What will Space Worlds 2021 bring?

Building design

In November, Raumwelten 2021 “Raum für Zufälle” will take place in a hybrid format. Speaking for the first time: Wolf D. Prix, COOP HIMMELB(L)AU.

The tenth edition of Raumwelten 2021, the platform for scenography, architecture and media in a hybrid format, will take place from November 17 to 19, 2021 under the claim “Space for coincidences”. Speaking for the first time: Wolf D. Prix, Founding Partner, CEO and Design Principal of COOP HIMMELB(L)AU.

At NXT A you will receive a 20% discount on your hybrid conference pass until November 16. Click here for the ticket and further information.

This November marks the 10th edition of Raumwelten, the platform for scenography, architecture and media. Under the slogan “Space for coincidences”, international speakers will be exploring coincidence as an unplannable and therefore incredibly exciting variable in the public, media and digital space that surrounds us in workshops and lectures. Do coincidences even exist and what role do they play in scenography and architecture – two disciplines that thrive on precise planning and the elimination of unwanted coincidences? While public space is often treated as a place of chance encounters, digital space seems to make chance disappear: So have algorithms and artificial intelligence replaced chance? Scenography and the staging (of space) in particular thrive on the surprise and irritation that often arise from (apparent) coincidences. New ideas and projects often emerge from chance encounters or unintentional actions generate unusual, productive constellations. In 2021, the hybrid event from November 17 to 19, 2021 will enable encounters in different spaces – on site in the Karlskaserne Ludwigsburg and online at raum-welten.com.

In 2021, the Raumwelten themselves will become a chance laboratory. The speakers will appear in different, partly playful, partly performative lecture formats. The Raumwelten curators will generate unexpected and unpredictable formats and interactions between the speakers and the audience with their panels, which this year are called tables, and a specially developed scenography. Tobias Wallisser has once again taken over a panel. The professor teaches at the State Academy of Fine Arts Stuttgart (ABK) and co-founded the international office LAVA (Laboratory for Visionary Architecture). His Chair of Innovative Building and Spatial Concepts is all about theories, concepts and speculative thinking, but also about realizing the imagined. At his architecture table, Tobias Wallisser discusses the relationship between chaos and chance: how can the unpredictable arise in design? Has the absence of predictability become controllable by means of computer-based processes? And what are the effects of factors that were not at the beginning of the planning or were not foreseeable?

Wolf D. Prix from COOP HIMMELB(L)AU as a speaker for the first time

Wolf D. Prix, founding partner, CEO and Design Principal of COOP HIMMELB(L)AU, will be taking part as a speaker for the first time. His globally active office is known for its innovative and complex design approach and operates at the interface of architecture, art and technology. “In a three-way discussion together with Stephan Trüby, Professor of Fundamentals of Modern Architecture and Design at the University of Stuttgart, we will look back on his long creative career,” says Tobias Wallisser. “We will see how things were created. Wolf D. Prix probably never thought in the 19690s that he would one day build the European Central Bank.” In their panel “Scenography”, Janina Poesch and Sabine Marinescu (PLOT, Stuttgart) argue that humans are possibly the main chance factor in spatial staging and choreography. Other Raumwelten speakers include Eva Neklyaeva (Director Theaterfestival Baltic Circle, Helsinki), Jochen Becker (Metro-Zone, Berlin) and Ralf Zuleeg (d&b audiotechnik, Backnang) as well as curator Birgit Möckel. She will give a keynote speech on the topic of “Chance & Design”.

An important component of Raumwelten 2021 is the Raumwelten-Kino: the films presented combine the content of Raumwelten 2021 with the medium of film, create contexts and open up new horizons in terms of architecture, scenography and moving images. On the one hand, this year’s Raumwelten-Kino deals with the conference theme “Space for Coincidences” – especially in the film “Holding Positions” (2019) by Laura Mahlberg, which tells of chance encounters at an airport. The director will be present at the screening. With the documentary “Big Time” (2017), Raumwelten is also dedicated to one of the most important architects of our time, Bjarke Ingels from the Danish architecture studio BIG. Here you can find the complete movie program.

Implementation of the Raumwelten 2021 campaign followed chance

The motto of Raumwelten 2021 – “Space for coincidences” – is illustrated by an accompanying campaign: its central motif is the portrait of a person, with the face covered by a white square. This stands for the free space in every person’s head, in which coincidences can only be perceived. The result is not blindness, but liberation – and thus space for something new. The implementation of the campaign also followed chance: all the people portrayed were sought and found in a joint participatory campaign with the Ludwigsburger Kreiszeitung newspaper. The Ludwigsburg “accidental citizens” were photographed by the renowned photographer Reiner Pfisterer. The photo campaign and the stories behind it can be discovered here Raumwelten 2021.

In addition to Tobias Wallisser, the curatorial team for the last edition of 2020 includes Jean-Louis Vidière Ésèpe, scenographer and creative director, plot makers Janina Poesch and Sabine Marinescu and Berlin-based scenographer Charlotte Tamschick. All conferences and lectures will be streamed online and will subsequently be available in the media library (until November 28, 2021). A 3D platform also invites you to a digital get-together. Participants can then meet, exchange ideas and network in the digitized inner courtyard of the Ludwigsburg art center Karlskaserne.

The Raumwelten took place in November 2020 under the slogan “Raumwelten 2020 2.0 – Please Install New Spatial System Now!”. Read here what the program had to offer.

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Smart city ranking

Building design

Hamburg is the smartest city in Germany. At least that’s what the Smart City Index says. But what does the rating actually mean?

Hamburg is the smartest city in Germany. At least according to the Smart City Index. This evaluates a total of 81 major German cities on the basis of five smart aspects: Administration, IT and telecommunications infrastructure, energy and environment, mobility, society. But what does this assessment actually achieve?

Efficient, sustainable, progressive – the number of cities pursuing a strategic smart city approach has been increasing for years. However, many of them are still struggling to define sufficiently integrated and comprehensive strategies. The “Smart City Index” digital ranking provides information on how intelligently networked Germany’s cities are to date. The index provides information on the current level of digitalization.

On behalf of the German Association for Information Technology, Telecommunications and New Media (Bitkom), 81 major German cities were examined in detail. Bitkom, which represents more than 2,700 companies in the digital industry, promotes and drives the digital transformation of the German economy and is committed to broad social participation in digital developments.

For the ranking, experts from Bitkom Research, a subsidiary of the digital association, collected, reviewed and qualified a total of around 7800 data points. The 81 cities with a population of at least 100,000 were analyzed and evaluated in five subject areas: Administration, IT and telecommunications infrastructure, energy and environment, mobility, society. How do the cities perform in the individual disciplines? Which are pioneers, which have some catching up to do?

The five areas are broken down into 35 indicators, which in turn consist of a total of 96 parameters – from online citizen services to sharing offers for mobility and intelligent waste garbage cans to broadband availability.

Hamburg is the smartest city in Germany

They are standardized, i.e. translated onto a scale from 0 to 100. In addition, innovative projects outside of the indicators considered are recorded in each topic area. Before publication, Bitkom gave the cities the opportunity to check the data and correct it if necessary. Around half of them made use of this opportunity.

The Smart City Index delivers a clear result: Hamburg is the smartest city in Germany. With smart waste, city logistics, citizen participation and open data, the Hanseatic city is particularly impressive in social and environmental issues, but achieves good results in all sub-areas. With 79.5 out of a possible 100 points, Hamburg ranks at the top of the Smart City Index by a clear margin and is the benchmark for the digitalization of municipalities in Germany. Karlsruhe (69.0 points) and Stuttgart (68.6 points) are in almost equal second and third place, closely followed by Berlin (68.1 points) and Munich (67.7 points). Karlsruhe is the car-sharing capital and impresses in the area of mobility, among others. The city is testing transport concepts of the future with innovative pilot projects, such as driverless shuttles in the autonomous driving test field. The “regiomove” project is developing an intermodal transport concept to connect the city and surrounding areas.

You can find the full text in G+L 4/2020.

Milada Cottage from ADR

Building design

The Milada Cottage in Mala Upa. Photo: BoysPlayNice

The Milada Cottage in the Czech mountain village of Malá Úpa embodies modern architecture with traditional charm. Designed by the renowned Prague architecture firm ADR, the cottage blends harmoniously into the surrounding mountain landscape while offering maximum comfort for those seeking relaxation.

Milada Cottage is located in the picturesque Krkonoše Mountains, close to the Czech-Polish border. Thanks to its quiet location on a sunny meadow, the cottage offers an incomparable view of Sněžka, the highest peak in the Czech Republic. The building stands on the edge of the settlement of Nové domky and reflects the scattered building structure of the region.

The shape of the house is based on classic mountain farmhouses: A rectangular floor plan with a vertical embedding in the slope and a gabled roof characterize the appearance. Despite the traditional silhouette, ADRk clearlysets modern accents. The façade is made of untreated, black lacquered wood that blends perfectly with the rugged mountain landscape.

A classic brick wall structure was used for the building, complemented by a wooden roof and beamed ceilings. A particular highlight is the entrance, which is made of poured exposed concrete and underlines the robust aesthetics of the hut.

The Milada Cottage is specially designed for short-term rentals and offers its guests plenty of space to relax. A total of 283 m² of usable space is spread over three floors with a well thought-out room layout:

  1. Basement: this is where the main entrance, a functional technical area and the spacious living area with open-plan kitchen and dining area are located. A visible concrete pillar discreetly separates the living and dining areas.
  2. Second floor: The bedrooms with separate bathrooms offer guests maximum comfort and privacy.
  3. Top floor: An additional sleeping area is hidden under the gabled roof and can be accessed via a separate staircase from the main bedrooms.

In the winter season, direct access from the basement to the adjacent ski slopes makes for an uncomplicated skiing experience.

Architects Aleš Lapka and Petr Kolář have opted for a mixture of modern minimalism and natural materials for the interior design. Exposed concrete and light-coloured spruce wood panelling characterize the interior of the hut. Other highlights include:

  • Furniture made from bleached spruce
  • Stainless steel kitchen as a contrast to the natural wood
  • Black seating and warm brown tones for the dining chairs

The floor in the basement combines wooden elements with carpets and screed, while carpeted floors in the sleeping area create a warm and cozy atmosphere.

The choice of materials and construction method of Milada Cottage show an appreciation for local traditions and perfect craftsmanship. By using regional materials such as wood and brick, the house remains in harmony with the surrounding nature. At the same time, modern construction techniques ensure the sustainable implementation of the project.

The project was realized by ADR, one of the leading architectural firms in the Czech Republic. Founded in 1996 by architects Aleš Lapka and Petr Kolář, the studio has realized numerous award-winning projects at home and abroad. Their best-known works include:

  • Javornická Distillery (2017) – awarded for monumental renovation
  • Trautenberk Brewery (2018) – awarded for sustainable integration into the landscape
  • Private Island Velaa in the Maldives – internationally recognized luxury project

By clearly combining tradition and modernity, ADR continues to set new standards in architecture.

The Milada Cottage is more than just a vacation home – it is a work of art that combines traditional architecture with modern design. For those seeking relaxation, the house offers not only breathtaking views and luxurious comfort, but also the opportunity to experience the charm of the Czech mountains up close.

For more information on this project and the ADR architecture firm, please visit:
www.adr.cz