Waldschlösschen Bridge still in our sights

Building design

Dresden’s Waldschlösschenbrücke bridge is a thorn in the side of many. The Elbe Valley even lost its World Heritage title because of it. A few weeks ago, the Federal Administrative Court in Leipzig ruled that the planning approval decision to build the bridge was unlawful. What now? Advertorial Article Parallax Article The Waldschlösschen Bridge, which crosses the Elbe at one of its widest points and connects the Dresden […]

Dresden’s Waldschlösschenbrücke bridge is a thorn in the side of many. The Elbe Valley even lost its World Heritage title because of it. A few weeks ago, the Federal Administrative Court in Leipzig ruled that the planning approval decision to build the bridge was unlawful. What now?

The Waldschlösschen Bridge, which crosses the Elbe at one of its widest points and is intended to relieve Dresden’s Neustadt district and the neighboring bridges, has been the subject of controversy for years. It was built from 2007 and completed in 2013. It was based on a city council resolution from 1996 and a positive referendum in 2005. At the same time, however, there were mass protests and sit-in blockades. Applications to stop the construction failed and courts rejected the complaints of bridge opponents. In 2009, Unesco even stripped Dresden’s Elbe Valley of its World Heritage title because the bridge had severely altered the landscape. Conservationists also continued to fight against it.

A few weeks ago, the Federal Administrative Court in Leipzig ruled that the planning approval decision to build the bridge at the beginning of 2004 was unlawful.

More specifically, this concerns a strict fauna-flora-habitat impact assessment in accordance with European directives and a species protection assessment. The project had already been planned and approved in February 2004. At that time, the site was not yet specially protected as a site of Community importance. This classification under the Fauna-Flora-Habitat Directive (FFH Directive) was not made until the end of 2004. The impact on the environment should have been reassessed before the bridge was built.

The judges of the Federal Administrative Court have now ordered both assessments to be carried out in order to rectify the deficiencies in the planning approval. The current condition is to be determined, which will then be compared with the values before the bridge was built.

As a result, a complaint by the Saxony Green League, which wanted the planning approval decision to be overturned in its entirety and declared unenforceable, came to nothing. Despite everything, the structure remains standing.

Waldschlösschen Bridge construction site

“The state capital of Dresden will do everything in its power to catch up on these two procedures as quickly as possible in order to eliminate the deficiencies identified by the court in the planning approval procedure of the State Directorate of Saxony,” assures Raoul Schmidt-Lamontain, Dresden’s Mayor of Construction. And Uwe Dewald, Head of the Planning Approval Department at the Dresden State Directorate, tells DNN in more detail that he intends to present a revised planning approval decision this year. He says that the data is available and that there is constant monitoring of the bridge. Dewald considers demolition to be out of the question, because “according to the data available to us, there has been no drastic deterioration.”

The results of the tests will ultimately determine what happens next: if the tests show that the bridge has a significant impact on nature, the advantages and disadvantages of the bridge will have to be weighed up again. Let’s wait and see whether the dispute then goes into the next round.

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New Online Store for Grave Sites

Building design
The online store “Grabkauf Online,” which offers themed gravesites at the Ohlsdorf Park Cemetery, is the first of its kind in Germany. Photo: Hamburg Cemeteries
The online store “Grabkauf Online,” which offers themed gravesites at the Ohlsdorf Park Cemetery, is the first of its kind in Germany. Photo: Hamburg Cemeteries

Hamburg’s cemeteries have jointly developed an online store for purchasing gravesites. This allows interested individuals to conveniently browse the wide variety of options from the comfort of their own homes on their computers.

The “Grabkauf Online” online store for themed gravesites at the Ohlsdorf Park Cemetery is the first of its kind in Germany. Photo: Hamburg Cemeteries

Especially in these times, when direct contact must be avoided, the importance of online services is increasing significantly—particularly those that eliminate the need for in-person visits. Hamburger Friedhöfe has now developed a shop for purchasing graves online. The shop offers 13 different themed burial plots at Ohlsdorf Cemetery—ranging from the wildflower garden to the Ohlsdorf Forest of Peace to the crypt.

This allows interested individuals to conveniently browse the variety of options from the comfort of their own home on a computer. Photo galleries and videos showcase the beauty of the sites. People can also view the sites and seek advice with family members or friends, even from a distance. This can provide inspiration to many who have previously been reluctant to address the topic.

Of course, it is still possible to visit the facilities at Ohlsdorf Cemetery in person. A digital map is provided for each burial plot, making it easier to locate them within the cemetery. Prices are also listed. The burial plots are offered as part of pre-need planning. This means that anyone who purchases a burial plot pays the price in effect today, regardless of when they use it. Upon purchase, the plot is reserved for an unlimited period. From the time of death, it may then be used for 25 years. However, all options can also be purchased in the event of a specific death.

You can find more information here.

Tokyo, Andaz Hotel

Building design

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In the “Andaz Hotel” on the top floors of the second highest tower in Tokyo, the view is the main attraction. Despite the owners, an American hotel chain, the decor focuses on local color.

The view over Tokyo’s sea of buildings is familiar from the movie “Lost in Translation”. The view is also the main attraction at the Andaz Hotel on the top floors of the city’s second-highest tower. Despite the owners, an American hotel chain, the décor focuses on local color.

The topographically highest point in Tokyo, Atago Mountain, measures exactly 26 meters. In the past, this height was enough to see as far as Tokyo Bay – today, however, high-rise buildings obscure the view from the elevation on which the Atago Shrine has been attracting worshippers since 1603.

One of the newest towers in the city is the “Toranomon Hills Tower” by Nihon Sekkei Architects: 52 storeys high, it stretches into the sky, its floor plan reminiscent of a rhombus with partly rounded and partly chamfered corners. At 235 meters, Tokyo’s highest wedding chapel nestles triangularly under the sloping, triangular roof.

However, the tower cannot lay claim to the superlative “tallest building”, as the “Tokyo Midtown Tower”, which was completed in 2007, towers 13 meters above the Toranomon Hills Tower. However, static or structural problems were not the reason for the unbroken height record: the high-rise is so close to the Imperial Palace that additional storeys would have disturbed the privacy of the imperial family and were not approved.

But even without looking into the royals’ gardens and chambers, the view from the top six floors of the “Andaz Tokyo Toranomon Hills” hotel is hard to beat. New York designer Toni Chi and Tokyo-born interior designer Shinichiro Ogata have therefore focused the hotel rooms, which are at least 50 square meters in size by Japanese standards, entirely on the view: From the bed, from the sofa and from the desk, the view falls down to the city through the completely glazed front.

But it would be a shame not to take a look at the rooms too; the walls are clad in off-white panels covered with traditional shoji paper and set off with dark Hokkaido walnut wood, while sliding wooden walls transform the hallway into a dressing room in an ingenious and space-saving way.

Local materials and quotes from Japanese architecture and art history were also used in the elevators, lobby, spa and restaurant and interpreted in a contemporary way. The boutique hotel brand Andaz, which has opened its 12th hotel worldwide and its first in Japan with the Andaz Tokyo, places great value on authenticity: while Marcel Wanders designed the Andaz Amsterdam, for example, the Andaz Tokyo promises “Japanese experiences” for guests and locals.

The ambitious concept tolerates the inevitable breaks inherent in the term authenticity per se: the so-called Kumiko mural, puzzled together from thousands of wooden pieces, fits just as well into the almost six-metre-high hotel lobby on the 51st floor as electric light into the historic Atago shrine.

Address

Andaz Tokyo
Toranomon Hills 3-20-16-2F Nishi-Azabu Minato-ku
Tokyo 106-0031 Japan
Tel.+81 3 6830 1234, Fax.+81 3 6830 1211
www.andaztokyo.com