What does ‘axis grid’ mean? Order in the design

Building design
architectural-photography-from-white-building-Vz-VXmjo_aQ

Modern architecture in white - Photography by Hanson Lu

Axis grid: two syllables that cause both anxiety and enlightenment when studying architecture. Yet behind this supposedly dry term lies the backbone of almost every successful design – and the underestimated art of bringing order to creative chaos. Anyone who believes that grids are just relics of modernity or tools for number fetishists is very much mistaken. The grid is more relevant today than ever before – digital, analog, sustainable and sometimes even subversive.

  • The axis grid is the invisible organizing principle that structures, controls and sometimes even liberates designs.
  • In Germany, Austria and Switzerland, the topic remains topical – with new impetus from digitalization and BIM.
  • Architects, civil engineers and planners need to understand the axis grid as a tool, language and negotiating tool at the same time.
  • Smart grids enable sustainable, flexible and resource-saving constructions.
  • Digital tools and artificial intelligence are revolutionizing the application and optimization of axis grids.
  • The axis grid is at the center of heated debates about rationality, creativity and the future of construction.
  • Global role models show: Mastering grids opens the door to open, adaptive architecture.
  • This article sheds light on the history, present and future of the axial grid – and dispels old myths.

Axis grid: from stone blocks to the cloud – an underestimated constant

Anyone studying architecture who hears the term axis grid for the first time rarely suspects that they are encountering one of the most powerful tools in the history of design. Even in the temples of antiquity, the cathedrals of the Middle Ages and the rational factory halls of the industrial era, the grid appears again and again – sometimes as a strict line in the floor plan, sometimes as a secret conductor of spatial order. In Germany, Austria and Switzerland, the axial grid has long been the epitome of precision, measurement and systematics. So it is no wonder that it became a trademark of Central European building. But anyone who believes that grids are an anachronism today should take a look at the latest BIM models and parametric designs. Here, the grid reappears as a digital meta-grid – smarter, more dynamic and sometimes almost invisible.

German-speaking countries in particular like to celebrate the virtues of the grid. Modularity, prefabrication and resource conservation can hardly be achieved without a clever axial grid. In Switzerland, for example, some of the most radical grid buildings in Europe are still being built – just think of the precise structures by Herzog & de Meuron or Gigon Guyer. In Austria, on the other hand, planners are exploring the limits of the grid by bending, shifting or even deliberately breaking it. And in Germany? Here, the grid has become a universal planning tool, at the latest with digitalization. Anyone who opens a Revit or ArchiCAD model will see this: Nothing works without a grid.

But the axis grid is more than just a technical aid. It is the secret language between architect, client and structural engineer. It translates ideas into scales, wishes into distances and dreams into supporting structures. Anyone who ignores the grid risks not only chaotic floor plans, but also nasty surprises on the building site. The grid is by no means hostile to creativity. On the contrary: it offers the necessary resistance against which designs can rub and grow. The great art lies in mastering the grid – and not being mastered by it.

A look at current practice shows that the axial grid is not a static grid, but a flexible organizing principle. It reacts to changes in use, changes in materials and new technical requirements. Anyone planning sustainable, adaptable buildings today needs grids that grow with them – and this is only possible with a deep understanding of scale, proportions and the interaction between structure and function. Anyone who ignores this quickly ends up with grid kitsch or, even worse, flying blind in terms of design.

From a global perspective, the axis grid has long been part of a worldwide discourse on efficiency, sustainability and adaptability. From Tokyo to Toronto, from Copenhagen to Cape Town – new grid architectures are emerging everywhere, linking local traditions with digital possibilities. The question is no longer whether to work with axial grids, but how radically, openly and creatively they can be interpreted. The future of the grid is open – provided we have the courage to question it.

Innovations and the digital revolution: when the grid comes to life

The biggest innovation in recent years is undoubtedly the digitalization of the axis grid. What used to be drawn with compasses, rulers and tracing paper is now created in fractions of a second as a parametric framework in the cloud. BIM, AI and digital simulations not only make the grid visible, but also adaptable and adaptive. Today, an axis grid is no longer a rigid corset, but an adaptive system that can react to usage data, climate simulations and material availability. In Germany, Austria and Switzerland, numerous projects are currently underway in which the grid is becoming the control center for design optimization – from floor plan organization to production lines in timber construction.

Digital tools make it possible not only to plan grids, but also to evaluate and control them in real time. Grid widths, module sizes and load-bearing axes can be varied, optimized and compared with just a few clicks. Artificial intelligence helps to filter out the most efficient and sustainable solutions from millions of variants. In Zurich, for example, algorithms are used to generate grid structures that are optimally adapted to property layouts and daylight patterns. In Vienna, axis grid systems are linked to urban databases in order to anticipate future changes in use at the planning stage.

But digitalization is not just a blessing. It also opens up new debates about control, transparency and creative freedom. Anyone who thinks of the grid exclusively as a product of algorithms risks losing architectural signature and contextual connection. Critics warn of a “rasterization of creativity”, while pragmatists point to the enormous efficiency gains. As is so often the case, the truth lies somewhere in between. Ultimately, it is not the algorithm but the person who decides how flexibly, openly or dogmatically a grid is used.

Another field with enormous potential for innovation is the combination of axis grids with sustainable building materials and production methods. Modular timber construction systems, reusable components and recyclable construction principles all rely on intelligent grids. Those who plan digitally can not only save on materials, but also extend life cycles and minimize conversion costs. In Germany, the first pilot projects are currently underway in which axis grid systems are linked to digital twins in order to monitor and optimize buildings in real time.

From an international perspective, the grid is just beginning to emancipate itself from its European origins. In Asia, North America and Africa, new grid cultures are emerging that are experimenting with local building traditions, climatic conditions and digital tools. The global architecture scene is openly discussing the sense, nonsense and future of the axial grid – and in doing so is turning an old truth on its head: grids are not an end in themselves, but a means of radically simplifying complex building tasks. Digitalization makes the grid a platform, not a shackle.

Sustainability and flexibility: the grid as the key to conserving resources

Anyone talking about sustainable construction today cannot ignore the axis grid. Because every resource-saving building owes its efficiency to a cleverly positioned grid. Short spans, modular elements and flexible usage zones are simply impossible without grid planning. In Germany, Austria and Switzerland, awareness of these interrelationships has grown – not least due to stricter building regulations, rising material costs and increasing conversion rates. The axial grid is becoming the tool of choice when it comes to being able to operate buildings adaptably and economically over decades.

The grid is experiencing a renaissance in timber construction in particular. Here, the axis grid not only determines the load-bearing structure, but also the way in which components are manufactured, transported and assembled. Those who work with a small number of module types and standard dimensions can minimize material waste and optimize production processes. In Switzerland, residential buildings are currently being built with a grid design that allows them to be easily converted, extended or dismantled over time. Sustainability means here: The grid is already thinking about the users of tomorrow.

But the issue of sustainability goes beyond material efficiency. A flexible axis grid makes it possible to react to changing user requirements, social trends and technological innovations without having to fundamentally rebuild the building every time. In Vienna, for example, office buildings are being built that function as open-plan offices, co-working spaces or residential units thanks to variable grid widths. The grid structure becomes a stage for architecture that not only endures change, but actively promotes it.

Digital planning methods and AI-supported simulations help to analyze the ecological and economic effects of different grid configurations in advance. Anyone setting up a BIM model today can run through scenarios for energy consumption, daylight usage and space efficiency with just a few clicks. The grid becomes the switching point for sustainable decisions – and a touchstone for the seriousness of green building promises.

However, as much as the grid promotes sustainability, it also harbors pitfalls. If you plan too rigidly, you risk monotony, wasted space or later utilization problems. The trick is to make the grid so open and adaptable that it becomes a springboard for innovation rather than a straitjacket. Sustainability today means thinking in terms of grids, but not dogmatically, but dynamically.

The axial grid as a field of debate: between rationality and creative explosiveness

Hardly any other topic causes as much controversy in architectural offices, on building sites and in university seminars as the axis grid. Some celebrate it as the epitome of rational planning, others demonize it as the enemy of creative freedom. In Germany, Austria and Switzerland, this debate is as old as modern urban planning – and is being reignited by digitalization. While some insist on standardization, cost certainty and efficiency, others warn of the erosion of individual handwriting and the devaluation of the architectural design process.

From a technical point of view, the axial grid demands a high level of specialist knowledge from planners. Anyone planning a grid has to keep an eye on the supporting structures, building technology, fire protection and usage requirements at the same time. Errors in the grid take merciless revenge – at the latest when the building services engineer haggles over centimetres with the structural engineer or the client wants to change the use at a later date. The more complex the project, the more important the grid – and the greater the responsibility of the planning disciplines.

Current practice shows that the best designs are created where the grid becomes a space for dialog. Where architects, engineers, clients and users work together on the grid, solutions are created that are both economically and creatively convincing. In Zurich, for example, planners rely on open grids that leave room for individual adaptations. In Berlin, they are experimenting with hybrid systems that combine grid structures with organic forms. The future of the grid lies in interdisciplinarity – and in the courage to constantly question standards.

The axial grid is also a political issue in society. Who decides how wide, high or deep a grid can be? Who benefits from standardized floor plans – and who loses? The debate about affordable housing, sustainable neighborhood development and social mix is always also a debate about grids. In German-speaking countries in particular, there is a growing realization that the grid is not just a technical instrument, but also a social one. Anyone who does not have a say here becomes an extra in their own design process.

In a global context, the axis grid is now met with a mixture of respect and skepticism. While in Asia and North America grids are seen as a driver of innovation, the power of the irregular is celebrated in Southern Europe and Latin America. The global discourse increasingly revolves around the question of how much grid the architecture of the future can take – and how much chaos we can tolerate. The answer? Those who master grids can also break them. And this is precisely where the future of design lies.

Conclusion: Axis grids – the underestimated backbone of tomorrow’s architecture

The axis grid is more than just an organizing principle. It is the invisible backbone that supports designs, enables innovation and ensures sustainability. In Germany, Austria and Switzerland, the grid is currently experiencing a renaissance – driven by digitalization, sustainability and the desire for flexible, future-proof buildings. Anyone who sees the grid as a rigid corset has not recognized the signs of the times. The future belongs to those who see the grid as a dynamic, adaptive tool – as a stage for creative, sustainable and smart architecture. The debate about the grid is more open than ever. It demands expertise, courage and the willingness to constantly rethink order. Welcome to the age of the intelligent axis grid – where architecture begins when the grid no longer slows you down, but inspires you.

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Spreepark Berlin to become sustainable

Building design
Spreepark, the almost forgotten amusement park in Berlin-Treptow, is being redesigned: Together with local residents and other project participants, Buro Happold developed a sustainability concept to guide future development.

Spreepark, the almost forgotten amusement park in Berlin-Treptow, is being redesigned: Together with local residents and other project participants, Buro Happold developed a sustainability concept to guide future development. (Photo: Manuel Frauendorf)

The new Spreepark Berlin will be sustainable. From development and planning to construction and subsequent operation. Happold developed an integrated sustainability concept for this purpose. To top it all off, Spreepark Berlin is the first public park in Germany to receive a certificate from the German Sustainable Building Council.

The old Spreepark in Berlin is being renovated in a special way. It will become a unique park whose relics from the past will be transformed into a new, sustainable future. The use of the old treasures is being rethought and linked to the themes of art, culture and nature. Accordingly, Spreepark Berlin is on the verge of a careful and forward-looking new development in the areas of ecology, economy and social affairs. In addition, it also sets high standards for technical quality, process quality and location quality.

Old rides become stages

With the newly developed Spreepark Berlin, the urban population of Berlin is regaining a place that offers local recreation, but at the same time allows art and culture to be experienced in public space. Based on the extensive participation of Berliners and inspired by its past, an important public open space is being created in the Treptow-Köpenick district. Here, old buildings and amusement rides will become stages for culture and art, with a program offering special experiences.

The concept developed together with the residents is being implemented step by step. The experts from Buro Happold are responsible for the sustainability, coordination and implementation and thus for an important component of Berlin’s urban development.

Extensive dialog leads to sustainability concept

The sustainable development of the Spreepark in Berlin takes into account the habitat requirements of local animal and plant species, among other things. Existing buildings will also be repurposed and an innovative traffic concept introduced to support the mobility transition. The new Spreepark Berlin will also have a comprehensive rainwater management system. And the use of renewable energies will result in both climate-related and economic benefits in the future.

Furthermore, the socio-cultural component in Berlin’s Spreepark is also receiving attention. It is based on the extensive dialog with citizens in a multi-year participatory planning process.

Spreepark Berlin: opportunities for gradual realization

The sustainability concept for Spreepark Berlin was developed by the employees of Buro Happold together with Grün Berlin. They have linked concrete specifications for the various dimensions of sustainability. This includes accompanying coordination and work aids for the various project participants. They all ensure quality in the verification procedure of the German Sustainable Building Council , both in planning and in construction and operation. The gradual completion of the new Spreepark in Berlin provides the opportunity to incorporate further sustainable ideas and requirements into the development process.

The sustainability concept in Berlin’s Spreepark is the result of close, participatory collaboration between planners, architects, engineers and artists. Representatives from the Senate Department for the Environment, Mobility, Consumer and Climate Protection, the district of Treptow-Köpenick, Grün Berlin and, of course, the city’s citizens were also involved. This exemplary, joint approach is creating a new kind of park. It will take into account all the pillars of sustainability and make them tangible for visitors.

Various dimensions of sustainability

Six dimensions form the cornerstones of the sustainability concept at Spreepark Berlin. On the one hand, this pays attention to the myth of the park in the sense of a holistic approach. On the other hand, it takes future (climatic) challenges into account today and counteracts them adaptively.

For example, one goal is to use recyclable materials as sustainably as possible and to establish material cycles. With this in mind, the concept provides for rainwater management in order to save drinking water. In addition, standards have been set for the selection of building materials, which simplify the consideration of various sustainability issues in the planning process.

Innovation and technology at Spreepark Berlin

Innovation and technology also play an important role at Spreepark Berlin. They are key components that will help to achieve the climate targets by 2050. Accordingly, the sustainable energy concept aims to reduce energy requirements through various measures. These include an intelligent lighting network with LEDs, the supply of heating and cooling via decentralized heat pumps and efficient energy generation. Photovoltaic systems on large roof areas are intended to generate up to a quarter of the annual electricity requirement.

In addition, individual measures for the use of the park will be integrated into an overarching, interdisciplinary environmental education concept. This will pursue important educational objectives, but also initiate further sustainable changes. It goes without saying that diversity and accessibility are taken into account. Public reporting on sustainability issues is also an elementary part of the experience.

Early and holistic

The early and holistic concept of sustainability for the Spreepark has created an important basis. This helps to incorporate the objectives into the planning via specifications and to ensure their implementation in the execution and operation of the park. A sustainability coordinator has been appointed to support this process in the long term. It will support the Spreepark Berlin team and help to realize the ambitions that have been set. The conditions of the location are seen as a strength and the aim is to treat the existing site with respect.

The certification of Spreepark Berlin by the German Sustainable Building Council is an important element of quality assurance. As none of the existing certification systems take into account the special features of parks, a catalog of criteria for the certification of parks was developed on the basis of the new Spreepark. This concept thus sets a standard for the future development of sustainable parks.

Something old has recently returned to the park: Spreepark Berlin Ferris wheel.

World Day of Audiovisual Heritage

Building design
Life and Laughter"

Life and Laughter"

October 27 has been World Audiovisual Heritage Day since 2005. The day was proclaimed by Unesco on the 25th anniversary of the “Recommendation on the Protection and Preservation of Moving Images”. Since 2007, the day has also been officially celebrated annually in Germany. The six-day film heritage festival organized by the Deutsche Kinemathek provides information about the latest restorations The World Day of Audiovisual […]

October 27 has been World Audiovisual Heritage Day since 2005. The day was proclaimed by Unesco on the 25th anniversary of the “Recommendation on the Protection and Preservation of Moving Images”. Since 2007, the day has also been officially celebrated annually in Germany. The Deutsche Kinemathek’s six-day film heritage festival provides information about the latest restorations


„Love, Life and Laughter“, Großbritannien 1932, George Pearson. Foto: © BFI
“Love, Life and Laughter”, Great Britain 1932, George Pearson. Photo: © BFI

World Audiovisual Heritage Day on October 27 was proclaimed by Unesco in 2005 to mark the 25th anniversary of the “Recommendation on the Protection and Preservation of Moving Images”. Since 2007, the day has also been officially celebrated annually in Germany. Over the last 100 years, mankind has created a vast audiovisual heritage of sound recordings, films and videos. Audiovisual archives tell stories about the lives and cultures of people from all over the world. They represent an invaluable heritage that is an affirmation of our collective memory and a valuable source of knowledge as they reflect the cultural, social and linguistic diversity of our community. The day aims to raise awareness for the preservation of historical documents. In Germany, the Deutsche Kinemathek is in charge of the World Cinema Day.

For the fifth time in a row, the Deutsche Kinemathek is organizing the film heritage festival, which this year takes place in Berlin from 27 October to 1 November under the title “Film Restored”. Over six days, 21 films from 15 countries that have been produced, preserved and restored thanks to European collaborations will be shown on the big screen. The program includes the latest restorations made possible by the cooperation of European archives. Among them are also some silent films that can be shown again for the first time in many decades. The film program will be complemented by workshop reports, lectures and panel discussions with European guests, in which various aspects of European cooperation will be examined from scientific, legal and practical restoration perspectives.

The festival will open on October 27 with the digital premiere of “Kuhle Wampe”, a classic of political film. Directed by Slatan Dudow in collaboration with Bertolt Brecht and Hanns Eisler, the film was banned by the Nazis shortly after its premiere. Thanks to the collaboration between the Deutsche Kinemathek, the British Film Institute and the Cinémathèque suisse, the premiere version from 1932 has been reconstructed.

The restoration of the scandalous production “Extase/Ekstase” (CZ/AT 1933) and the British melodrama “Love, Life and Laughter” (UK 1923), which was thought to be lost, were also made possible by the joint efforts of European archives. The lively exchange and cooperation between the archives has particularly promoted the reappraisal of the silent film era, around 80% of whose film production is considered lost. For this reason, this year’s festival will focus on silent films, which will be accompanied by live music during the screenings. One highlight is the elaborate restoration of Gerhard Lamprecht’s drama “Der Katzensteg” (DE 1927), which unfolds against the backdrop of the wars of liberation at the beginning of the 19th century and is thus also thematically deeply rooted in European history.

With the National Socialist dictatorship, Europe was shaken by profound upheavals from 1933 onwards. The forced exile of many German filmmakers led to various transnational production relationships: G.W. Pabst, for example, initially stayed in France from 1933, where he shot the Cervantes adaptation “Don Quixote” (FR 1933). Cinematographer Eugen Schüfftan also worked in exile, including in Switzerland with the emigrant Leonard Steckel on “Die Venus vom Tivoli” (CH 1953). The film tells the story of an acting troupe that was thrown together from all kinds of countries by the war and the desire to leave the old Europe. The end of the Second World War in 1945 marked a turning point in the history of Europe. On the occasion of the 75th anniversary of the end of the war, four films at the festival are dedicated to this “zero hour”. With contributions from the Czech Republic, Hungary, Latvia and Croatia, the program also pays tribute to the cinematographies of some Eastern European countries that have been members of the European Union since 2004.

The Film Heritage Festival will take place in compliance with all pandemic-related hygiene measures. For this reason, participation is limited. Online offerings with film streamings and introductions will complement the events at Kino Arsenal. In addition, the Kinematheksverbund Cinema Prize will also be awarded virtually this year.

Further information on the program can be found at: https://www.deutsche-kinemathek.de/de/besuch/festivals-symposien/filmrestored05