When the Boss Is Away

Building design
Matthias Hoff
lead together with the employees

In our new STEIN series, “Seizing Opportunities,” we share our insights on strategies companies can use to achieve long-term success. There may come a time when a business owner is unable to work for an extended period—or even permanently. However, many business owners choose to ignore this possibility. STEIN spoke with a businesswoman who, together with her son, has successfully continued to run their stonemasonry business following the sudden death of her husband.

Whether due to the coronavirus, a traffic or workplace accident, or even a heart attack: business owners can be sidelined very suddenly. According to Statista, approximately 29 to 41 percent of today’s 30- to 50-year-old workers will become unable to work before reaching retirement age. However, a survey by “The Alternative Board” of 165 SME business owners found that 81 percent of companies do not have an emergency plan in place to ensure business continuity in the event of the entrepreneur’s sudden absence. For Michaela Erdmann of the stonemasonry business Steinmetz Erdmann in Bad Berka, Thuringia, the sudden and unexpected death of her husband Thomas—in his late forties—three years ago was also unforeseeable. He was the head of the stonemasonry business, which is now in its fifth generation of family ownership.

Michaela Erdmann had always worked part-time in her actual profession as a business administrator, so her husband was glad that she could help out with certain tasks at the stonemasonry business. “So I was at the company every day and gained valuable insights,” recalls Michaela Erdmann. “I’ve always described my work here at my husband’s business as my personal volunteer commitment—back then for my husband, and today for my son Paul, who has taken over the company. That was a huge advantage for us, especially after my husband’s death.” The Erdmanns had discussed powers of attorney early on, partly because of several family members with Alzheimer’s.

Michaela Erdmann explains: “Fortunately, we agreed on who was authorized to do what, but we hadn’t yet had our arrangements notarized.” The Erdmann stonemasonry business, along with its employees, was in a state of absolute emergency shortly before the boss’s sudden death and for some time afterward. “Despite this extreme situation, on the day my husband underwent emergency surgery, I immediately called the notary, who then came to the hospital. We finalized the general power of attorney right there, because my husband was still of sound mind at that point; afterward, it wouldn’t have been possible. That general power of attorney saved my life both during his illness and in the time following his death.

After all, even the banks won’t budge if you can’t produce a general power of attorney. Accounts are often frozen until the certificate of inheritance arrives, which can take several weeks. I would advise everyone to put these matters in writing with a notary while they’re still in good health,” Erdmann reports. Otherwise, spouses and employees are left helpless and unprepared, and no one knows how to proceed. Even in small businesses, it’s therefore important to clarify: Who does what if the boss is unavailable—and who is authorized to handle certain matters? Because Michaela Erdmann, a business administration graduate, had worked for many years in a bank’s loan department and had witnessed all manner of crises—from the deaths of clients to house fires and divorces—she had a different perspective on these matters than others. And powers of attorney, in particular, were always very important. “After my husband’s death, there were situations in which I used this general power of attorney for both personal and professional matters and gave instructions: ‘This is how it’s done!’”

Read more inSTEIN 9/2020.

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New Master’s program “Cultural Heritage Conservation and Management” in Vienna and Bangkok

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Bangkok / Angewandte Wien) will start at the beginning of 2022. photo: © SUIC

Bangkok / Angewandte Wien) will start at the beginning of 2022. photo: © SUIC

Together with Silpakorn University in Bangkok, the Institute for Conservation and Restoration at the University of Applied Arts Vienna, under the aegis of Prof. Dr. Gabriela Krist, has launched the Master’s program “Cultural Heritage Conservation and Management”. An interview Gabriela Krist heads the Institute for Conservation and Restoration at the University of Applied Arts […]

Together with Silpakorn University in Bangkok, the Institute for Conservation and Restoration at the University of Applied Arts Vienna, under the aegis of Prof. Dr. Gabriela Krist, has launched the Master’s degree course “Cultural Heritage Conservation and Management”. An interview

Gabriela Krist has headed the Institute of Conservation and Restoration at the University of Applied Arts Vienna since 1999. The professor has been involved in the research and restoration of Patan Durbar Square in Nepal, which earned her a UNESCO Chair for the Conservation of Cultural Heritage in 2019. The Nepal project is just one of many of her international projects: Together with Silpakorn University in Bangkok, “die Angewandte” has developed the Joint Master’s degree program “Cultural Heritage Conservation and Management”. The course begins on March 1, 2022, and applications will be accepted until December 17, 2021. RESTAURO spoke to Gabriela Krist about the content of the new degree program

RESTAURO: Together with Silpakorn University in Bangkok, Angewandte has launched the Master’s degree course in Cultural Heritage Conservation and Management, which starts in March 2022. What exactly is it about?

Gabriela Krist: We are targeting conservation and restoration graduates who want to expand their skills internationally. The “Bangkok Master” includes innovative, transcultural and interdisciplinary teaching formats, with a focus on cultural heritage and its preservation and conservation, but also on intercultural and international cooperation as well as project and site management. What is new is that the program is designed as a Joint Master’s: both universities accept students who meet in joint practical units – both in Bangkok and in Vienna.

Restauro: What can Angewandte students expect in Bangkok?

Silpakorn University has a large faculty for cultural asset management. Among other things, students will learn to develop site management plans that include monitoring and maintenance. We will certainly also carry out collection care projects in Thailand. There are a number of large private collections in Bangkok. Silpakorn University, for example, has its own art collection. That offers us opportunities: Above all, it’s about developing care and storage concepts and adapting them to the tropical climate. We are also looking forward to participating in Silpakorn’s art and cultural history lectures, especially as there are hardly any lecturers in Vienna who deal with Thai art history. Incidentally, the Cultural Heritage Conservation and Management program at Silpakorn will probably not only have students from Thailand, but from all over Southeast Asia. I hope that Bangkok will establish itself as a – center is perhaps too high a figure – but at least as a contact point for applicants from the East Asian region.

Restauro: And what does the Angewandte offer students from Bangkok?

Our focus in Vienna is on practical conservation and restoration: after two decades of working in Asia, we have seen how underexposed the practice is there. There are great craftspeople, but no trained conservators. When the students from Silpakorn University are in Vienna next summer, they will be working in our workshops. My big concern is that there will soon be trained conservators in Asia. Of course, with a two-year Master’s degree, they are not as well equipped as our students in Austria or Germany, who complete a five-year consecutive degree in restoration. But I think that the two-year Master’s course is at least a start. Students at both universities can choose a European or Thai topic for their final thesis, depending on their preference.
topic of their choice. There are only a few case studies on Thai cultural heritage – the beautiful polychrome woodwork and wall paintings have not yet been studied technologically,
and we want to start that.

RESTAURO: How large will the groups be?

We are acting as a focal point mainly for Europe and are just starting to approach applicants. I hope it will become an international group. I would like to start slowly. In Vienna, we are therefore starting with a maximum of ten students. Bangkok has already accepted seven students and I think it will be manageable if the first group of students consists of 17 people. All Joint Master’s students are invited to accompany us on our international projects in Mongolia, India or Nepal during the semester break.

Restauro: Will there be other partner universities in addition to Silpakorn University, for example from an African or South American country?

I think it would be too ambitious to go international. Asia alone is so big and so far. I know – in all modesty – a little about India and Nepal and can find my way around there. The study provides a basis for looking at this cultural area from an art ethnological perspective. It seems advisable to me to start with a region and then feel my way forward. But of course other countries are free to join the restoration program, that is quite clear.

The course is aimed at conservation-restoration graduates (BA 7 semesters, MA, Mag.art., Dipl.-Rest.) who want to deepen their skills in international project work, project and site management and the conservation of cultural assets and world heritage, as Prof. Dr. Gabriela Krist explains in the video:

The program will begin on March 1, 2022, and applications will be accepted until December 17, 2021. Admission to the Joint Mast Program “Cultural Heritage Conservation and Management” is open to students with a Bachelor’s degree of at least seven semesters or a diploma or equivalent degree (MA, Dipl.-Rest) in Conservation-Restoration and is subject to the general admission requirements of the University of Applied Arts Vienna. As English is the language of instruction, knowledge of English (minimum level B2, CEFR) is required.

Further information on the degree program “Cultural Heritage Conservation and Management” can be found here. Contact: Univ.-Ass. Mag. Meral Hietz BA, meral.hietz@uni-ak.ac.at, 0043/1/71133-4832 or chcm@uni-ak.ac.at, 0043/1/71133-4811. The folder is available here.

Reading tip: The Institute for Conservation and Restoration at the University of Applied Arts Vienna is active far beyond Austria’s borders with training cooperations and restoration projects. In 2019, it was awarded a UNESCO Chair: Congratulations!