Venus in the studio

Building design

Episode 1

The Städel Museum is venturing a foray into art education via a tête à tête with the YouTube generation With the new web film project “Talk im Rahmen”, Frankfurt’s Städel Museum is bringing icons of art history into conversation. And in a double sense. On the one hand, this format creates an informal connection to a net-savvy and younger target group via the museum’s own YouTube channel. On the other hand, it […]

The Städel Museum ventures a foray into art education via a tête à tête with the YouTube generation

With the new web film project “Talk im Rahmen”, the Städel Museum in Frankfurt is bringing icons of art history into the conversation. And in a double sense. On the one hand, this format creates an informal connection to a net-savvy and younger target group via the museum’s own YouTube channel. On the other hand, each film provides the paintings from the museum collection with their own voice: dubbing actors stage an imaginary exchange of blows between the works of art on current topics such as emancipation or communication strategies on the Internet. The discussion situation is deliberately based on the classic television format of the talk show.

Each picture has its own fixed place on the comfortable sofa sets, and the obligatory glass of water on the side table is of course also a must. While the icons in question – for example the portrait of Simon George of Cornwall by Hans Holbein the Younger (around 1535-1540) or the Venus by Lucas Cranach the Elder (1532) – defend their points of view against works from more recent eras, the well-known 3sat presenter Gert Scobel uses his wit, charm and professional empathy to bring the threads of the conversation together into a well-rounded discussion.

However, the question arises as to what effects the transportation, installation and lighting conditions in a film studio have on the paintings. According to the museum, the selection of the works as well as the securing on the film set was “always carried out in very close consultation with the Städel’s restoration department”. The state of preservation of the works therefore determined their appearance in the studio from the outset. For example, photographs or drawings on paper were excluded from the web film project, and the size of the works was also a decisive factor.

In addition, the studio was specially constructed for the tête à tête of the art icons. The Berlin production company Readymade-Films also consulted with the museum’s conservators. The result was a scaffolding construction invisible to the camera, on which the pictures were secured to the regular suspensions by wire ropes. In addition, special LED lights were used to illuminate the “talk in the frame” with a maximum brightness of 280 to 300 LUX.

Further projects are already on the Städel Museum’s agenda, which are aimed at digitally expanding the collection. In addition to its range of digital formats for special exhibitions, the “Education and Communication” department is discussing a further expansion of film productions. From spring 2016, for example, a free online course with a program of “explanatory videos, playful learning formats, text sections and an extensive timeline on the various trends, artists, historical events and key works of modern art from 1750 to the present day” will be available, explains the Städel press office. A significant step into the digital future: Max Hollein, the director of the museum, also sees the claim of this mediation initiative as “a completely new way of making the explosive themes and continuing relevance of these images evident for us today”.

Read more about the Städel Museum’s digital mediation strategy in RESTAURO 08/2015.

Click here for a current digitorial by the Städel as part of the current exhibition “Dialogue of Masterpieces”.

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The Corner Fold House, London

Building design
The Corner Fold House by Whittaker Parsons, photo: French + Tye

The Corner Fold House by Whittaker Parsons, photo: French + Tye

A gap-filling house in London by architects Whittaker Parsons shows how densification can succeed even on small plots. More about the Corner Fold House here.

A gap-filling house in London by architects Whittaker Parsons shows how densification can succeed even on small plots. More about the Corner Fold House here.

The clients used to live in the larger house to which the Corner Fold House is now connected. The small plot of land was difficult to build on due to its location between the residential building and a substation. However, the architects Whittaker Parsons found a solution with a sculptural form: The name “Corner Fold” is derived from the cut corners that allow the shape of the plot to be taken into account. The parapet of the house is faceted. With red brick and concrete bands, the architects allude to the architectural language of the surrounding Victorian houses.

Rick and Hannah O’Shea, the clients of Corner Fold House, said: “We decided to build our own house on the garden plot at the side of our house. We were approaching retirement, we love the area (Peckham), we wanted to stay close to friends and our children were at university. We found the added value of a new build attractive when you consider the cost of moving.”

Inside the Corner Fold House are beautifully designed rooms that offer a bright and tranquil sanctuary and views over the gardens of Crystal Palace. At the front of the building there is an oak staircase that leads up to the living spaces. The rooms are mostly south-facing to let in plenty of light and warmth. Spread over three floors, there is a living room, a bedroom, a bathroom, a kitchen with dining room and an underground study. The spacious, bright rooms are designed to provide a calm and peaceful atmosphere for the retired couple.

There are two elements in the family room on the first floor, which also includes the kitchen and dining area: The bamboo kitchen and seating area with exposed wooden beams and floor-to-ceiling sliding doors. These doors lead into a sunken courtyard garden. Bamboo was chosen as a sustainable, healthy and robust alternative to MDF.

The house in Peckham is located on a plot just 3.9 meters wide. It shows how architecturally sophisticated houses can be created with little space and a limited budget. The architects Whittaker Parsons have carefully used every centimeter to provide plenty of space despite the small plot. As a robust and self-confident addition to the streetscape, the house in Peckham shows what redensification can look like.

In order to keep the construction costs low, but at the same time ensure good building quality, the architects used traditional construction methods. They also made sure that the garden and the green roof, as well as the interiors, are easy to maintain. A charging station for electric cars allows residents to switch to green mobility.

The thermal elements of the house are designed to ensure comfort while minimizing operating costs. And the faceted façade is made of British bricks and ventilated lightweight bricks. The latter are made from 80 percent recycled material.

The plot in Peckham used to be just an unused, concreted garden. Now the Corner Fold House is a modern addition to the street and completes the terraced development. According to Whittaker Architects, the brutalist style with its Victorian allusions enhances the streetscape without being completely out of place.

An efficient floor plan with flexible rooms, cleverly concealed storage space and high-quality thermal rooms make the building a prime example of new builds on small plots. If desired, the roof can be fitted with solar cells in the future. It is also possible to adapt the functions of the rooms if the owners’ needs change in the future.

Also interesting: A very special kindergarten was built by Dyvik Kahlen in north London last year.

Sensor-based designs: architecture that breathes

Building design
photography-from-the-bird's-eye-view-of-white-buildings-iZsI201-0ls

Bird's eye view of urban white buildings, photographed by CHUTTERSNAP.

Sensor-based designs are the new heartbeat of architecture – pulsating buildings that react to their environment, permanently inhale data and thus make a promise that goes far beyond pure energy efficiency: architecture that breathes. While classical architecture aims for eternal monumentality, an era is beginning in which the design becomes a living organism. But how much substance is behind the hype? And what is actually the reality in Germany, Austria and Switzerland, where building culture and the art of engineering are regarded as both sacrilege and a field for experimentation?

  • Sensor-based designs are revolutionizing the planning process: buildings are becoming dynamic systems.
  • There are initial lighthouse projects in the DACH region, but widespread implementation remains hesitant.
  • AI and digital platforms enable real-time analysis of climate, use and maintenance.
  • Smart sensor technology helps to precisely control energy consumption, comfort and material loads.
  • The construction process is shifting from static planning to learning, adaptive processes.
  • Sustainability is taking on a new dimension: buildings as active participants in the urban ecosystem.
  • Debates about data protection, control and algorithmic bias are unavoidable.
  • The job description of architects is changing – technical and digital skills are mandatory.
  • International role models show where the journey is heading – but also the risks.
  • Sensor-based architecture is not a decorative trend, but a paradigm shift.

Sensor technology as a basis for design: from measurement to living buildings

Sensors are no longer a gimmick for technology enthusiasts or smart DIY enthusiasts. In the context of architecture, they are becoming the central interface between built space and the environment. Anyone planning a new office building in Zurich, Vienna or Munich today can hardly avoid the question: What sensor technology is needed to not only monitor the building, but to actively control it? Temperature, humidity, CO₂, presence, daylight, sound – the list is long and the demand is growing rapidly. Sensor-based designs promise to turn the building into an adaptive system. The sensors not only measure, they also deduce behavior and encourage adjustments. This is the big difference to traditional construction, which is based on assumptions and empirical values. Today, modern architecture can react to real-time data, analyse user behaviour and derive optimizations from it. The building becomes a feedback system that can do far more than just open windows and turn down the heating.

Austrian pioneers such as the Aspern Smart City Research project in Vienna or Swiss innovation platforms in Zurich show how sensor systems are becoming an integral basis for planning. Neighborhoods are being created here in which every house, every building component and every usage layer is enriched with sensors. The data converges in digital twins, is analyzed and translated into adaptive control systems. The goal: buildings that not only function according to standards, but also adapt to the climate, use and environment. At the same time, this presents planners and engineers with completely new challenges. Sensor technology must be considered from the outset, interfaces must work and the evaluation must not be a black box. It is no longer enough to equip a technology room with servers – the entire architecture must be permeated with sensors.

Germany is lagging behind across the board, but the first pilot projects are emerging. Smart buildings are being implemented in the research and university sector in particular, for example on the RWTH Aachen campus or in Munich’s Werksviertel district. Here, sensory systems are becoming an integral part of the design – and not an afterthought, as was previously the case. The results are clear: lower energy consumption, better user comfort, less maintenance. And yet the breakthrough has yet to come. There are many reasons for this: data sovereignty, data protection, costs – and not least the fear of relinquishing control. After all, a building that controls itself also challenges the traditional understanding of planning.

Internationally, the role models have long since moved on. In Singapore, Copenhagen and Seoul, sensor-based buildings are the norm. Here, façades are automatically adjusted depending on the position of the sun and the indoor climate, ventilation and lighting react to user flows, and the entire building technology functions like an autonomous nervous system. The architects there are no longer just designers, but system developers and data managers. The big question is: how much longer can the DACH region hide behind engineering pride and data protection before the connection is lost for good?

Sensor-based designs are not an end in themselves. They are the key to taking architecture to a new level – as breathing, adaptive, resilient systems. If you ignore this, you are not building what is needed. Those who understand this will not only create sustainable spaces, but spaces that are fit for the future. The real revolution does not start with the product, but with the process: architecture that breathes is architecture that learns.

Digital transformation: AI, data platforms and the new role of the architect

Sensor technology alone is not enough. It is only the eye, the ear, the sense of touch of the building. What emerges from this is decided by digital evaluation. Artificial intelligence and big data platforms are no longer a vision of the future, but tangible tools in the design process. In Austria, especially in Vienna, data from sensors, weather services and usage evaluations are bundled on platforms and analyzed in real time. The algorithms not only suggest optimizations, but also simulate the effects of design variants even before the first sod is turned. This fundamentally changes the collaboration between all project participants.

In Germany, it is mainly larger engineering and architecture firms that are working with digital twins and AI models. They integrate sensor technology right from the start, design variants, run simulations and make data-based decisions. This sounds like tech euphoria, but in practice it is often a tough culture clash. This is because traditional architects see themselves in the role of creative creator, not data analyst. The truth is: without digital skills, you will quickly be left behind by the competition. Anyone who cannot handle AI, data platforms and automated evaluations will either find themselves in subcontractor status in the future – or in an apprenticeship.

Switzerland has made a name for itself when it comes to integrating AI into planning processes. Here, sensor data is used to control buildings not only in an energy-optimized manner, but also in a user-centric way. Automation extends to predictive maintenance, where sensors detect wear and tear before damage occurs. This reduces costs and increases sustainability. At the same time, new interfaces are emerging between architects, IT specialists, engineers and operators. The job description is changing: architects are becoming curators of digital systems – and must learn to deal with uncertainties, data volumes and algorithms with confidence.

However, digitalization also brings with it new risks. Who controls the data streams? Who decides which optimization is actually implemented? And how do we deal with the risk of algorithms favoring discriminatory patterns or ecologically questionable solutions unnoticed? The debate about algorithmic fairness, transparency and control is in full swing – and it will keep the profession busy for a long time to come. Anyone who doesn’t have their say here will be overrun by the tech giants.

Sensor-based designs are therefore not just a technical advance. They mark a paradigm shift: from the client expressing wishes to the system making suggestions. From the architect as a lone fighter to an interdisciplinary collaboration platform. Anyone who still believes that all this is just a passing trend has not recognized the signs of the times. The future of architecture is digital, data-driven – and it breathes.

Rethinking sustainability: buildings as active players in the urban ecosystem

Sustainability is dead – at least in the old definition, which is limited to insulation values, energy certificates and eco-certificates. Sensor-based designs open up a new dimension: buildings are becoming active players in the urban ecosystem. They no longer only react to the weather and users, but also communicate with neighboring buildings, networks and districts. In Vienna, for example, districts are being built in which heating and cooling loads are dynamically shifted depending on where there is a need at the time. Sensor technology recognizes when a building can reduce its energy consumption because the neighbouring building is currently absorbing peak loads. This is no longer science fiction, but real practice on a research scale.

In Zurich, buildings are being built that use sensor technology and AI to permanently measure and control their water consumption, waste streams and even their carbon footprint. The aim is to save resources, reduce emissions and improve quality of life. Sustainability is becoming a real-time task – no longer a one-off certification, but a continuous process. Today, architects and engineers must learn to think and act in ecosystems. This means interfaces to energy suppliers, mobility providers, smart city platforms – and to the user, who is no longer seen as a disruptive factor but as a data supplier.

Germany is traditionally proud of its energy efficiency standards. But sensor-based systems show how much more is possible. Buildings that react to periods of heat by extending shading or adjusting ventilation to CO₂ values are no longer a luxury, but a minimum standard by international standards. The big challenge: these systems must be robust, low-maintenance and tamper-proof. After all, a building that depends on sensor technology is also susceptible to failures, hacks or sabotage. The security of data and systems is becoming a question of survival for smart architecture.

At the same time, new opportunities are opening up for the circular economy and material efficiency. Sensor technology can permanently monitor the condition of components and thus determine the optimum time for repair, replacement or recycling. This extends life cycles, saves resources and reduces costs. In Switzerland, there are pilot projects in which components are equipped with RFID and sensor technology to digitally monitor their life cycle. This is more than digitalization – it is the transformation from disposable construction to circular architecture.

Sensor-based designs are therefore not just a step towards sustainability, but a leap into a new era. It is no longer about efficiency on a small scale, but about resilience on a large scale. Architecture breathes when it is in dialog with the city, the climate and the people. Those who understand this are not just planning for the next certification, but for a future worth living.

Risks, visions and the global stage: architecture between loss of control and innovation push

Of course, not everything runs smoothly. Sensor-based architecture also entails risks that go far beyond classic construction errors. The debate about data protection is particularly heated in Germany, Austria and Switzerland. Who has access to building data? How is personal information protected when movement profiles, indoor climate and usage habits are permanently recorded? The fear of the transparent resident is real – and it is being instrumentalized politically. At the same time, there is a risk that control over the sensor technology and the data obtained from it will end up with international tech companies pursuing their own interests.

Even more serious is the risk of algorithmic bias. AI systems that make design decisions based on sensor and usage data can unintentionally favor discriminatory or inefficient solutions. Who controls the algorithms? Who checks the results? And how transparent are the decision-making processes for users and planners? The answer is often: not enough. Clear standards, open interfaces and genuine participation are needed here. Otherwise, the breathing building will become a black box with unclear motives.

But the visions are too big to get bogged down in the minutiae of risks. Sensor-based designs open up possibilities that would have been considered crazy just a few years ago. Adaptive façades that react to air pollution. Interiors that configure themselves automatically according to user preference. Buildings that act as energy and data hubs in the neighborhood. All of this is technically feasible today – if the will is there and regulation does not become an innovation killer.

In a global context, it is clear that Europe plays in the Champions League of building culture, but the rules of the game are set in Silicon Valley and East Asia. The willingness to take risks, plan experimentally and integrate sensor technology holistically is much greater there. Those in the DACH region who cling to the old planning ideal will be overtaken by reality. The job description must change – and quickly. Anyone who still believes that the job is done with CAD skills and a few renderings has long since missed the boat.

Sensor-based architecture is not a fad. It is the next logical step in the history of construction. It challenges planners, clients and users alike. It forces collaboration, openness and continuous learning. The loss of control is real – but the gain in quality, sustainability and innovative strength far outweighs the risk. Those who take the plunge can shape the future. Those who hesitate will be shaped.

Conclusion: Architecture that breathes is architecture that takes responsibility

Sensor-based designs mark the end of static architecture and the beginning of architecture that breathes. They are more than just technical gimmicks or pretty marketing. They are the key to sustainable, resilient and user-centered spaces. Germany, Austria and Switzerland need to make a decision: Do they want to be pioneers or onlookers? The technology is there, the visions are clear. Now we need courage, competence and clear rules. Because architecture that breathes is architecture that takes responsibility – for the environment, society and innovation. Everything else is just a sham.