WXCA wins architectural competition in Poznań

Building design

The future music academy in Poznan. Visualizations: Piotr Banak

The Association of Polish Architects and the Poznań Academy of Music announced an architectural competition for the new Ignacy Jan Paderewski Academy of Music. The renowned Polish architecture firm WXCA has now won first prize: The design has a modern, sculptural silhouette that respects traditional architectural expressions while alluding to the 19th century urban environment.

The Polish politician, pianist and composer Ignacy Jan Paderewski lived from 1860 to 1941. Among other things, he was Prime Minister and Foreign Minister of Poland and signed the Treaty of Versailles for his country in 1919. The new facility in Poznań is named after him and is intended to serve cultural, scientific and educational purposes.

The Ignacy Jan Paderewski Academy of Music will serve as a cultural and educational center for both students and local residents. It will have academic rooms, a regional music center and an opera and theater hall. A playhouse, a performance stage, a chamber hall, an ambient hall, recording studios and ballet and drama studios are also planned.

The award-winning proposal by Studio WXCA has a timeless structure that will serve as a medium between the past and the contemporary spirit of the city of Poznań. The new music academy will blend harmoniously into the traditional architecture of the surrounding area, while at the same time meeting the modern needs of the city.

The architects at WXCA aimed to design a building that would serve as a contemporary spatial landmark in the midst of a traditional urban development. To achieve this, the building continues the historical orientation of the street, but is divided into smaller functional blocks of different heights. This gives the composition an almost musical dynamic. The gaps between the blocks are intended to incorporate the surroundings and invite pedestrians into the interior of the academy.

The transition from a compact arrangement in the city center to a more open composition blurs the boundary between inside and outside. In this way, the architects emphasize the public use of the building. At the crossroads, the Ignacy Jan Paderewski Music Academy has a dominant effect and acts as a spatial marker to emphasize the presence of the academy in the city. However, the individual blocks are based on the adjacent 19th-century buildings and are restrained in design to evoke traditional townhouses.

The architects envisage various niches and openings along the building to integrate the academy even better into its surroundings. A green roof is intended to provide a quiet meeting place for students and teaching staff and serve as an inviting retreat. Glass canopies and a green square offer opportunities to observe daily life at the music academy. Cultural events for the neighborhood are to take place in the evenings. In this way, the academy will fulfill its role as a public institution that is open to the city.

The shape of the building reflects its internal functional division, with academic life revolving around a centrally located opera and theater hall equipped with state-of-the-art stage technology. This space serves both educational and social functions and forms the heart of the entire complex. In order to meet the different needs of the users, the public, educational and technical spaces are divided into zones with different access points to ensure independent operation.

The Ignacy Jan Paderewski Academy of Music, which organized the competition together with the Association of Polish Architects, is already 104 years old. It announced the results of the competition in summer 2024. These were the winners:

  1. 1st prize: WXCA, Warsaw
  2. Prize: PL.architekci, Poznań
  3. Prize: PROLOG, Wrocław (Breslau)

Honorable mention: CDF Architekci, Poznań

Honorable mention: 22Architekci, Poznań

The first prize is endowed with 100,000 Polish złoty (PLN; approx. 24,000 euros) and an invitation to contract negotiations on the development of the design documentation, while the second prize is awarded PLN 70,000, the third prize PLN 50,000 and the two honorable mentions PLN 30,000.

Participants in the competition, which was announced in November 2023, were invited to design a new cultural and educational center. This was to be aimed at both students and the residents of Poznań.

The competition jury justified the award of first prize with the following points:

  • Skillful integration into the complex urban context
  • The design of the façade on the Grunwaldzka and Skryta Street side in the form of sculptural blocks that relate to the scale of the existing buildings
  • A functionally and spatially coherent dominant feature on the Grunwaldzka and Matejki Streets side
  • Correctly placed and solved technology of the performance halls and stage service
  • Well-designed delivery area and backstage facilities for artists
  • A functional arrangement of the rooms with regard to the acoustic requirements
  • The best response to the detailed acoustic and technical guidelines
  • Flexible and activating use of internal communication
  • Effective use of natural light in compact buildings

WXCA is a renowned Polish architectural firm specializing in projects for public spaces and public institutions, including cultural institutions. The office was nominated for the Mies van der Rohe Award for the designs of the Memorial Museum in Palmiry and the European Center for Geological Education in Chęciny. WXCA was also responsible for the design of the famous Polish pavilion at Expo 2020 in Dubai and the museum complex in Warsaw, which houses the Polish History Museum and the Museum of the Polish Army. In 2023, WXCA won the international architecture and urban design competition for the concept of the reconstruction of the Saxon Royal Palace in Warsaw, which was destroyed during the Second World War.

Read more: A new cultural space, the Shakespeare Theater, has also been created in Gdansk in the recent past.

POTREBBE INTERESSARTI ANCHE

Elke Büdenbender and Prof. Dr. Thomas M. Weber-Karyotakis in front of the torso of Aphrodite. Photo: Birte Ruhardt/Gerda Henkel Foundation

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018. On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited […]

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018.

On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited Abdullah Il ibn Al Hussein, the King of the Hashemite Kingdom of Jordan, schools, refugees and young entrepreneurs, but also the excavations in Gerasa and the Citadel Hill in Amman. The Gerda Henkel Foundation is involved in both locations.

In Gerasa, it supported the excavations by a team of Jordanian, French and German archaeologists. They excavated in the eastern baths of the city of Gerasa, which are among the largest Roman baths in the area. During this excavation campaign, the archaeologists found 100 fragments of marble figurines as well as a figurine of Aphrodite with an inscription testifying that it was donated by the Gerasa citizen Demetrios in 153/154 AD.

Digital documentation of the finds from Amman

Under the title “Patrimonies”, the Gerda Henkel Foundation promotes the preservation of cultural heritage in crisis regions. This endangered cultural heritage also includes finds that have already been recovered, preserved and exhibited in the Archaeological Museum at the Citadel in Amman. They are all being photographed and scientifically described with the help of the foundation. The digital database is intended to protect 100,000 years of human history from robbery, destruction and oblivion. Because what is recorded in the database is more difficult to trade, making theft less worthwhile.

The Gerda Henkel Foundation has accompanied the work of Dieter Vieweger, archaeologist and theologian, and Jutta Häser, project manager in Amman, and is showing several films on its website that give an excellent impression of the situation on the ground, the scope, the difficulties and the importance of the work. The eight films can be viewed at: www.lisa.gerda-henkel-stiftung.de

“With his visit, the Federal President honored the valuable commitment of the Foundation – also representative of the commitment of German institutions and institutions in the field of cultural property protection,” said the Federal President’s Office at the request of RESTAURO.

“We now have great rooms to go with our great collections”

Building design

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project. After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This means that one of Berlin’s largest construction projects […]

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project.

After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This marks the completion of one of Berlin’s largest construction projects. Founded in 1661, the research institution is considered one of the most important libraries in the world and is the largest academic library in the German-speaking world. Due to its importance, the monumental building has been adapted to the requirements of the 21st century since 2005 while it has remained in operation. Originally, the work on the 100,000 square meters of floor space was not due to be completed until 2012 and then 2016.

The research library, which was badly damaged during the Second World War and rebuilt during the GDR era, proved to be in greater need of renovation than originally assumed. For example, new supports had to be installed in the building to secure the old, listed concrete arches of the large dome. The overall concept for the general refurbishment and extension of Unter den Linden was the brainchild of Stuttgart star architect hg merz, who also modernized the State Opera diagonally opposite. In 2000, he won first prize in a Europe-wide competition. Individual construction tasks, such as the lighting concept or the material and color concept, were solved by hg merz in collaboration with artistic and technical offices.

The best-known feature of the old building, which has been renovated in line with its listed status, is the implanted glass cube of the central reading room, which opened in 2012. Now, after more than 70 years, it is once again accessible along the historical axis through the building complex via the entrance hall, fountain courtyard and the elegant main staircase and vestibule. The original spatial concept can now be experienced again. The reconstruction of the barrel vault in the main hall also restores the original cubature of the room.

In the reading room itself, the bright orange carpet has been renewed. The special reading rooms have also been redesigned and modernized: dark wooden shelves surround the books on the walls, with work areas in between whose linoleum table tops pick up the color of the carpet.
“We now have great rooms to complement our great collections,” says a delighted General Director Barbara Schneider-Kempf. The collections, which have grown over 360 years – including four pieces of world documentary heritage by Beethoven, Bach and Luther – are supplemented by around 100,000 media and extensive digital materials every year. The collection currently comprises more than 33 million different items, including 12 million books, autographs, printed music, magazines and newspapers as well as maps, globes and bequests.

The 620 workstations in the seven reading rooms currently have to remain empty. Due to the coronavirus, students and academics can only explore the redesigned library digitally for the time being. Important: From February onwards, lending operations will be restricted.

Speaking of libraries and reading material: discover the new library in Gundelsheim by Schlicht Lamprecht Architekten.