What is a passageway?

Building design
a-group-of-people-walking-along-a-burgersteig-next-to-high-buildings-tVZVTdN_N6Y

Everyday city life: people walk past high-rise buildings. Photo by Miguel A Amutio.

Durchwegung – a word that sounds like the favorite toy of German urban planners and yet forms the backbone of urban quality of life. What lies behind the term, which meanders between transportation planning, urban planning and social romanticism? And why is the art of circulation more important than ever in times of digital city models and sustainable transformation?

  • Permeability refers to the targeted planning and realization of public pathways that make districts permeable, accessible and liveable.
  • It is a key instrument for sustainable urban development, mobility transition and social integration.
  • In many places in Germany, Austria and Switzerland, transit is coming up against systemic, legal and cultural limits – despite growing awareness of its importance.
  • Digital tools, GIS and AI are fundamentally changing the analysis, simulation and implementation of thoroughfares.
  • Sustainability requirements and climate resilience demand the intelligent connection of green infrastructure and path networks.
  • Planners must combine specialist technical knowledge, legal finesse and communication skills in order to successfully implement thoroughfares.
  • The debate about accessibility, property rights and social justice is intensifying – and polarizing the professional world.
  • International examples and global discourse show that The future of thoroughfares lies in the interplay of participation, digitalization and visionary urban design.

Permeability in German-speaking countries: between aspiration and reality

If you move through German, Austrian or Swiss cities, you will encounter the topic of permeability at every turn – or not. After all, walkable urban districts with clever connections are the exception rather than the rule. In theory, urban development plans praise thoroughfares as an instrument against fragmented urban landscapes, monofunctional areas and mobility barriers. In practice, however, legal barriers, vested interests and the famous German property logic often dominate. Anyone who has ever tried to win a private plot of land for a footpath knows that this is where the urban melee begins.

The topic is also booming in Switzerland – for example when it comes to connecting train stations, residential areas and local recreation areas. But here, too, planning will and vested interests regularly clash. In Austria, the dilemma is particularly evident in the monofunctional urban development areas on the outskirts of the city, where thoroughfares are often only created retrospectively or not at all. The result: dead ends, detours, dead spaces – and mobility behavior that is diametrically opposed to sustainability goals.

Nevertheless, there are positive examples: in Zurich, a milestone was set for opening up and connecting urban spaces with the Durchwegung master plan. In Munich, neighborhood concepts such as Parkstadt Schwabing ensure exemplary permeability. However, these beacons do not hide the fact that in many places the city is still a patchwork. The reality is a city of barriers, not connections.

The reasons are complex: a lack of available space, a lack of legal instruments, resistance from property owners and a planning system that often thinks in terms of plots rather than networks. Added to this are political fears of conflict and an inertia that nips innovation in the bud. Yet it is precisely now that we need the courage to consistently move forward – in the fight against climate change, traffic gridlock and social segregation.

What remains is a paradox: while dreams of the “city of short distances” are everywhere, new barriers are being created every day. If you want to create accessibility, you not only have to build paths, but also break down thought patterns. Otherwise, the term will remain a pretty fig leaf in the urban planning language cosmos.

Innovation and digitalization: how new technologies are revolutionizing transit

Fortunately, digitalization is not stopping at the thoroughfare. Modern geoinformation systems, digital twins and AI-supported analyses open up completely new possibilities for planners to precisely plan, simulate and design user-oriented routes. Instead of months of map studies and gut instinct, movement data, heat maps and traffic models can now be evaluated in real time. Which routes are actually used? Where do informal paths, so-called desire lines, emerge? And how do movement patterns change in new neighborhood developments? Digitalization provides the answers – if you know how to use the data.

The use of urban digital twins, i.e. digital images of entire city districts, is particularly exciting. They allow scenarios for thoroughfares to be played out: How does a new footpath affect the accessibility of schools, bus stops or parks? What impact does a temporary closure have on mobility behavior? Such simulations not only provide a sound basis for decision-making, but also make planning processes more transparent and participatory. Those who think digitally about thoroughfares get the public on board – and create acceptance before the first sod is turned.

Artificial intelligence is also making inroads: algorithms identify optimization potential in the road network, detect bottlenecks and suggest alternative routes. In Zurich, for example, AI is being used to determine the safest and most attractive routes to school. In Vienna, sensors analyze pedestrian traffic in real time in order to alleviate bottlenecks. Technology can help to objectify public participation, which is often perceived as a nuisance, and raise specialist debates to a new level.

But digitalization also harbours risks: Who controls the data? Who decides which paths are “systemically relevant”? There is a danger that software providers or authorities will create new barriers through algorithmic black boxes – this time not made of concrete, but of code. This is why digital routing needs transparency, standards and a critical debate on governance and data sovereignty.

One thing is certain: The future of pervasiveness is digital. Those who use tools and data strategically can not only make cities more permeable, but also fairer and more sustainable. Those who fail to do so will remain stuck in an analog patchwork.

Sustainability, climate resilience and green infrastructure: the new agenda of permeability

Transit has long been more than just a mobility issue. It has become a key issue in sustainable urban development – and for good reason. In times of climate crisis, heatwaves and urbanization, permeable cities are a bulwark against overheating, flood risks and social division. Anyone planning paths today must think about tomorrow: how can path connections help to secure fresh air corridors, drain rainwater and promote biodiversity? The answer lies in integrating green infrastructure into the path network.

Instead of paved paths, we need multifunctional corridors that combine pedestrian and bicycle traffic, water management and greenery. In Switzerland, pilot projects are currently being developed in which thoroughfares are designed as “green lungs”: They cool the environment, bind particulate matter and create new habitats for flora and fauna. In Vienna and Graz, thoroughfares are specifically interlinked with tree planting and retention areas – an approach that goes far beyond traditional traffic planning.

There is also a greater focus on the social component: thoroughfares are places of encounter, exchange and integration. Anyone who sees them merely as shortcuts fails to recognize their potential as social infrastructure. In disadvantaged neighborhoods, new paths can break down barriers and enable participation – if they are accessible, safe and attractive. This requires sensitivity and participation in order to address fears of noise, crime or gentrification.

But as beautiful as the vision is, the challenges are just as great. Sustainable thoroughfares often fail due to a shortage of space, conflicts of interest and a lack of resources. Anyone planning a green corridor today not only has to negotiate with climate models, but also with angry residents and tough investors. Sustainability is not a sure-fire success – it is a daily balancing act between ideal and feasibility.

Nevertheless, the agenda has been set. There can be no climate-resilient city without consistent transit. Those who ignore it produce urban dead ends – both ecologically and socially.

Technical and legal know-how: what professionals really need to know

Transit sounds like a walk in the park, but it is a high-performance sport for planners. Anyone who wants to implement them successfully needs broad specialist knowledge – far beyond the classic urban planning ABCs. Technically, it’s about traffic planning, barrier-free design, lighting, safety, drainage and choice of materials. A footpath through an old quarter is not a dirt track, but a complex infrastructure with all its risks and side effects. There are also questions of maintenance, costs and integration into existing networks.

From a legal point of view, things get really exciting: who owns the land? Are there any rights of way, building charges or easements? How does expropriation work – and when is it even permissible? If you don’t know the law like the back of your hand, you can throw even the most beautiful sketch of a path in the bin. In Germany, the hurdles are high: the Civil Code, state building regulations and building law set tight limits and offer little scope for creativity. The situation is similar in Austria and Switzerland – with local peculiarities and sometimes restrictive ownership structures.

Only those who think in an interdisciplinary way will be competent: urban planners, lawyers, traffic engineers and landscape architects must work together, otherwise there is a risk of lazy compromises. Digitalization can help, but it is no substitute for dialogue with owners, residents and authorities. Good communication is essential, especially when conflicts are inevitable. Anyone who views transit as a purely technical project will fail because of the human factor.

Political processes are also crucial. Without the backing of the administration and council, any master plan remains a waste of time. Professionals must work to convince people, forge alliances and communicate visions – an art that is at least as important as mastering CAD and GIS. If you want to achieve continuity, you need perseverance, empathy and the ability to negotiate compromises without losing sight of the goal.

Conclusion: Movement is not for lone wolves. It requires team spirit, expertise and the willingness to take unpleasant paths – in the truest sense of the word.

Debates, visions and global perspectives: The future of transit

The debate about transit has long since become a focal point for social issues: Who owns the city? Who decides who can go where? While in large German cities there are often disputes over individual meters of footpath, in Copenhagen, Seoul or Bogotá, kilometers of urban corridors are being created that connect city districts and create new qualities. The global discourse shows: Permeability is not just transportation policy, it is cultural policy.

There is fierce debate among experts. Some see the opening up of private areas for public paths as a threat to property, while others see it as an act of urban democracy. Practice moves between these poles – sometimes boldly, sometimes hesitantly, often shying away from conflict. Critics warn of gentrification and social pressure if new paths are misunderstood as gentrification. Proponents, on the other hand, demand the right to the city for all – and see transit as a means of combating displacement and segregation.

Visionary concepts focus on participation, interim uses and hybrid spaces. Why not test more temporary paths, pop-up parks and cooperative models? Why not use digital platforms to feed the wishes and ideas of the population directly into the planning process? The technology is there – what is often missing is the courage to use it.

The role of architecture is also changing: thoroughfares are becoming a stage for design experiments, social exchange and new forms of mobility. The times when pathways were merely spaces between buildings are finally over. Today, the quality of the thoroughfare determines the success of entire neighborhoods – economically, ecologically and socially.

International pressure is growing: if you want to survive in the global competition for quality of life and innovation, you have to open up paths, not block them. The future of transit is networked, digital, green – and democratic. Those who miss out on this will remain trapped in the urban labyrinth.

Conclusion: transit is more than just a footpath – it is the litmus test for urban intelligence

Anyone who dismisses transit as banal traffic planning has not understood the signs of the times. It is the yardstick for sustainable, innovative and fair cities. Digitalization, sustainability and social change make it a key issue for the urban future. It takes courage, expertise and visionary concepts to turn barriers into connections. The cities of tomorrow will not be measured by their skyline, but by the quality of their paths. Time to take the first step.

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Marble Architectural Awards 2014

Building design

Advertorial Article Parallax Article

Every year, the Internazionale Marmi e Macchine Carrara presents the “Marble Architectural Award” (MAA) for special projects in natural stone. This time around: a mausoleum, a lobby and a work of art called “Parallel Lives”.

Every year, the Internazionale Marmi e Macchine Carrara presents the “Marble Architectural Awards” (MAA) at the Carraramarmotec trade fair. The focus is always on one of six different regions. In 2014, this was North America, specifically the USA, Canada and Mexico. This shows clear trends and developments within each region. The winners have now been honored at this year’s CarraraMarmotec.

The Lakewood Cemetery Garden Mausoleum in Minneapolis (USA)
Photo: Paul Crosby

In the wake of the economic crisis after 2007, there was a clear trend towards medium-sized projects in North America. There was less demand for natural stone, but where it was chosen, great emphasis was placed on quality and finish. The use of natural stone from all parts of the world again demonstrates the globalization of trade.

The lobby of the building 135 Main Street, San Francisco (USA)
Photo: Matthew Millman

The first prize in the “Exterior” category went to HGA Architects and Engineers for the Lakewood Cemetery Garden Mausoleum in Minneapolis, in which white Carrara marble and various American granites were used. The winner in the “Interior” category is the Aston Pereira and Associates studio with the lobby for the 135 Main Street building in San Francisco. They used Greek marble, Jura limestone from Germany, Italian marble and French yellow onyx. And the winner of the “Urban Design” category is Jacobo Micha Mizrahi for his “Parallel Lives” in Vera Cruz (Mexico). The monument consists of various Mexican rocks.

“Parallel Lives” in Vera Cruz, Mexico
Photo: Archetonic/Eduardo Zaletas/Quitagrapas Estudio Mexico City

The projects honored with the Marble Architectural Awards are summarized in a catalog. This catalog places special emphasis on the stone itself, its technical details and its processing. The Carraramarmotec trade fair was last held in May 2014 in Carrara, Italy.

Trend analysis – The museum 3.0

Building design

to show the artist's working processes or to reveal unrecognizable layers of paint. Photo: Clair Obscur.

Art museums are breaking out of the building walls – into the digital space. Apps and online tours are now part of the permanent repertoire of art education. A survey of German consumers shows how this trend is reflected in the public. Advertorial Article Parallax Article On the website of the Amsterdam Rijksmuseum, almost every exhibit can be viewed zoomed in on in full-screen mode. […]

Art museums are breaking out of the building walls – into the digital space. Apps and online tours are now part of the permanent repertoire of art education. A survey of German consumers shows how this trend is reflected in the public.


3-D
Projection technology makes it possible, for example, to show the artist's work processes or to reveal unrecognizable layers of paint. Photo: Clair Obscur.

On the website of the Amsterdam Rijksmuseum, almost every exhibit can be viewed zoomed in on in full-screen mode. Johannes Vermeer’s Milkmaid from 1660 gazes absorbedly at the high-resolution beam of milk-white bliss. One pupil movement further on, a field with a red background vies for attention: this painting has been “liked” 10,806 times. Next to it, a scissor symbol encourages reproductive complicity: “Get creative”, “Download this work”!

Digital surfaces – apps on tablets and smartphones that wander through the halls in visitors’ hands – have also long been a familiar feature of museum spaces. In fact, this trend is closely linked to the exponential growth in visitor numbers at many art museums. The Staatsgalerie Stuttgart counted 375,694 tickets sold in 2015: an increase of 70 percent compared to the previous year, confirms Director Christiane Lange. New technologies – keyword “augmented reality” – are already on the rise. But can this trend, which focuses on the virtual, be sustained?

A survey conducted by the market research institute Promio on behalf of the media technology company fröbus among 1068 German consumers illustrates the reactions that different digital mediation methods evoke in visitors:

Proximity or distance to the object

The results of the survey show that the digital trend is currently moving back towards the object. Instead of keeping the works seemingly close but at a distance by clicking on a screen at home or integrated into the exhibition, the information conveyed by 3D visualization or projection directly on the object is gaining attention.

This impression is also confirmed by a cross-section of the current start-up scene in museum technology. Light choreography, turntables, 3D prints. The focus is on the work of art in all its facets: Details, reverse sides, as well as reconstructions of the original state are to be made accessible to visitors to the Museum 3.0 (replacing the digital-virtual 2.0). The Berlin start-up Clair Obscur, for example, has developed a new projection technology that can reveal the artist’s working process or hidden layers of paint directly on the painting. “It is important to us,” explains Lene Fischer, co-founder of Clair Obscur, “to create a closeness to the work, to tell the story of an object.”

interactive scape, who specialize in so-called multi-touch tables, choose a different way of communication. These release digital information when they are touched with a specially created haptic object. “Above all, a visit to a museum should be an experience – a tactile experience,” says Marcel Graf from interactive scape, describing their objective. This is particularly relevant in our digital age: “Our mediation concepts focus on a museum you can touch. An experience that you can’t have at home in front of a screen.”