Credit: Schleswig-Holstein State Archaeological Office - Tom Körber

What do Bad Muskau, Bath, Brühl, Mombasa, Vichy and Vienna have in common? You will find UNESCO World Heritage Sites in all of them. In RESTAURO 05/24, we are devoting ourselves entirely to the topic of “World Heritage”. We asked various World Heritage sites what makes them special, as well as the challenges they face in operation and preservation. In addition, the German UNESCO Commission answered our questions and we also looked at the criticism that the organization sometimes receives. We also spoke to the Bavarian Palace Administration about its current UNESCO World Heritage application.

World heritage! This is the topic of this issue of Restauro. To be more precise, in this issue we take a stroll past numerous World Heritage sites in Europe and take a very close look behind the scenes at UNESCO. Right at the beginning of the issue, we discuss the tasks of the German Commission for UNESCO as an intermediary organization between UNESCO in Paris and the German Federal Government and, above all, why it is not involved in the World Heritage applications. To find out, we spoke to Carolin Kolhoff, Head of the World Heritage Information Office.

The following pages continue with the rejuvenation of an impressive world heritage site, before moving on to the current issues at Schönbrunn Palace. Here, year after year, a long history of exciting names meets millions of visitors and the associated challenges for the administration. Further on in the magazine, we follow in the footsteps of the Vikings and, because we love to think outside the box, we also venture across the Mediterranean to Africa. There we look in particular at UNESCO’s great efforts to promote African World Heritage applications.

In the end, one prevailing impression remains: World Heritage Sites are rightly known worldwide for their exceptional cultural and economic value. They tell the stories of past civilizations. They bear witness to architectural masterpieces. At the same time, World Heritage sites are also facing major new challenges today. Climate change, the associated environmental influences, but also increasing mass tourism, the associated waste problem, but also the increasing number of armed conflicts worldwide are endangering these unique places.

Both local and international World Heritage administrations are called upon to make adjustments to their organization and visitor management and to adapt to the changes – and also to come to terms with the idea of what irretrievable loss means. With this issue, we would like to take a realistic but positive look at the World Heritage and the places and themes associated with it. I hope that we have succeeded in doing so and look forward to your feedback on this summer issue of Restauro.

The magazine is available here in the store!

In our last issue, we looked at the latest trends in preventive conservation. Read more here.

POTREBBE INTERESSARTI ANCHE

Landscape in closed rooms

Building design

Exhibitions on landscape and landscape architecture – an untapped potential? In her master’s thesis “Exhibiting landscape. On the transfer of landscape to the interior”, Fanny Brandauer examines the relevance of the “exhibition” medium for landscape architecture. At Regine Keller’s Chair of Landscape Architecture and Public Space at the Technical University of Munich, she analyzes the extent to which landscape and landscape architecture can be translated into exhibitions […]

Long Night of Museums in Hamburg goes digital this time

Building design
General
Hamburg

Hamburg

Last Saturday, the digital Long Night of Museums took place in Hamburg for the first time. The event exceeded all the organizers’ expectations. Many contributions were produced by the museums themselves and new The Long Night of Museums was a digital experience in Hamburg last weekend due to the coronavirus pandemic. From the comfort of their own homes, visitors were able to […]

Last Saturday, the digital Long Night of Museums took place in Hamburg for the first time. The event exceeded all the organizers’ expectations. Many contributions were produced by the museums themselves and new ones


Eine virtuelle Tour durch das Maritime Museum in Hamburg mit Damián Morán Dauchez. Foto: Maritimes Museum, Hamburg
A virtual tour of the Maritime Museum in Hamburg with Damián Morán Dauchez. Photo: Maritime Museum, Hamburg

The Long Night of Museums in Hamburg could be experienced digitally last weekend due to the coronavirus pandemic. From home, visitors were able to take part in virtual tours, guided tours, musical experiences and live broadcasts in 38 museums via Facebook and YouTube. The Museumsdienst Hamburg proudly announced that over 10,000 people had taken advantage of the offer. A total of 74,000 people were reached via Facebook, a further 23,000 visits were made to the event website and almost 3,700 viewers watched the live broadcasts from six participating museums.

For example, visitors to the Museum of Medical History were able to look back from the coronavirus era to the cholera era. At the FC St. Pauli Museum, curators guided them through the Millerntor and the new permanent exhibition. In the composers’ quarter, the keys of Johannes Brahms’ piano resounded. And at the Neuengamme Concentration Camp Memorial, a live stream took them on a search for clues on the site. “The high level of commitment shown by Hamburg’s museums and the great response from participants to the digital broadcast of the Long Night of Museums in Hamburg far exceeded our expectations,” said a delighted Vera Neukirchen, Head of the Hamburg Museum Service. “Digital formats will be a valuable addition in the future.”

Originally, almost 900 events were planned for the Long Night of Museums in Hamburg’s 60 or so museums. They had to be canceled due to the spread of the coronavirus. But the organizers are full of praise: “We are thrilled by the creativity, determination and passion of the museum staff, who are creating digital access to our city’s natural science, history, music and art collections even during the necessary museum closures,” Vera Neukirchen continued. Incidentally, anyone who missed the live streams can watch them again and again on the museums’ websites.