What is a townhouse?

Building design
A Modern Residential Building: What Is a Townhouse?
Traditional brick houses with white windows – Photo: tanyabarrow / Unsplash

Anyone wondering what a townhouse is will quickly discover a type of building that has shaped the character of European cities for centuries and remains one of the most commonly built residential structures to this day. The townhouse combines the advantages of a detached single-family home with the space efficiency of high-density urban development: It offers private living on one’s own lot, while sharing at least two building walls with neighbors and fitting into a linear sequence of identical or similar houses. This seemingly simple definition holds surprising depth, for the row house is at once a form of housing, an urban planning tool, an expression of social reform ideas, and a structural engineering challenge.

  • What exactly a row house is and how it differs from related building types
  • What variations exist: middle house, corner house, linked house, semi-detached house, and their differences
  • The historical development from the medieval townhouse to the modern townhouse development
  • How a row house is structurally constructed and what structural features apply
  • Which planning and building code requirements are relevant
  • What urban planning benefits a townhouse offers and where its limitations lie
  • What advantages and disadvantages residents and planners should be aware of
  • How the townhouse fits into the context of sustainability, infill development, and contemporary housing construction

What Is a Row House: Definition, Distinctions, and Typologies

A row house is a residential building that is directly attached on one side to at least one other building of the same or similar type and, together with these, forms a continuous row of houses. The row typically runs along a street or access road, with each unit having its own entrance, its own basement or foundation slab, and, in most cases, its own yard. The townhouse is thus clearly distinct from a multi-family building, in which multiple residential units are stacked one above the other and share common stairwells. It also differs from a detached single-family home, which is surrounded on all four sides by open space.

Within a row of townhouses, technical terminology distinguishes between the middle unit and the end unit, occasionally also referred to as a corner unit. The middle unit is attached on both sides and thus has two partition walls—known as firewalls or building separation walls—separating it from its neighbors. The end unit closes off the row, is attached on only one side, and has an exterior wall on the open side, which provides it with more opportunities for natural light and a larger facade area. This difference has significant consequences for natural light, thermal insulation, and quality of life.

Related but not identical types are the semi-detached house and the terraced house. The semi-detached house consists of exactly two units built together, thus forming a very short row; it shares a single partition wall. The terraced house, on the other hand, is a special form in which the individual houses are not directly connected via side walls but are linked together by ancillary structures such as garages, carports, or low walls. Each linked house thus formally has its own exterior walls all around, but is spatially closely connected to the neighboring houses. This distinction is not merely typological in nature but has practical significance for sound insulation, fire protection, and the legal independence of the lots.

History of the Row House: From the Medieval City Lot to the Reform Housing Estate

The question of what a row house means historically takes us far back into the history of European urban development. The principle of townhouses built side by side on narrow lots is as old as the medieval city itself. In the narrow street grids of medieval cities, land was scarce; so houses were built with gables facing the street that were as narrow as possible and extended deep into the lot. This plot structure, known as the “Gothic plot grid,” can still be seen in many old town centers today and represents the historical precursor to the modern row house.

A deliberate urban planning concept for the terraced house as a housing form for broad segments of the population emerged in England during the 18th and early 19th centuries. The terraced houses in British cities—particularly in London, Bath, and Edinburgh—are early examples of systematic terraced housing development, designed for both the upper class and the emerging working class. In Bath, the designs of John Wood the Elder and John Wood the Younger gave rise to magnificent ensembles such as the Royal Crescent and the Circus, in which terraced houses were arranged to form monumental urban facades. Here, the terraced house was not a compromise but an aesthetic program.

In German-speaking regions, the row house gained significance as a housing reform concept in the late 19th and early 20th centuries. The Garden City movement, which drew on the ideas of British urban planner Ebenezer Howard, promoted the row house as an alternative to the unsanitary tenement-style cities. In Germany during this period, settlements such as the garden city of Hellerau near Dresden emerged, where architects like Richard Riemerschmid and Heinrich Tessenow designed row houses with gardens and spacious green areas. The row house became a symbol of a social and hygienic housing reform that sought to give workers back light, air, and a piece of land.

The Weimar Republic and the architecture of the “New Building” movement brought about a further radicalization of the row house typology. In the housing estates designed by Ernst May in Frankfurt am Main, Bruno Taut in Berlin, and the Törten estate in Dessau, which Walter Gropius designed, the row house became an instrument of rationalized mass production. Standardized floor plans, serial construction methods, and industrially prefabricated components were intended to create affordable housing for the growing urban population. Today, these housing estates are recognized as UNESCO World Heritage Sites and are considered milestones in the history of housing construction.

Structural Design: How a Row House Is Built

The structural design of a row house essentially follows the principles of single-family home construction, but due to its row configuration, it presents specific requirements that demand special care in planning and execution. The load-bearing structure typically consists of solid construction with reinforced concrete slabs and masonry made of sand-lime brick, clay brick, or aerated concrete, or of wood-frame construction, which has become increasingly important in contemporary residential construction. Both construction principles are suitable for townhouses but place different demands on sound insulation between the units.

The partition wall—that is, the shared wall between two adjacent units—is the most structurally sensitive element of a townhouse. It must also be designed as a fire wall in accordance with the requirements of state building codes, which in Germany generally means a fire-resistant design (fire resistance class REI 90 or higher). At the same time, it must provide adequate sound insulation so that the residents of both units are not disturbed by one another. DIN 4109, the standard for sound insulation in building construction, defines minimum requirements for airborne and impact sound insulation between townhouses. In practice, the partition wall is often constructed as a double-shell structure with a separation joint to prevent acoustic bridges.

In row houses, the foundation and floor slab are often designed as shared strip foundations running along the partition walls, which offers structural advantages but requires careful planning of expansion joints. Differences in settlement behavior among the individual units—such as due to varying loads or different stages of construction—can lead to cracks in the masonry if sufficient expansion joints are not provided. The roof of townhouses is often designed as a gable roof with a shared ridge line, which simplifies roof drainage and creates a uniform appearance. Flat roofs and single-slope roofs are also common, but require careful waterproofing at the connection points to neighboring houses.

Access to the townhouse is typically from the street side via an entrance area that leads directly to the ground floor. The stairwell is usually located inside the house to make use of the valuable facade space for living areas. In the floor plan, the narrow lot width—which ranges from five to eight meters in classic row houses—results in a characteristic sequence of rooms: front rooms facing the street, rear rooms facing the garden, connected by a central hallway or an open stairwell. This floor plan logic has been tried and tested for centuries and, despite its compactness, offers a clear functional layout.

Planning Law and Building Code Framework for Row Houses

Anyone wishing to know what a townhouse is in terms of planning law will find the relevant definitions in German building planning law, specifically in the Land Use Ordinance (BauNVO). This ordinance distinguishes between single-family homes, duplexes, and groups of houses. A townhouse falls under the category of a “group of houses,” meaning a group of at least three houses built adjacent to one another. In a zoning plan, the municipality can specify which type of housing is permitted; the designation “group of houses” thus mandatorily prescribes townhouse development and excludes detached single-family homes.

The setback regulations in state building codes play a special role for row houses. Since the dividing walls between houses are erected directly on the property line, the otherwise standard setbacks on these sides do not apply. This is only possible because both neighbors have given their consent through the joint development or because the zoning plan expressly stipulates this type of construction. The standard setback regulations apply toward the street and the yard, and these vary by state. For additions, upper-story extensions, or attic conversions to existing row houses, it must always be verified whether the planned measure is compatible with the provisions of the zoning plan and the setback regulations.

In terms of property law, a townhouse can be structured in various ways. The most common form is full ownership of the house and lot, whereby each unit stands on its own lot and the owner possesses the house in its entirety. In addition, there are townhouses held as condominiums under the Condominium Act (WEG), in which the land is jointly owned by all units and the individual houses are designated as separate units. This structure is more complex to manage but allows for the development of townhouse communities on a single, undivided plot of land.

Urban Planning Qualities and Limitations of the Row House

The row house is an exceptionally efficient tool in urban planning. Because it is attached on both sides, there is no need for side setbacks, which allows for a significantly higher utilization of the building lot than with a detached single-family home. At the same time, the building density remains moderate compared to high-rise apartment buildings, which fosters a human scale and a close relationship between living spaces and the outdoors. Urban planners therefore value the row house as a building block for infill development: it allows for more residential units to be accommodated within a given area without having to sacrifice the qualities of private living with a garden.

The urban design impact of a row of townhouses depends heavily on the design of the facades and the open spaces. Monotonous rows of identical houses without any design differentiation can lead to a lack of variety that is detrimental to both residents and the cityscape. Successful row house developments therefore incorporate subtle variations in facade design, roof shape, front yards, and entryways that signal individuality without disrupting the unity of the ensemble. Housing developments from the interwar period, as well as contemporary projects such as the Vauban housing estate in Freiburg im Breisgau, demonstrate how this balance can be achieved.

One of the urban planning limitations of the row house is its dependence on a linear access structure. Row houses work well along streets and paths but are more difficult to integrate into irregular lot geometries or topographically challenging terrain. On steeply sloping terrain, row houses require complex terracing or split-level solutions, which increase construction costs. Lighting in the middle units of a row house also poses a planning challenge: On deep lots with tall buildings, the rear rooms on the ground floor may not receive sufficient natural light, requiring careful floor plan design with light wells, skylights, or open spatial layouts.

Advantages and Disadvantages of Townhouses at a Glance

The townhouse offers its residents a combination of private living and urban density that many other housing types cannot match. A private garden, direct access from the home to the outdoors without stairwells or elevators, a clear ownership structure, and the ability to customize and remodel the home are qualities that make townhouses particularly attractive to families. Operating costs are lower than for a detached house due to the shared partition walls, as heat loss through the exterior surfaces is reduced. Middle-unit townhouses benefit most from this effect, as they have only two exterior walls instead of four.

On the other hand, there are limitations imposed by the neighborhood. Sound transmission through the dividing wall is a frequently cited problem that can significantly reduce the quality of life if the walls are not properly constructed. Footfall noise from the neighbor’s upper floor, music, conversations, and sounds from the yard are everyday nuisances in poorly soundproofed townhouses. Added to this is the limited flexibility when it comes to renovations: Changes to the dividing wall, the roof, or the facade often require the neighbors’ consent and must comply with the zoning plan’s regulations. Anyone who buys or builds a townhouse is not only acquiring a building but also entering into a long-term neighborhood relationship that has legal and practical consequences.

From an energy efficiency perspective, the townhouse is a cost-effective form of housing. Due to the reduced exterior surface area and the thermal mass of the shared partition walls, heat loss per square meter of living space is significantly lower than in a detached single-family home. Middle units in a row of townhouses achieve a considerably lower heating energy requirement when the exterior components have the same insulation quality. This advantage is taken into account in energy assessments under the Building Energy Act (GEG) through the calculation of the specific heat transmission loss, which describes the ratio of heat-transferring envelope area to heated volume. The smaller this ratio, the more favorable the energy balance, and mid-row townhouses structurally perform better in this regard than detached houses.

The Row House in Contemporary Housing Construction: Redensification, Sustainability, and New Typologies

The question of what a row house can achieve in a contemporary context is being reexamined in the current housing debate. In light of scarce building lots in metropolitan areas, rising construction costs, and growing demands for climate protection and resource efficiency, the row house is experiencing a renaissance as a tool for infill development. Municipalities and housing authorities are discovering terraced housing developments as a way to gently increase the density of low-density single-family neighborhoods without fundamentally altering the character of the development.

Contemporary architects are experimenting with new variations on the classic townhouse type. Multi-story townhouses, which reach three or four full stories and thus significantly increase the living space per lot, are a common solution to the shortage of land in densely populated downtown areas. So-called stacked townhouses or maisonettes combine the spatial qualities of the townhouse with a vertical layering that rivals that of high-rise apartment buildings without adopting their anonymous character. Urban townhouses with rooftop terraces instead of gardens, integrated mobility solutions, and shared open spaces are typologies currently being tested in European cities.

In timber construction, the townhouse has gained particular relevance. Wood-frame construction and cross-laminated timber (CLT) structures allow for the rapid, resource-efficient, and largely prefabricated construction of townhouses that meet high energy standards while offering a pleasant quality of living. The challenges of wood-frame construction regarding sound insulation between units can be overcome, but they require consistent decoupling of the structures at the partition walls and carefully planned connection details. Certification systems such as the Quality Seal for Sustainable Buildings (QNG) or international standards like DGNB and LEED often rate wood-frame townhouses very highly because the combination of a small building envelope, renewable building materials, and a compact building structure simultaneously meets many sustainability criteria.

The Townhouse as a Lasting Urban Planning Solution

Anyone seeking to understand what a row house is will ultimately recognize a building form of remarkable durability. It has proven itself over centuries in a wide variety of cultural, social, and technical contexts because it fulfills a fundamental human need: the need for one’s own, clearly defined home with a connection to the earth, embedded in a community of neighbors. This balance between privacy and urbanity is not a coincidental feature, but rather the structural principle of the row house.

The structural requirements that the row house imposes in terms of sound insulation, fire protection, and energy efficiency can be met and are easily manageable in practice, provided that planning and execution are carried out with care. The framework of planning regulations offers sufficient leeway for design diversity within the row. And the urban design qualities of the row house—its space efficiency, its appropriate scale, and its ability to create vibrant street spaces—make it a building block that must not be overlooked in the discussion of sustainable urban development.

Architects and urban planners who view the row house as merely a compromise between a single-family home and multi-story apartment buildings underestimate its potential. The finest terraced housing developments in history demonstrate that this building form is capable of architectural quality and urban dignity when developed with care, expertise, and a commitment to design. The row house is not a stopgap measure, but a distinct form of housing with its own logic, its own history, and a future that is far from exhausted in dense, resource-conscious cities.

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44 residential units in Saint-Denis from DREAM

Building design

The new building with 44 residential units by DREAM. Photo: Cyrille Weiner

Two decades after the devastating fire in a dilapidated residential building on Rue Fraizier in Saint-Denis, a new construction project marks a turning point in the urban development of the north of Paris. The Parisian agency DREAM (Dimitri Roussel) has realized a residential ensemble with 44 units there – half for rent, half as subsidized ownership according to the “Bail Réel Solidaire” (BRS) model. It is the first project of its kind in Saint-Denis. However, the ambitious gesture is less about architectural showmanship and more about functional, mass-produced housing that strives for social integration.

The new building stands on a site that has been derelict since the fire in 2001. The fire at the time drastically exposed the dilapidated conditions in the old building, which was being used by shark tenants. The ensuing vacancy was perceived not only as a physical defect, but also as a social one. DREAM now sees the project as a contribution to “repairing” the neighborhood – and to re-establishing trust in the urban space.

The 44 residential units are spread across several buildings and follow a clear principle: as much individuality as possible within the standardized production. Almost all of the apartments are open-plan, with many facing in several directions. The majority have generous outdoor spaces – balconies or gardens at ground level. Interior qualities have also been considered: separate entrance areas with storage space, daylight kitchens that can be closed off if required and large window openings with panoramic views are all part of the repertoire.

The floor plan design is based on the charter of Plaine Commune, the inter-municipal association responsible for the area. The urban positioning of the buildings responds to morphological and climatic analyses of the site. A typical planning response is, for example, the staggering and orientation of the volumes to optimize daylight and natural ventilation.

In terms of design, DREAM dispenses with design experiments. Instead, the architectural expression arises from the materiality and rhythm of the façade. Wooden slats, metal panels and open balcony structures made from a combination of wood and metal structure the outer shell. Great importance was attached to prefabrication: The timber frame construction walls, including cladding, windows and shading elements, were manufactured entirely in the factory. The self-supporting balconies also arrived on site pre-assembled.

This strategy has several advantages: Firstly, it increases the quality of execution, and secondly, it reduces the construction time – a factor that plays a particular role in the densely built-up and socially sensitive Saint-Denis. All in all, the result is a residential building that relies on CO₂-reduced construction methods without playing this off visually.

What is striking about the project is the effort to establish communal zones alongside the private living space – a concept that is often referred to elsewhere as “third places”. In Saint-Denis, the elements are simple but effective: a large, inviting entrance area, green inner courtyards with passageways and roof gardens that serve as places to retreat and meet. The lobbies act as semi-public buffer zones between the street and the apartments. Visual references to the courtyard are intended to provide not only light but also social control.

The whole project was designed in collaboration with the public housing association Plaine Commune Habitat. The aim is to appeal to a heterogeneous group of residents – both people on low incomes and young families who want to build up property through the BRS model.

With a construction cost of around seven million euros and a living space of 2,775 square meters (SHAB), the project is within the scope of what is feasible in a subsidized context. The “NF Habitat” certification and compliance with the French thermal insulation regulation RT 2012 with a 20 percent reduction underline the ecological focus.

Those involved in the project include Bollinger+Grohmann (structural engineering), ENEOR (building services), Le Sommer (certification) and Topager for the landscape architecture. Cap-Exe was responsible for coordinating the various trades.

What can be deduced from the project in Saint-Denis for the current housing debate? Certainly not a new type. Rather, it shows how a combination of solid planning, serial production and municipal control can make a contribution to sustainable urban development – beyond creative exaggeration, but also without falling into banal functionality.

The architecture remains restrained but deliberate. It unfolds its effect through everyday use – as a place to live, to meet and to reappropriate a long-neglected urban space.

Read also: The Saint-Denis Pleyel Station by Kengo Kuma.

Ukraine war: Мы за мир

Building design

As a result of the war in Ukraine, the European architecture scene has quickly taken a public stand against the Russian war of aggression. G+L also stands in solidarity with the Ukrainian people and government.

BIG, David Chipperfield Architects, Foster + Partners, gmp, Herzog und de Meuron, MVRDV, OMA, Snøhetta, Zaha Hadid Architects – as a result of the war in Ukraine, which violates international law, the who’s who of the European architecture scene publicly opposed the Russian war of aggression in a very short space of time at the end of February/beginning of March 2022. Within just a few days, numerous offices expressed their solidarity with the people in Ukraine and with all those who stand for peaceful coexistence – above all via social media. In the case of Chipperfield, HdM, OMA and Zaha Hadid, the public statements were followed by an immediate halt to all construction projects in Russia. BIG also announced in a statement that the office would not be carrying out any projects in Russia or for the Russian government. However, it is not clear from this whether a construction freeze has been imposed or whether there are simply no Russian projects currently in progress.

First the governments, then the private sector. Today, our globalized world also makes it possible for corporations, companies or even planning offices to impose sanctions. So while Apple, Siemens, Starbucks, McDonalds, Coca-Cola, Pepsi and the management consultancies KPMG, PWC, EY and Deloitte are suspending their business in Russia as a result of the war of aggression, or Elon Musk is actively supporting Ukraine with the help of his satellite internet service Starlink, including reception systems, the world of architecture is also drawing its own conclusions. This is worth a special look, as it was or is precisely non-democratic regimes such as Russia or China that have provided the big star offices with unique construction projects in recent years. The M+ Hong Kong designed by HdM only opened at the end of 2021. While at the turn of the year in Moscow, the Renzo Piano Building Workshop RPBW converted the GES-2 power station into a center for visual and performing arts for the V-A-C Art Foundation.

Jacques Herzog on democratic architecture

For us in the editorial team, this immediately (and once again) triggers the question of how political planning can be, but also how political planning must be. What is exciting in this context is that Jacques Herzog in particular has repeatedly publicly addressed the question of democratic architecture. You can think what you like of him and the HdM projects, but he takes a stand. As he did in an interview in 2020 with Lukas Gruntz from architekturbasel.ch. Referring to the historic urban development of St. Petersburg, Venice, Rome and Paris, he said here: “Perhaps more beauty is created in a non-democratic context because the context is more extreme, more radical.” But he also continued: “From our point of view, an enlightened and democratic society, architecture must be anchored in the population and ideally emerge from the needs of the population.” Sentences that should make us think. Now more than ever.

Ukraine war: Coop Himmelb(l)au under pressure over Crimea project

Lighthouse projects in non-democratic regimes must be better considered in future. I wonder what is going through Wolf D. Prix’s head at Coop Himmelb(l)au right now? His office was criticized even before the war of aggression. Since 2020, the Viennese have been planning two of the four cultural buildings that Vladimir Putin wants to be built by 2023. The particularly tricky case is the planned opera house on the Crimean peninsula, which was annexed by Russian occupiers in 2014 in violation of international law(more on this in an SZ-Plus article). With reference to the lighthouse project, Ukrainian President Volodymyr Zelensky imposed economic sanctions against the Viennese architecture firm and six of its representatives on January 21, 2022.

Wolf D. Prix: Coop Himmelb(l)au is building an opera house, not barracks

According to an SZ.de article by Gerhard Matzig, who interviewed Prix on the subject, this was preceded a year and a half ago by threats from the Ukrainian embassy to Coop Himmelb(l)au. Prix would not be allowed to build the opera house in Sevastopol or the architectural firm would soon be ruined. And according to Gerhard Matzig in his article, Prix has now also been advised to distance himself from the project and Putin. When asked by Matzig whether he would do so, Wolf D. Prix sighed on the phone. Prix is of the opinion that he is not building a barracks, but an opera house. As a cultural project, this is not subject to the embargo regulations. Unsurprisingly, as of mid-March 2022, Coop Himmelb(l)au still has no statement on the Ukraine war.

Ukraine war: Russian planners make their mark

But now back to those who openly oppose the war. Because it’s not just the European star offices that are flying the flag. According to SZ.de, a total of 6,500 Russian architects, designers and urban planners also signed an open letter on the website of the Russian architecture magazine “Project Russia” between February 26 and March 4, 2022, calling for an immediate end to the war. The tragedy is that this appeal also fell victim to the “fake news” law against critical reporting on the Russian army signed by Vladimir Putin on March 4, 2022. Only a short version of the campaign with a picture of a dove of peace can now be seen on the site. It says here in Russian: “Unfortunately, we were forced to remove the text of the letter under threat of criminal liability under the law that came into force today. We are for peace!”

One profession, one passion

Meanwhile, however, the Union of Architects of Ukraine also called on the International Union of Architects to expel the Union of Architects of Russia from the organization. “Those who do not condemn Russia’s actions support them,” the Süddeutsche Zeitung quotes the President of the National Union of Architects of Ukraine, Oleksandr Chyzhevsky, as saying in a letter to the UIA. If you let this statement sink in, you have to ask yourself – even if you condemn Russia’s actions in the strongest possible terms – whether we really want to live in a world in which people from one industry, one profession, one passion, go against each other simply because of their nationality. For this very reason, the G+L editorial team would like to join our Russian colleagues: Мы за мир. We are for peace. And we condemn the Russian government’s attack on Ukraine, which violates international law, and stand in solidarity with the Ukrainian people and government.

Ukraine war: bdla and BAK also active

While German landscape architecture firms are still quite reluctant to express their solidarity, the bdla published an official solidarity statement #StandWithUkraine on March 2, 2022. The bdla declared its “deepest regret about the war in Ukraine, the loss of human lives.” It condemns this attack, which violates international law. The bdla’s thoughts are particularly with its colleagues from its partner association, the Guild of Landscape Architects of Ukraine. In the same letter, the bdla refers to the initiative of the Federal Chamber of Architects. This has set itself the goal of becoming active beyond expressions of solidarity. For this reason, the BAK is making its network available to the Ukrainian Association of Architects. The goal: sleeping places for refugees. Find out more here.