Undeclared work without pay

Building design

If the client agrees with the contractor to pay his wages without an invoice and without paying VAT, this constitutes a breach of a statutory prohibition (Section 134 BGB). The contract is null and void. The contractor has no claims for payment and the client has no claims for remuneration in the event of defects. The problem According to the previous case law of the BGH, […]

If the client agrees with the contractor to pay his wages without an invoice and without paying VAT, this constitutes a breach of a statutory prohibition (Section 134 BGB). The contract is null and void. The contractor has no claims for payment and the client has no claims for remuneration in the event of defects.

The problem

According to the previous case law of the BGH, the client can assert warranty claims in good faith (Section 242 BGB) even in the case of a “without invoice agreement “*. According to a ruling of the BGH of May 31, 1990**, claims for remuneration by the contractor are also not excluded. Rather, the contractor is entitled in good faith to demand compensation from the client for the unjustly obtained value (§§ 812, 818 para. 2 BGB). In short, payment and remuneration in the case of deficiencies had previously been legally secured for contractors and clients despite undeclared work. However, the facts of these decisions date back to a time before the Clandestine Employment Act came into force on August 1, 2004, which raises the question of whether this new legal situation has any influence on case law.

The case

The client agrees work services with the contractor, whereby the remuneration for the work is to be paid in cash and without payment of VAT. Variant 1: The service is defective. Is the client entitled to rectification? Variant 2: The client does not pay the final invoice and declares a set-off with a claim for damages due to alleged defects. Does the client owe the remuneration for the work or at least compensation for the value?

The decision

With regard to variant 1, the BGH ruled in its judgment of August 1, 2013 – case reference: VII ZR 6/13 – that the contract for work and services concluded between the contracting parties is null and void due to a breach of the Undeclared Work Act and thus a statutory prohibition pursuant to Section 134 BGB. According to the new version of the Undeclared Work Act (Section 1 (2) no. 2), anyone who does not meet their tax obligations for contracts for work and services within six months is performing undeclared work (Section 14 (2) UstG). This can be assumed in the case of an “without invoice agreement”. The nullity of the contract means that the client is generally not entitled to any claims for defects.

With regard to variant 2, the Higher Regional Court of Schleswig ruled in its judgment of August 16, 2013 -1U 24/13 – that the contractor is not entitled to a claim for remuneration for work because no effective contract for work was concluded in accordance with Section 134 BGB. Contrary to the opinion of the BGH cited in the ruling of May 31, 1990, the undeclared worker also had no claim to compensation. This contradicts the “clear wording” of the Clandestine Employment Act, which “is aimed precisely at the loss of the right to enrichment as an intended consequence”.

Practical advice

It is to be expected that the BGH will follow the opinion of the Higher Regional Court of Schleswig in its future case law, i.e. that it will not grant the undeclared worker any claim to compensation for the value of his work. The new version of the Undeclared Work Act means that, for the first time, even a breach of tax obligations in the case of contracts for work and services is considered “undeclared work”. Anyone who deliberately violates a prohibition law does not deserve protection from the consequences of the violation.

*BGH of 24.4.2008 – AZ: VII ZR 42/07; Baurechts-Report 5/2008 –

**BGH of May 31, 1990 – AZ: VII ZR 33/89; Baurechts-Report 11/90 –

Legal basis from STEIN in December 2013.

POTREBBE INTERESSARTI ANCHE

#BeautySalonVanGoghMuseum

Building design
Amsterdam / Maurice van der Meijs

Amsterdam / Maurice van der Meijs

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open. This is how […]

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open.Amsterdam’s Van Gogh Museum, for example, was transformed into a beauty salon for a day: hashtag #BeautySalonVanGoghMuseum

In particular, the strict ban on cultural events since December 19, 2021 has met with resistance in the Netherlands. To express their protest, numerous museums therefore briefly opened for special events last Wednesday, January 19, 2022. In Amsterdam’s Van Gogh Museum, for example, nail artists were able to show off their skills, while other museums offered yoga classes, haircuts and manicures. Concert organizers also joined the unusual protest. Without further ado, the venerable Concertgebouw was transformed into a “Kapsalon Concertgebouw”, where you could also have your hair cut during a rehearsal of the symphony orchestra led by conductor Susanna Malkki! An unusual performance that met with great approval from the audience. Charles Ives’ Symphony Number 2 was played. “We don’t understand it and there is no justification for it, because in the last two years we have shown that it is very, very safe to go to a concert or a museum,” emphasized Simon Reinink, the director of the Concertgebouw.

Across the street at the Van Gogh Museum, visitors were offered manicures, beard care and a professional haircut at the same time under the hashtag #BeautySalonVanGoghMuseum , while viewing paintings by Vincent van Gogh. “We want to emphasize that it is safe to visit the museum,” commented Emilie Gordenker, the museum’s director since February 2020. “This is definitely something completely new at the Van Gogh Museum”. The museum director also adds: “More and more people are visiting museums in search of spiritual depth and the meaning of life, among other things. We also need a ‘mental’ gym!”. The area of ‘mental health’ is just as relevant for our museum, especially because of Van Gogh’s own mental state.”

Manicure, beard care and a professional haircut

Many institutions in the capital took part in the protests in this way. They all found it unfair that cultural institutions had to close during the lockdown, while stores, hairdressers and gyms remained open. On January 16, 2022, the one-month lockdown was eased in the Netherlands, allowing hairdressers, gyms and stores to reopen. Cultural institutions, on the other hand, were to remain closed.

Creative resistance on the part of cultural institutions

Gunay Uslu from the Dutch Ministry of Culture showed understanding for the protests, but urged caution. She wrote on Twitter: “There are creative protests on the part of cultural institutions. I understand this cry for help and that artists also want to show all the beautiful things they have to offer us, but the easing of the lockdown must take place step by step. Culture is right at the top of the agenda for us.” The government therefore held out the prospect of any easing of the strict coronavirus measures for January 25, 2022 at the earliest.

Reading tip: As of this week, solo self-employed cultural workers in Germany, including freelance restorers, can apply for Restart Aid 2022. They receive support that is not linked to operating expenses. Applications for Neustarthilfe 2022 in the funding period from January to March are now open. Read more here.

Ceramic diversity

Building design
Portfolio

Portfolio

The ceramics specialist NBK from Emmerich in the Lower Rhine region realizes façade designs that place the highest demands on creativity and inventiveness. For the detailed implementation of architectural designs, all resources in process engineering, color and glaze development, surface quality and the production process, right up to the firing of the ceramics, are activated.

With “Terrart”, the system for terracotta façades from NBK, a wide variety of design details can be realized in terms of shape, color, surface texture and glaze for unique, tailor-made solutions. NBK also offers unusual shapes, whether convex, concave, trapezoidal, curved or bent – with different radii and angles. Further variations are possible thanks to different profiles and matching corner solutions. With the option of combining different terracotta elements with each other, the variety of ideas and their realization can be increased even further. Whatever is to be expressed – from powerful to elegant, from restrained to eye-catching, from classic to avant-garde – NBK realizes individual architectural façade concepts.

An outstanding example of this is the residential tower at 111 West 57th Street in New York, which is currently being built next to the historic Steinway Hall and is therefore also known as the Steinway Tower. With a height-to-width ratio of 1:24, the tower will be the slimmest building in the world. For the exterior façade, the New York architectural firm SHoP Architects has opted for curved, extruded ceramics from NBK, finished with a special glaze. Upward-striving ceramic strips alternate with curved bronze profiles, and both give the window strips an incomparable look. The variety of ceramic profiles and the semi-transparent play of colors of the exclusive cream-white glaze, which shimmers from light to dark, create a lively effect.

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46446 Emmerich
Emmerich, Germany

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