such as the BERTA package from the GrünStattGrau group, who put their advice for façade greening into clever and compact consulting packages.

Architect Walter Stelzhammer argued for urban densification above the city’s eaves zone, and the “Pocket Mannerhattan” project aims to combine the renovation of existing buildings with ambitious participation. Excursions to the large, realized open spaces in Aspern Seestadt, the “In der Wiesen” residential complexes and the PAHO Ost from the 1970s, which is well worth seeing, rounded off the program.

The internationally acclaimed building exhibitions have been a magnet for the public in Germany for many years. They are able to draw the attention of the press and the public to the city’s unwieldy topics.

This is where the representatives of open space planning can start today and introduce integrative topics that are highly topical: Manifestos on the subject of the sponge city, the use of plants in climate change, urban gardening in buildings.

What was astonishing about these excursions was the interest and high level of participation from young colleagues – a new generation of planners and users made their voices heard. A new understanding of landscape design will emerge from these projects.

You can find out more about international building exhibitions, such as the IBA Basel, here.

Wooden façade with origami effect

Building design
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Lund + Slaatto Architects used Kebony wood for the sophisticated façade design of an archive building in the Norwegian innovation park Ullandhaug in Stavanger. The durable real wood shows what high-quality wood can achieve as a façade material.

In addition to the archives, the public building with four upper floors and three basement floors houses a café, a library, a conference room and an exhibition space; multifunctional common rooms can easily be adapted to different purposes and events. The house is characterized by the characteristic three-phase cabins, conceived as a play of vertical, folded parts.

The special and distinctive geometry of the three sides gives the otherwise narrow building volume a dynamic and playful touch, inspired by the Japanese art of origami. However, the most architecturally distinctive aspect of the building is the strikingly elaborate wooden façade. Unusual angles, sloping lines and integrated window openings place the highest demands on the façade material. As a natural building material, wood provides good structural weather protection – if the quality is right.

The architects opted for Kebony, a modern and durable wood from Norway. The high-quality real wood is particularly durable and dimensionally stable thanks to its patented, environmentally friendly pre-treatment. Kebony is dark brown and develops a silver-grey patina over time. The archive building received the BREEAM “Excellent” award for sustainable design and sustainable solutions.

Kebony AS
Hoffsveien 48
0377 Oslo
Oslo, Norway
www.kebony.com

Photos: Sindre Ellingsen; Kathrine Soergaard