Ukraine war: Мы за мир

Building design

As a result of the war in Ukraine, the European architecture scene has quickly taken a public stand against the Russian war of aggression. G+L also stands in solidarity with the Ukrainian people and government.

BIG, David Chipperfield Architects, Foster + Partners, gmp, Herzog und de Meuron, MVRDV, OMA, Snøhetta, Zaha Hadid Architects – as a result of the war in Ukraine, which violates international law, the who’s who of the European architecture scene publicly opposed the Russian war of aggression in a very short space of time at the end of February/beginning of March 2022. Within just a few days, numerous offices expressed their solidarity with the people in Ukraine and with all those who stand for peaceful coexistence – above all via social media. In the case of Chipperfield, HdM, OMA and Zaha Hadid, the public statements were followed by an immediate halt to all construction projects in Russia. BIG also announced in a statement that the office would not be carrying out any projects in Russia or for the Russian government. However, it is not clear from this whether a construction freeze has been imposed or whether there are simply no Russian projects currently in progress.

First the governments, then the private sector. Today, our globalized world also makes it possible for corporations, companies or even planning offices to impose sanctions. So while Apple, Siemens, Starbucks, McDonalds, Coca-Cola, Pepsi and the management consultancies KPMG, PWC, EY and Deloitte are suspending their business in Russia as a result of the war of aggression, or Elon Musk is actively supporting Ukraine with the help of his satellite internet service Starlink, including reception systems, the world of architecture is also drawing its own conclusions. This is worth a special look, as it was or is precisely non-democratic regimes such as Russia or China that have provided the big star offices with unique construction projects in recent years. The M+ Hong Kong designed by HdM only opened at the end of 2021. While at the turn of the year in Moscow, the Renzo Piano Building Workshop RPBW converted the GES-2 power station into a center for visual and performing arts for the V-A-C Art Foundation.

Jacques Herzog on democratic architecture

For us in the editorial team, this immediately (and once again) triggers the question of how political planning can be, but also how political planning must be. What is exciting in this context is that Jacques Herzog in particular has repeatedly publicly addressed the question of democratic architecture. You can think what you like of him and the HdM projects, but he takes a stand. As he did in an interview in 2020 with Lukas Gruntz from architekturbasel.ch. Referring to the historic urban development of St. Petersburg, Venice, Rome and Paris, he said here: “Perhaps more beauty is created in a non-democratic context because the context is more extreme, more radical.” But he also continued: “From our point of view, an enlightened and democratic society, architecture must be anchored in the population and ideally emerge from the needs of the population.” Sentences that should make us think. Now more than ever.

Ukraine war: Coop Himmelb(l)au under pressure over Crimea project

Lighthouse projects in non-democratic regimes must be better considered in future. I wonder what is going through Wolf D. Prix’s head at Coop Himmelb(l)au right now? His office was criticized even before the war of aggression. Since 2020, the Viennese have been planning two of the four cultural buildings that Vladimir Putin wants to be built by 2023. The particularly tricky case is the planned opera house on the Crimean peninsula, which was annexed by Russian occupiers in 2014 in violation of international law(more on this in an SZ-Plus article). With reference to the lighthouse project, Ukrainian President Volodymyr Zelensky imposed economic sanctions against the Viennese architecture firm and six of its representatives on January 21, 2022.

Wolf D. Prix: Coop Himmelb(l)au is building an opera house, not barracks

According to an SZ.de article by Gerhard Matzig, who interviewed Prix on the subject, this was preceded a year and a half ago by threats from the Ukrainian embassy to Coop Himmelb(l)au. Prix would not be allowed to build the opera house in Sevastopol or the architectural firm would soon be ruined. And according to Gerhard Matzig in his article, Prix has now also been advised to distance himself from the project and Putin. When asked by Matzig whether he would do so, Wolf D. Prix sighed on the phone. Prix is of the opinion that he is not building a barracks, but an opera house. As a cultural project, this is not subject to the embargo regulations. Unsurprisingly, as of mid-March 2022, Coop Himmelb(l)au still has no statement on the Ukraine war.

Ukraine war: Russian planners make their mark

But now back to those who openly oppose the war. Because it’s not just the European star offices that are flying the flag. According to SZ.de, a total of 6,500 Russian architects, designers and urban planners also signed an open letter on the website of the Russian architecture magazine “Project Russia” between February 26 and March 4, 2022, calling for an immediate end to the war. The tragedy is that this appeal also fell victim to the “fake news” law against critical reporting on the Russian army signed by Vladimir Putin on March 4, 2022. Only a short version of the campaign with a picture of a dove of peace can now be seen on the site. It says here in Russian: “Unfortunately, we were forced to remove the text of the letter under threat of criminal liability under the law that came into force today. We are for peace!”

One profession, one passion

Meanwhile, however, the Union of Architects of Ukraine also called on the International Union of Architects to expel the Union of Architects of Russia from the organization. “Those who do not condemn Russia’s actions support them,” the Süddeutsche Zeitung quotes the President of the National Union of Architects of Ukraine, Oleksandr Chyzhevsky, as saying in a letter to the UIA. If you let this statement sink in, you have to ask yourself – even if you condemn Russia’s actions in the strongest possible terms – whether we really want to live in a world in which people from one industry, one profession, one passion, go against each other simply because of their nationality. For this very reason, the G+L editorial team would like to join our Russian colleagues: Мы за мир. We are for peace. And we condemn the Russian government’s attack on Ukraine, which violates international law, and stand in solidarity with the Ukrainian people and government.

Ukraine war: bdla and BAK also active

While German landscape architecture firms are still quite reluctant to express their solidarity, the bdla published an official solidarity statement #StandWithUkraine on March 2, 2022. The bdla declared its “deepest regret about the war in Ukraine, the loss of human lives.” It condemns this attack, which violates international law. The bdla’s thoughts are particularly with its colleagues from its partner association, the Guild of Landscape Architects of Ukraine. In the same letter, the bdla refers to the initiative of the Federal Chamber of Architects. This has set itself the goal of becoming active beyond expressions of solidarity. For this reason, the BAK is making its network available to the Ukrainian Association of Architects. The goal: sleeping places for refugees. Find out more here.

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Building design
In August, B8 "Building with systems", we look at residential construction on a larger scale. You can read more about the individual projects here. The cover photo of B8 is by Hendrik Lietmann

The cover photo of B8 is by Hendrik Lietmann, Ostkreuz.

Better big? Residential construction on a larger scale does not usually have a good reputation. However, it is clear that new living space is needed, especially in cities. In addition, the aspect of sustainability in construction is becoming increasingly important. You can find out whether large-scale residential construction can offer a solution to these challenges in the August issue. Read more in the editorial by Editor-in-Chief Fabian Peters.

Better big? Residential construction on a larger scale does not usually have a good reputation. However, it is clear that new living space is needed in cities in particular. In addition, the aspect of sustainability in construction is becoming increasingly important. You can find out whether large-scale residential construction can offer a solution to these challenges in the August issue. Read more in the editorial by Editor-in-Chief Fabian Peters.

Lack of living space

“We need to build more apartments!” This is apparently the majority opinion among politicians. The not-so-new German government has taken up this goal and written it into the coalition agreement. “We must hardly build any more, if at all”, say climate researchers and environmental activists, referring to the enormous amounts of energy consumed in the process. One thing is certain: If the answer to the lack of living space in metropolitan areas, especially affordable living space, can only be new construction, then small apartment buildings or even single-family homes will not be an option. We need to plan and build in large formats. And as little energy as possible must be used in the process. This can be achieved by using sustainable materials and building as efficiently as possible. Industrial construction methods could play a key role in the future.

The fate of large buildings

Industrial construction? For many, the images of large housing estates in both East and West immediately spring to mind. In West Germany, these neighborhoods were the epitome of social hotspots – and in many cases still are today. Much has now been achieved through neighborhood management. Nevertheless – whether Chorweiler, Neuperlach, Gropiusstadt or Märkisches Viertel, these are addresses that still have a stigma attached to them. Can new large-scale residential buildings escape the fate of their predecessors from the sixties and seventies? Or will we have a new Pruitt-Igoe moment in 25 years’ time?

Building on a larger scale as a solution to the lack of living space?

For this issue, we looked at different concepts for large-scale residential construction, talked to experts about technologies and strategies, and looked at projects and experiences in our neighboring countries France, Austria and the Netherlands. Whether we want to create more living space in the future in the form of large-scale residential construction and to what extent – this is a discussion we will have to have intensively in the coming years.

The B8 is available in our online store.

Our South Tyrol issue was published in July, in which we looked at new buildings in rural areas and the conversion of historic buildings. Read more here: South Tyrol

Roger Boltshauser: Plea for earth building

Building design
An exhibition on Roger Boltshauser in Stuttgart's Weißenhofsiedlung in March and April shows his exploration of earth building. Sketch: Roger Boltshauser

Roger Boltshauser Response 02.03/23.04.2023, sketch: Roger Boltshauser

An exhibition on Roger Boltshauser opens in Stuttgart’s Weißenhofsiedlung at the beginning of March. His work combines art, design and building as well as a passion for clay as a material.

An exhibition on Roger Boltshauser opens in Stuttgart’s Weißenhofsiedlung at the beginning of March. His work combines art, design and building, as well as a passion for clay as a material.

“If you could eat it, you’d call it superfood.” This is how the organizers whet the appetite for the exhibition on Roger Boltshauser and his clay architecture. It should be sufficiently well known by now that clay is a moisture buffer and fire protection, has a balancing effect on the indoor climate, keeps wooden structures dry, can be found almost everywhere in the world and is easy to work with. And yet we cannot talk enough about this building material and promote it.

An exhibition in Stuttgart does the same and shows the work of Swiss architect Roger Boltshauser, who works a lot with clay construction. For him, it is “a kind of fundamental experience” that still spurs him on today, makes him courageous, but also critical of all conventions and constantly drives him to find new solutions. Boltshauser then became known to a wider circle in 2008 when he and Martin Rauch built the latter’s single-family house from rammed earth in Vorarlberg (Baumeister 7/2009). At the time, it was still said that they were building “at their own risk”, a test building. The realization required ten to twenty times less energy than a conventional concrete or brick building. However, the amount of work involved was very high.

Some clients are now also enthusiastic about earth building, and a few larger earth buildings have already been built – such as the Ricola Herbal Center by Herzog & de Meuron or the Alnatura office building by Haas Cook Zemmrich. Boltshauser is working on a number of promising research projects and is also planning large buildings made of rammed earth. In his opinion, the future belongs to intelligent hybrid constructions. His colleague Martin Rauch is convinced that the next decade will be an era of earth building. It brings a new aspect of responsibility to planning and building – “simply building, putting perfectionism into perspective”, as he puts it(Baumeister 6/2021).

In this respect, one can never make enough pleas for earth building – as the architect will certainly do in his opening speech at the Weißenhofsiedlung in Stuttgart next Wednesday. The exhibition on Boltshauser aims to show that in his work, art, design and construction combine in “constant parallel processes”. Some of his collage sketches will therefore also be on display. Ultimately, it is clear that Roger Boltshauser is concerned at all levels with the search for an authentic answer.

From 2 March to 23 April 2023 at the Architekturgalerie am Weißenhof | Stuttgarter Weißenhofsiedlung, Am Weißenhof 30, Stuttgart | Curated by Roger Boltshauser with Atelier Andrea Gassner | Organized by Kyra Bullert | Exhibition design: Atelier Andrea Gassner | Vernissage: Wednesday, 1 March 2023, 7 pm: Lecture by Roger Boltshauser in the lecture hall Neubau 2

By the way, also in Stuttgart: an eyewear store with panache